I’m going to try this yet again

My Grandmother and Great Aunt watched the soap opera “As The World Turns” faithfully; I do not have to watch a soap opera, my World is a soap opera or at the least a whirlwind. Now is could be that my world is turning at the same speed and I am getting slower and older butĀ  I have two new knees and I want to get my money’s worth out of them before their warranty is up.

So no apology for not writing for a year, just know I have been moving and learning and having a whole lot of fun along the way! I will spend some time re-reading my blog and try not to bore you with re-hashing things and I’ll take lots of pictures. So if you see something in one of the pictures you’d like to know more about just ask.

In 2012 we combined households with oldest son and his family. It was a good experience and I would not change a minute of it but the time had come for us all to move on our separate ways. The two grandchildren at home have grown and are more independent every day, we all have different interests and different schedules. So we are empty nesters again (November 2018) and thinking seriously what and how we want to spend the next years.

I have spent the last few months putting house back in my order. I have been sorting thru things with the idea of downsizing, I have looked at all my holiday decorations with the idea of keep or let go. Of course no decisions have been made yet, we need to think about where we want to move (I will never want to do this again), so I want to take it slow but move forward too. I will ask the kids if there are things they would like to have but that does not seem likely as the next generations are minimalists. So I see a great multi generation sale in my future.

I have been thinking about my art/craft belongings and have decided to start going thru my needlework stuff and downsize them too, although I see this as a minimal downsize. If it comes to a tea set or my needlepoint books….well, I hope someone in the family wants the tea set it is nice and has some history. I do have some books I am will to part with, not because I don’t love them but I may have two of them and in some cases I have moved on from that technique or I will never get around to trying.

Anyway, I am going to take my computer into the computer doctor to get it a full check-up and then I will proceed like I never left and hopefully I can keep my blogĀ  up to date.

But before I leave I want to tell you about an exhibit you should put on your calendar, especially if you live close to Kansas City. The Liberty Memorial WWI Museum (https://www.theworldwar.org/) has a special exhibit going on until Sept 2nd, 2019; Color of Memory, Fabric Art of WWI. I was privileged to go to a class last night that allowed us to see this exhibit and also to make a postcard (2019 version) of those made in WWI. Since I have one of these postcards (https://sudukc.wordpress.com/2009/08/10/my-birthday-present/), it was a treat for me and now I have two postcards to display from Memorial Day until Labor Day when I exhibit my R-W&B collection. So if you are in my next of the country, don’t miss this exhibit; and enjoy the rest of the museum too, it is our history.

 

 

 

 

 

Thanks for being patient with me. See you soon.

Thank you for stopping by, I hope you have time to stitch today.

ttfnā€¦sue

Beading and Kumihimo

After our herringbone bead sampler class at Florilegium, my friend Nancy and I set out to discover what KC had to offer in bead shops and like any specialized needleart stores in our area there are few. We ended up finding a home at Bead Boutique KC (http://beadboutiquekc.com/) or (https://www.facebook.com/BeadBoutiqueKC/). Andrea is the owner; expert beader and enablerā€¦just look at my stash.

 

We came away from our first visit with an easy leather stringing project; we could make a bracelet and scissor fob. And of course we ordered more to teach all our friends and grandchildren. It is a fun easy project; I have even done this with my Granddaughters. I made all my Grandsons a fact similar key-fob of a Boy Scout totem they wear when joining the tribe of Mic-o-say (https://www.hoac-bsa.org/tribe-of-mic-o-say) at H. Row Bartle Scout Reservation (https://www.hoac-bsa.org/bartle).

 

We set up a private class and learned Peyote: even-count. We signed up for a Basics of Beading meetings on the first Saturday of the month to learn different techniques from a basic beading book, Mastering Beadwork by Carol Cypher. We all bought it and a few others and more beads. We made a square of even-count peyote but I have to have an end result, so I looked through the two new books I decided to make beads.

 

There are two types of peyoteĀ beads: zipper and in-the round. I mastered the zipper method. And what do you do with 30 peyote beads; you make a bracelet. I also learned the ladder stitch for joining the beads, how to make a beaded clasp and a Pequot edging; not bad for a first project.

 

Our next class was an odd-count Peyote class. We made an American flag and I used size 8/0 beads because I was still trying to limit my stash accumulation. And I was also unsure of my ability and 8/0 beads are easier to do than 11/0 beads and definitely better than 15/0 beads, especially when learning. I hang this on a stand with all my other flags.

 

I have been very neglectful in attending the Basics of BeadingĀ 

meetings and need to get back into them; but before I became so lazy and weather became cold I did attend Double-sided peyote diamonds project at the Basics of Beading meeting. My color choices were too close and it is hard to see the changes. I have these diamonds but haven’t decided how to use them yet.

 

In the meantime I had finished my herringbone samplerĀ we had learned at Florilegium and Andrea suggested rather than buying more different beads I buy just buy size 11/0 in a matte black and finish this necklace. Well, it took me a couple months but I finally had two bead projects under my belt. Someday, I am going to buy or have enough beads to make a companion piece like the one in Bead Talk.

 

Then we found Kumihimo with beads. We had learned basic Kumihimo from Gretchen at Florilegium, Ā but this added beads. Several books later and a stash of beads and we were off and Kumihimo beading.Ā  I started off with a red beaded necklace that I was going to use some of the leftover beads from my even-count peyote RWB bracelet but havenā€™t done anything with the R-W& B beads yet. Maybe I’ll get back to doing something with the R-W&B beads since it’s almost that time of year again; but I finished the red necklace before to Christmas.

 

But before I finished the red necklace I made a Kumihimo with Magatoma beads scissor fob. After I had strung most of the beads I noticed these beads have an up and down to themā€¦.but at this point I didnā€™t care. I thought I had been careful to sting them all going the same way.Ā  Let me preface this, depending on the look you are going for; if you string all the beads in the same direction, one way the beads will lie down like hair or scales of a fish, the other direction they will stand out and if you do a random stinging you will have a completely different look.Ā  Mine all laid toward the bottom of the scissor fob like fish scalesā€¦but trust me, it was pure luck.

Last fall the group had planned another beading class; it originally was designed to be a necklace but Andrea thought it was to not pliable enough to be a necklace and so she had made them into two inch beads and put them on a chain. I have finished my twisted peyote beads and have to pick a chain but in the meantime decided to make a bobble for my red necklace to wear at Christmas. I chose green beads and in a couple days had a twisted peyote bobble to wear on my red necklace. It is easy to get on and off so I can make others (remember the R-W&B beads

 

 

 

 

I also have bought Kumihimo books by Karen DeSousa and she has a twisted bobble with a twist. I was making it for St. Patrick’s Day but after I got it finished I noticed it is so similar in color to the one I made at Christmas; and I think it will be difficult to slide this one on and off a necklace; so I see more beading in in my future.

I have accumulated so many to do projects not to mention the beads and books with so many ideas I like that I am now a bead addict too. I have accumulated I had to get another bookcase for my overflowing library.

I believe this sort of fills you in on the last year and half of my creative life; now I just need to find the time to do all these creative projects and the ones running through my head. I do have a few others to share but I think my next post is going to be needlepoint. It is my main love and I do have several needlepoint projects to share with you.

 

Donā€™t forget March 30 National Stitching-In Day.

 

Thank you for stopping by, I hope you have time to stitch today.

 

ttfnā€¦sue

Feb 8th: Feast of Hari-Kuyo

Bloggers and diary writers are left brained.

No apologies, no excusesā€¦I am just totally right brained and when my left brain does click in I don’t think about blogging. I do get messages that some of you out there are still reading my blog and I thank you.

Today I got two emails from a friend in NC, Pam B:

Greetings from NC.Ā  I first learned of the Festival from your blog.Ā  This year I shared it with my local ANG chapter and theyĀ too were charmed by the idea.Ā  Ā I am wishing you well and remembering happy stitching timesā€¦

and a second email:

Yes, please do get back to your blog!Ā  Ā I miss it and I know that others do too.Ā  Ā I actually had it set up to send me an email when you had a new entry and I often refer to it for how to’sĀ and encouragement to learn new skills.Ā  Ā No guiltĀ — but do come back to us!

Ā Thank you Pam, it jolted me into the present and a whole bunch of guilt. I have really been remiss in sharing with all of you my stitching friends. Ā I am sorry and will try to do better.

2018 well loved and used needles

I had been stitching last week and broke a needle, so when I put it in my broken needle bottle I remembered Feb 8th is the Feast of Hari-Kuyo. Ā I even had the thought that this would be a good day to try and start blogging again. So today when there were two consecutive emails, the first from a Temari friend reminding us that today was the Feast of Hari-Kuyo followed by the second email from my friend Pam. I decided to stop whatever I really wasn’t doing important and to blog. (yes, it does take me getting hit by a two by (four) email to get my attention).

I had been reading the first email that had a link to Wikipedia Hari-Kuyo (https://en.wikipedia.org/wiki/Hari-Kuyo) first and was researching this: “Threads of the five Buddhist colors were used with the needles”. I brought up a sight that listed these colors and their meaning:

Five Main Buddest Colors: “Pancha-varna in Sanskrit” means Five Pure Lights

Order of colors (Blue-White-Red-Green-Yellow) should be either top to bottom or left to right. In top to bottom order, it is to spread good fortune, peace, sympathy and wisdom.

Also look at chart on Five Wisdom Buddas (https://en.wikipedia.org/wiki/Five_Tathagatas)

ED NOTE: Can you tell how deep I get into thingsā€¦no wonder I never have time to blogā€¦

Meanings:

Blue: Purity & Healing

Buddha: Akshobhya Ā “Immovable One” (https://en.wikipedia.org/wiki/Akshobhya)

Represents consciousness as an aspect of reality.

Body Part: ears

Element: Air (sky & space)

Meditation: helps transform anger into wisdom

White: Learning & Knowledge

Buddha: Vairocana

Body Part: eyes

Element: water (air & clouds)

Meditation: cut delusion of ignorance to wisdom of reality

Red: Life Force & Meditation

Buddha: Amitabha

Body Part: tounge

Element: fire

Meditation: transforms delusion of attachment into wisdom of discernment

Green: Balance & Harmony

Buddha: Amoghasiddhi

Body Part: head

Element: nature (water)

Meditation: transforms jealousy into wisdom of accomplishment

Yellow: Rootedness & Renunciation

Buddha: Rainasambhava

Body Part: nose

Element: earth

Meditation: transforms pride into wisdom of sameness

These are my needles wrapped for Hari-Kuyo
needles

After about an hour into this first email tangent I returned to my emailsā€¦and there was Pam’s email. So I figured it was a “sign” and so I stopped reading my emails and finished wrapping my broken needles so I could blog about all this. I wrapped them in the five Buddhist colors. I put them in a pot in the back yard to bury when the ground thaws (winter and cold here.)

I took pictures, took time to semi get my thoughts together and voila, “Here I am” So now that I have started blogging again, I am making no promises. You can see from my desktop I have way too many irons in the fire and I just seem to juggle everything I want to do to keep my nose above water and I can get carried away on a tangent at a moments notice. I am going to spend some time looking at my blog and seeing where I left off and filling in some of the blanks. In a nutshell, this past year I have:

Not enough time…

*Finally learned to knitā€¦I am a novice at this and have not progressed very well.

*Took up needlefelting, although I have not given this as much attention as it needs

Both of these art forms need practice and I just don’t give them the attention they need. But I do have a small stash to help guilt me into keep trying.

*Taken up beading and I do like this hobby in fact have now expanded

OLYMPUS DIGITAL CAMERA

my stash to include beads

*Kumihimo both with and without beads.

*AND of course needlepoint. Needlepoint will always be my first love.

*Temari I still like these and need to make them more often

*And various other projects/ideas that are in my stash on buried on my desk.

& more stuff

*And last but not least the finishing of needlepoint I have neglected too.

As I said, I will go back and spend some time looking at my blog to see what I have been neglecting to share and to share some things I have been doing. I am not making any promises as to how often I will post but I do hope you will check back every now and then to see what I have been up to and what I am doing now.

Thank you Pam B for the kick in the backsideā€¦

And Thank you ALL for stopping by, I hope you have time to stitch today.

ttfnā€¦sue

P.S Dee hope you got an update! And thanks again for reminding me I was neglecting a nice part of my life.

 

Melissa Shirley Wicked: final thought

See what happens when I get busy or distracted. I had been writing this post for the week of May 15-20 and I got distracted or sidetracked and now here it is almost Memorial week-end and I am just coming up for air. So here is the final thoughts on Wicked…

After the stitching is completed then the piece has to be finished. I know I have been showing how to finish needlepoint but last year I was not up to the task of finishing. That’s my story and I’m sticking to itā€¦Seriously, I can do ornaments and some other little stuff but really haven’t had the time to try the biggies. One day I am going to try a pillow and a purse but for now I’m going to send big pieces to the finisher. I can’t even find time to sew a button on, let alone make a blouse or finish big needlepoint or for that matter any needlepoint.

 

I knew where I wanted to hang “Wicked” and how I wanted it finished. I drew a picture for the finisher and once the material was purchased I sent it to her to do her magic. Ā I was very pleased with the way it was finished and I love to see it hanging at Halloween.

To some people finishing a piece of needlepoint is easy; they take it to a trusted shop and have it finished. Not me, I agonize over finishing. As I am stitching I can see the finished piece, I get these pre-conceived images in my head and then I feel like I need to look for the material to finish the project. Nice for me I know the finisher and I can as her if my idea will work. If she says yes, then I’m off to look for material.

 

Now, let me give you the advice I seldom ever follow but every finisher I know will tell you is the truth.

You should buy the fabric for finishing before you ever start stitching.

I know, seems illogical to me too, but remember we are limited by out thread choices and the fabrics we choose to Ā finish our pieces are limited by their color choices. Now I will admit if you go to Hamilton Mo or any large quilt shop, you should be able to find a fabric. But what if you want a velvet or moirĆ© for that Christmas stocking you are spending hours stitching? There is a world of difference between DMC 666 red and DMC 321 or 498 red. And fabrics only come in certain colors. And yes, you could use green for the backing and lining, but there are different greens too. So, if you want as perfect a match as you can get; sometimes it is important to buy that fabric first.

And while we are talking “you buy the fabric”; remember that if you want self-cording you need extra fabric. Self-cording is cut on the bias of the fabric and will require more fabric. Just as local needlepoint shop or finisher how much fabric you will need to finish your piece.

 

And some shops stock fabrics for finishing, so ask before you head all over the countryside looking for that perfect fabric. Some finishers have fabrics stockpiled and if you ask the shop you use, they probably can tell you which red would be best on that stocking or they can ask the finisher for you.

 

I’m lucky we have several very nice fabric shops in the area. Sarah’s in Lawrence (http://www.sarahsfabrics.com/), and several quilt shops in the area, plus Hamilton, Mo (https://www.missouriquiltco.com/). I’ve been to Hamilton twice now and while it is both eye candy for the imagination it can be overwhelming also. Hamilton is quilt town in northern Missouri, aka Missouri Quilt Co; Google it or read my post from last yearā€¦

 

A word about finishersā€¦ Have you ever wondered why so many shops guard their finisher’s name so closely? The real reason is that they are not trying to keep her a national secret, they are trying to protect her from the thousand calls she would get during busy times of the year asking, “Is my ornament finished yet?” And that is why finishing deadlines are so early. I think a finisher told me one time she finish over 1000 ornaments for Christmas and that didn’t count the stockings. Keep in mind blocking boards can only hold so much and sometimes pieces need to be blocked more than once and sometimes needlepoint even needs to be cleaned before blocking may begin. (This is another blogā€¦but stitching in the hand vs stitching on a frame does have its drawbacks as well as its advantagesā€¦I will put this on my list of things to write about.)

 

Back to “Wicked”ā€¦ I found the fabric and Batik at Hamilton and bought it. Brought it home and took it to the shop for my finisher to pick up (No, just because I know her doesn’t mean I donā€™t have to take it to the shop. My finisher will not accept pieces except through the shops she does finishing.) I took the piece about mid-May and I got it back about mid-August.

 

What took so long? Mine was not the only finishing in line. Mine had to be blocked, just like the rest and maybe twice I didn’t ask; and it’s a pretty big piece so it took up some real-estate on the blocking board. Mine also only had the green material supplied, so my finisher had to get the black for the inset, thread and even the interfacing. I could have purchased the black but I didn’t think about it at the time and she suggested this after she saw the pieceā€¦that’s another reason you use a finisherā€¦She’s seen enough pieces to know what looks best even when you limit her by you pre-conceived finishing. And I had no idea what interfacing she would recommend. So see, Finishers do more than finish; they make your needlepoint look just like you want, and they know from experience what works best.

When “Wicked” returned home, it was just what I envisioned and more. I hung it and hated to see Halloween come to an end. I sometimes think I stitch long hours for a piece that only is displayed for a short time but I like it and it brings a smile to my face. And I hope it will be around for many years to come, maybe even one of my Grandchildren will want it when I am gone. Sometimes I get it out in it’s protective bag, and hand it on the door of my office just to look at itā€¦it makes me smile.

Oh and before I forget; what do I do with the stitch guide after I complete stitching the canvas? I destroy it; it is a copyrighted piece of work.Ā  And in my opinion, stitch guides should not be bought or sold without the purchase of the canvas! I have done two or three stitch guides for canvases and I will not sell them to individuals only to shops where I assume the canvas is purchased.

I know a stitcher who saves her stitch guides as a reference and that’s fine but I don’t want all the extra paper. I might make a note in my computer or my stitch notebooks I keep about a technique, stitch pattern or stitch but my stitch guide goes to the trash. I do not share it with my stitch friend who bought the canvas only because she liked mine. I destroy it. Enough saidā€¦my soap box stand for the week.

On another note…my family is having a garage sale…no needlepoint but I do have needlepoint books I have accumulated over the years. I will list them here next week with cost and then I will put them on Needlepoint Nation Stash after that.

Thank you for stopping by, I hope you have time to stitch today and over the holiday week-end. AND please don’t forget to honor those you know who are serving or have served in our military. Without these brave men and women we would not enjoy the freedoms we take for granted.

ttfnā€¦sue

Melissa Shirley Wicked: Embellishing

Over the week-end went to a bead show, bought some beads for projects (like I need more projects), but like I say wantĀ has nothing to do with need., so I indulged myself. Funny thing is when I got home I remembered I had purchased a bead project last year. But do you think I have found where I put that project? AĀ blog all of its own! I’ve looked a few places but still haven’t found it, but it will turn up…maybe much later. Anyway had a good time at the Bead-Blast.; look forward to next year.

Also went to out 1st art fair of the year. Brookside annual art Fair was this week-end (http://www.brooksidekc.org/art-annual) 32 years and I bet I have been to most. It is just a fun way to spend the afternoon or evening. There is always something to see and I usually come home with something too. This year I did not get anything but the art was very inspiring and my two favorites were Gwen Bennett’s Feather Art (http://gwenfeathers.com/)…these were beautiful. And after I got home and read about her art was even more impressed. And my other favorite was Julie Powell Beading (https://www.juliepowelldesigns.com/)…I will never be this good. Two reasons: My first love is needlepoint and I just don’t have the time or patience.

But it was a beutiful week-end (no rain) and we had fun.

I left most of the attachments, bullion knots and all the beading to the very end, I didn’t want to take the chance I would catch other threads on them and either snag the thread or worse still pull the embellishment or bead out of whack.

I have several Bullion knot needles I got from needlework shop. Colonial Needle distributes them and I blogged about them a couple times (https://sudukc.wordpress.com/2015/02/08/hari-kuyo-broken-needle-celebration/ ) or (https://sudukc.wordpress.com/category/needlework-tools/needles-needlework-tools/bullion-needle/). These needles are a size 20 and so they make a pretty good sized Bullion Knot.

I started with the Letter “K”. I decided the Bullion Needles were too large for the curly-q on top of the pumpkin and the bird’s feet, I used a #24 Tapestry needle. I stitched the curly-q before I stitched the birds feet; it is a very long bullion and I gave it a twist or loop.Ā  After curly-q I added the bird’s feet, more Bullion Knots that I stitched over and around the green curly-q, still using the #24 needle. I left the curly-q above the bird’s wing and the wing to apply later.

I stitched the red veins for the eyeball in Bullion knots using the long Bullion needles I stitched these into a center whole that I had enlarged with and awl (or larger Tapestry needle) to accommodate the eyeball I would attach later. Notice these veins go over the outline of the letter

Next Letter “C” and the legs of the spider. I used a #24 needle here too as I wanted the legs to be small.

And finally the Letter “I”, this had almost the whole top half of the letter unstitched. Using a Bullion needle I made a short Bullion for the top of the pumpkin at the bottom of the “I”. Then I made Bullions using the Bullion needles and made them looser than normal so they looked like curls. I made some at the top of her head too and these I made tighter so the brim of the hat could lay over them.

Then it came time to tackle the hat and flower on the Letter “I”. The hat was a padded ultra-suede applique with beading. I decided to applique the hat and only to tack the brim at the left side outside the letter and the right side on the tip also. The right side is also held in place by the flower. Next I did the ruched petals of the flowers using a flat braid thread and pulling one of the plies. Ā I left the hat beading and center of flower until I was finished with all the letters.

Two of the areas had a memory wire thread applied to the canvas; the pumpkin in the “W” and above the bird in the “K”.Ā  Memory wire thread is a thread with a fine wire hidden within it; some wires the wire is like one of the plies and other wire threads are wrapped wire with thread. I don’t know that one is any better than another, this was the first time I had used them. My only experience with wire before had been to use in finishing to make an ornament bend, so it looked like ribbon candy.Ā  First I cut two 3-4″ pieces of the memory wire, then I wrapped them tightly around a small knitting needle. I could have used the Bullion needle, a #18 or 20 Tapestry needle, or even the end of a laying tool; just anything that would coil the wire. On one end, I pulled enough back out straight to tie an Overhand Knot close to the coiled thread at one end; I also placed a small drop of Fray Check on the end to keep it from coming loose. I threaded a #26 needle with 1 ply of matching floss (you could use matching sewing thread) to secure the wire in place on the front of the canvas as well as to secure the tail to the back of the canvas.

To place the wire on the pumpkin on the “W” and above the bird on the “K” I used an #18-20 needle or laying tool. Ā I opened a space in the canvas to plunge the open end of one of the wired threads to the back of the canvas. I pulled the wire to the desired length and secured with at least one couching stitch on the front; then I turned the canvas over, left about an inch and half, cut excess and tacked the remainder securely to back of canvas.

Beading: There were two types of beads on this canvas; regular size 11 or 15 seed beads and then glass eyes on long pins. Go to Etsy and search for glass eye beads on a long pin, they come in all sizes and colors. Here’s one place: https://www.etsy.com/shop/TheWoolenWagon?ref=l2-shopheader-name. I’m sure you could find even the one used for the eyeball in letter “K”; I had smaller green one for the cat’s eye in letter “W”, larger green pair for the witch in letter “I” and amber ones for a bat in letter “D” and a solid black one for the bird in letter “K”. Ā These all came in the thread kit, so I don’t know the sizes. You were to place these in the proper place through the front of the canvas, with needle nose pliers bend the wire down into place and the secure with thread on the back. Since I had never done this before I was a bit apprehensiveā€¦I didn’t want to get into the wrong place on the front, break a pin bending it on the back, or after I secured to back finding the bead looked wrongly placed on the canvas. You guessed it, I left these until I could do nothing else.

I first did all the stars on the letters, then the bat eyes on letter “D”, and the skull on the witch’s dress on letter “I”. For the stars, bat eyes and skull I used the double thread, lasso method. I referred to the unstitched pictures of the canvas for placement of the stars; I did move a star to the nearest over one stitch of the Nobuko so I did not disturb the over 3 stitches. The other beading was on the letter “I” were the center of the flower, and it was just piling beads up to make a center. Then there were the beads on the hat, they were supposed to be Peyote stitched but at that time I did not know how to Peyote stitch (I just learned last week); so I just strung five beads by row and stitched them on the hat.

 

And then I attached the wing of the bird. I attached it at the top, poked the wires through the canvas ,Ā  bent the wired down and secure with thread to stitching on the back. Then on the front I bent just a bit to give the curve of the wing.

 

 

When there was nothing left but the glass eye beads I tackled them I started with the cat in letter “W” because I figured if I broke this bead I could use a metallic braid and make a French knot. Then I did the bat in letter “D” and the black eye in the bird of letter “K”, same thinking here. By know I was pretty sure I could do this and so I did the witch’s eyes letter I and then the big eyeball in letter “K”. They all turned out well, the big eyeball has a tendency to flop but I’m the only one it seems to bother.

 

 

And “Wicked” was stitched!

Thank you for stopping by, I hope you have time to stitch today.

ttfnā€¦sue

Melissa Shirley Wicked: Fun stuff

You should know that stitching does not happen overnight. I probably stitched on the background and letters for a good three weeks and maybe longer since I know it got boring. Big projects like Wicked are home projects; you just don’t pack these up and take them to a 2 hour stitch-inā€¦at least I don’t. I like to have them set up in my stitching nest and it is usually the one in my bedroom, where I can get away and just stitch. These times always remind me of the old Calgon commercialā€¦.”Needlepoint take me away!”Ā  I have my TV with recorded shows and my needlepoint, who could ask for anything more?

I usually have small projects (anything smaller than 12 x 12 inches) that I can take to a stitch-in or stitch downstairs in the family room stitch nest. Sometimes these are just my doodle canvas to audition stitches for the big project or another piece. And then there is the computer work that I often let get away from meā€¦my own that is. If I have a teacher’s work I keep on top of theseā€¦they have a schedule and so do I. We all have deadlines and other things to do in our lives.

I really like Melissa Shirley’s “Wicked”ā€¦I guess, otherwise why would I stitch it?Ā  I can’t imagine buying a piece of needlepoint I didn’t like let alone stitching one. Now that’s not to say that while stitching a piece of needlepoint I have not become less enamored with it. But I don’t think I have ever abandoned a piece of needlepoint; I even completed a notebook class.Ā  (https://sudukc.wordpress.com/2012/01/02/wilanna-bristow/) Wilanna Bristow, my first ever seminar teacher, even told me she had never seen one completed.

I have taken a technique class at seminar that I knew I was not taking for the piece, but to learn the technique or a class from a particular teacher; and I knew I would not complete the pieces after class but I stitched on them during class and kept all the information and samples in a notebook. The remaining supplies I incorporated into my stash.

But this is a whole other blog post; see how I can get sidetracked? ā€¦so lets get back to “Wicked”

Again I started with the “W” and moved right. I left all the beading until the very last but I’ll tell you about that as we go along. All the little white circles on all the letters are beads representing stars. All these were left until “Wicked” was stitched. More about beading later.

I am not going to tell you specific threads, because I feel that is part of the stitch guide and should be protected by copyright. The stitches are also protected by copyright ā€¦not the stitch but their use in this project. But since you can see the stitches in the picture I will use names.

Letter W: I started with the moon. It is lightly padded with a stranded thread (I may have gotten the padding thread from my stash) and then stitched over in Diagonal Gobelins with a thread that had some glitz. I outlined the moon also, since the cat was stitched with a black furry thread and did not want to be dragging this into the moon.

I padded the vertical slates of the fence and the center of the pumpkin only before stitching over them with the appropriate threads. I used the same thread to pad the areas as I used to stitch them.

The cat called for a stitch that to me seemed more difficult to do with the furry thread so I changed it. I used a brick stitch for the cat’s body and random stitches for his tail.Ā  I also used a stranded thread to stitch the two fangs on the face, I though a furry thread was not needed and another thread would make them look more like fangs. On hindsight, who was going to notice this but me? You would have to be too close to the canvas to notice this, but what can I sayā€¦it was my choice and at the time it felt right.

I left the cat’s eye (white square) and the curly q (rectangle on picture) on the pumpkin for later. I did use a highlighter in the stitch guide to note the areas I was leaving to do latter. It is easy to miss these details once you have stitched a large project. It has taken a long time to stitch and you are excited to get it finished and may even be stitching on a date deadline, so it is easy to overlook a small detail that will bug you later on. Just mark the stitch guide or keep a notebook handy to make notes.

I outlined the “W” after I finished all but the final embellishments.

Letter I: This was one of the three most difficult letters to stitch. It has a lot of details and several different techniques required.

I stitched the “I” in the following order, although I think the stitch guide started at the bottom and moved upā€¦ I stitched from lightest thread to darkest thread for the larger areas and left padded area until last. I Basketweaved the face, stitched Witch’s dress, coat, and then the pumpkin. The pumpkin is self-padded in the center section only. I stitched the details on the face and the nose, leaving the eyes for later (white rectangle). I left the hair (white rectangles), hat (white triangle), beading on hat White oval) and flower (white circle), skull beading (white oval) and the curly q (white rectangle) on the pumpkin for later. I have not done much applique, so I had to build my confidence up. The beading suggested was not a method I was familiar with so I had to decide whether to learn this or do something else. And the flower I knew how to do but it couldn’t be stitched until the hat was in place.Ā  I stitched the outline of the letter “I” even though the top was not completed. Then I moved on toā€¦

Letter C: Ā I outlined this letter before I began the details of the stitch design. This is one of the major changes I made to the piece and one of the easiest to stitch. The curves of the spider web were supposed to be beaded, but I didn’t do this. I stitched the spokes of the spider web first with a shiny braid and then couched the curves with the same thread using Ā a thinner matching thread to couch (I either had both threads in my stash or purchased them). I couched the long line the spider was hanging from last. I used the unstitched picture as a guide but since the entire letter C was stitched in Nobuko, no black lines were showing except the thread the spider was hanging from and the spider and the background had been stitched over these too.Ā  So everything on this letter was surface applied. The spider was supposed to be beads also but I stitched the body in a Cashmere Stitch and later stitched the legs in Bullion knots. I left the stars (white circles) and spider legs (white rectangle) Ā until later.

Letter K: Another difficult letter. Again stars (white circles) are stitched later. I really had to think about this letter and how I was going to stitch it so I took a few days to live with the letter and look at it closely. By “living with the piece” I mean I leave the needlepoint up in the stand and uncovered, so I can see it while I am working on another piece, sitting down to study the piece, or just walking by the needlepoint. I had to decide the order I wanted to stitch and if I wanted to do it like the stitch guide suggested or whether I was going to add my own stitching to the piece.Ā  I even thought about moving on to the letter “E” but it was also presenting its own difficulties and I wanted to save the letter “D” for last because it was easy. So after living with the piece a few days and really looking at all three letters that were giving me some difficulty (I-K-E), I came to some decisions. I made notes and checked the kit to be sure I had the things I needed and then began to stitch again.

I decided to stitch the bird first. Ā There were three stitches suggested for him, his head was Basketweave , I did not like the Basketweave on his beak so I stitched long slanting stitches over these to a point for his beak. His body a Cashmere pattern and his tail a straight stitch pattern. I stitched his pretty much as suggested but I did cover more of his body than was suggested because I had decided to make the wing a stumpwork piece. I also couched the black line from tip of his beak to the large eyeball bead using the black braid I had used for the spider web in letter “C”. I left bird’s eye to add later (white square)

The wing took some thinking about but and I decided to do it more like a stumpwork attachment than what was suggested. The suggestion was a second canvas finished like a small ornament and attached along long top side to main canvas by sewing The wing was stitched on a separate piece of canvas, I outlined the wing in satin stitch over a wire that I used later to attach wing to canvas. I also could bend the wing to give it more dimension. Ā I striped the canvas threads back to the stitching and wove them into the backside and covered these canvas threads with a piece of ultra-suede with an applique/sewing method. The wing was saved to attached later.

The pumpkin is self-padded with the same thread. If this piece had not been kitted I would have used floss or perle cotton to pad but I had a bunch (3 skeins). I outlined the letter but left pumpkin curly-qs, eyeball veins, birds feet and wing application for later (white rectangles and oval).

Letter E: I made more changes here too and even left some elements off. The easy part were the logs at the base of the letter. Before I did anymore I outlined this letter. Next I tackled the caldron; I would have to say the applique of the caldron wasn’t that hard. It is a padded piece of black leather but I did not put the metal handle on the caldron nor the lip of the pot. I didn’t think a handle was necessary and the pot was boiling over so you wouldn’t see the lip. The boiling and steam were a challenge I ruched the Flair for the boiling portion and I tried the technique suggested for the steam but didn’t like the way it looked.Ā  I took it out (what a pain). Since I was trying to cover the painting error; I wanted to be able to manipulate the thread. So I couched long lengths of Flair twisting as I applied for steam.

The flames were the hardest, didn’t care for the fiber given for this, Flair didn’t work so I tried a glitzy ribbon. I stitched Turkey Tufting with glitzy ribbon threads and then frayed ribbon with a sharp needle. I like it better than the other ideas, but I’m still not happy with it. I will say, when I finished stitching this letter the only thing left were to embellish with the stars (white circles).

Letter D: Always good to have an easy part to complete stitching or almost complete stitching. The D and C were the two easiest of the letters. Small bats at top of D were Basketweave and larger bats (lower part of D) were Basketweave faces and Directional Diagonal stitches. Ā I outlined the letter “D” after I stitched the bats. Ā I left the stars and eyes of the bats to bead later (white circles, ovals and rectangle).

Next time we will do the embellishing.

Later today I’m off to our first art show of the season and always one of my favorites. I may even get dinner and ice cream.

Thank you for stopping by, I hope you have time to stitch today.

ttfnā€¦sue

Melissa Shirley “Wicked”: Background & Letters

The first thing I did before stitching was to read the stitch guide and refer to the canvas. I wanted to be sure I understood everything before I began stitching. As I read I found several things I thought I might have to change but I didnā€™t make any notes and kept an open mind. I did make notes on things I wanted to remember to do.

Letter W

W: I outlined the areas that the stitch guide noted would be outlined. I even made a little asterisk mark at the points of the moon to begin and/or end the outlines here for a crisp point.

Fangs: I also marked those two stitches on the cat that looked out of placeā€¦it took me awhile but after looking at them quite a while I decided they were fangs and not mis-painted canvas.

Curly q on pumpkin: stitch guide said to stitch over this area.

Letter I:

I:Ā  Only the top part of the I was Nobuko stitched. I showed the outline around the letter Nobuko was stitched over petals of flower on hat and over hair. Only the center of the flower was left not stitched in Nobuko.

Also made note that skull was last thing on this letter to be stitched.

Letter C:

C: was the easiest letter to stitch; everything was stitched and the spider web was to be couched over these stitches later. The letter was also outlined.

Letter K:

Outlined again and the eyeball and the green curly q (I would have missed had it not be mentioned in the stitch guideā€¦colors were too close)

Letter E:

Outline letter. The steam is stitched over and noticed a mis-painted area in the E

Letter D:

Outline letter. Another straight forward letter, bats are either Diagonal Gobelin or Basketweave.

 

Then I began stitching. Like I said before I was happy that the boring part was being stitched firstā€¦not boring but mundane.Ā  I always try to stitch some of the background as I go because if you leave it until last it seems like it takes forever! I think it has to do with all the creative stitches have been completed and in your mind you may already be thinking about that next canvas you are going to stitch. Backgrounds can be sooooo mundane and sometimes because of this you will make a mistake and if the background comes around to meet itself it can be off and depending on where it meets can be disastrous. Sometimes if you catch it you can fudge the background and get it to work but if there is a definite horizontal and vertical line it can be difficult.

Background: This background had its challenges. I decided to center each area of the yellow and orange backgrounds because there was the black bar between them. Ā The orange background was the negative stitches of the yellow background, so I wanted the horizontal lines to match up but the vertical lines did not necessarily have to be continuous. The black divider between them would soften this difference. BUT I thought maybe the Black crosses could look off if they weren’t at least somewhat the same. So if you look at the W-I picture you will see a 1 by the third from left black divider; it is the only one that mostly goes from top to bottom. Ā I stitched that one first so the others I could sort of match up to this one when other stitching interrupted the line and the crosses would not be more than a thread off to the eye. I don’t think anyone would have ever noticed but me but I guess that is the ā€¦”it might be looked at by a needlework judge”. She will spot the off-ness anyway but at least I tried. And you know what a friend of mine saysā€¦.

“If you are close enough to my needlepoint to see the mistake, you may be too close.”

Background stitching: Ā I started in the middle of each section and worked toward the side that would give me a full, top to bottom row. Mostly every letter allowed at least one darning stitch to go from bottom to top and this kept the pattern in line. Also once the vertical line from top to bottom in the first section was established; it also started the horizontal lines across the top and bottom. And once the horizontal and vertical line was established in the yellow areas all the oval places in the picture will be the same stitch in each area. The same is true for the rectangle in the orange areas too. This will help keep the background from going askew before I am finished. Stitching the background around this letter was relatively simple as I either had the Nobuko stitches to turn around or areas that were to be padded, each letter was different.

Letter W: The solid white lines show the areas where when not turning a row in the Nobuko of the letter I could do a small turn around stitch or tacking stitch. I tried not to end threads in these areas unless I was sure there was going to be padding. The area by the cat’s tail (upper left) was an area where I first used a traveling stitch, but the other areas by the moon, fence and pumpkin were either padded or I could do a tacking stitch that would be stitched over later.

Letter I: The hat is ultra-suede so I could turn rows in this areas and I had stitched most of the top right half of the letter, leaving only the center of the flower unstitched. And the bottom was a pumpkin that was to be padded so I had turn around areas here too.

Letter C: This was one of the two easiest letters to stitch; it was all Nobuko and the spider web and spider were couched and stitched over. This made turn around/tack stitches easy for the background. Hardest part was the inside of the C background. I first stitched from center toward K until I had a full line, then went back and filled in the center of the C.

Letter K: The K didn’t present much of a problem stitching the background as the Nobuko is at the top and bottom of the letter, the pumpkin is padded and the bird body is a Cashmere variation that allows for turn-around stitches. The little bit of orange background in the center right of the K took a bit of maneuvering as not much stitch was on the top of the canvas.

Letter E: Since all the steam was stitched first in Nobuko and the pot was an applique, there were plenty of turn-around places for the background. I thought about repainting the mistake in the background but though I could cover with the thread and the steam, so I left it. I see it but I think the canvas has enough stitching interest to keep most people’s eye moving past it.Ā  I waited to do the yellow background until after I had stitched the orange between the E & D.

Letter D: Nobuko is pretty straight forward here again. The instructions say the large bats are stitched in diagonal Gobelins and smaller bats are Basketweave. So the top right bat was the only one I felt I needed to drop down below to make a turnaround stitch in Nobuko; the larger bats I could take a small tack stitch in the wing areas. The biggest problem was lining up the yellow background inside the D.

There are only three places where you have a top to bottom vertical line to keep the pattern established: to the left of the E in yellow background; the center line of the orange area, and the far right of the D. So you have to stitch background yellow center to the left and establish line on the E and center to the right to establish vertical line on the right of the D. The orange is the center line.

Once the background and letters were in the fun began and again I started with the W and worked to the D. Here was where I made a few more “sudu” changes. Remember, needlepoint has to be fun or don’t do it. I will usually try a new technique, stitch or thread but if it becomes frustrating to me or I don’t like it, I stop and take it out and find something that works for me.

Next time I’ll tell you about the design elements of each letter. If you have any questions, just ask in the comment area and I will try and answer them.

Thank you for stopping by, I hope you have time to stitch today.

ttfnā€¦sue

Melisssa Shirley “Wicked”

Promised we would add some needlepoint in hereā€¦and then I got behind last week and of course the blog is the first to go. I really wish I could write ahead and have several posts ready to go. I’ve just never been very good at that; maybe I’ll try again.

Most of my stitching is either a geometric counted pieces or I am designing my own original pieces so a painted canvas with a stitch guide is a rarity for me until this past year. This past year I have done at least three or four with stitch guides and several even had thread kits. BUT not one of them is stitched exactly like the stitch guide was written; sometimes I wasn’t happy with the chosen thread and other times I chose a different stitch. But I did read every stitch guide before I started stitching and if there was a thread or stitch I was unfamiliar with I either tried it on the edge of the canvas or on a doodle canvas I keep handy.

I go in spurts doing painted canvases and most of the painted canvases I have stitched never had a stitch guide so I was on my own. Stitch guides are a relatively new thing on the needlepoint market, they have become a big thing in the last several years. I have mixed feelings about stitch guides. I think they are great as a guide, but please remember these stitch guides are not written in stone. If you don’t like a certain thread or stitch, then don’t make yourself miserable trying to use it or stitch itā€¦change it. Needlepoint is supposed to be fun and THERE ARE NO NEEDLEPOINT POLICE (unless you enter a piece to be judged and then that’s a different story.) So be sure if you are buying a canvas with stitch guide and threads, be sure and look over the stitch guide first for threads you might want to substitute before purchasing all the threads. When you get home read the stitch guide and if there is a stitch you just fight all the time, then start to think of what you might stitch in its place.

So if possible, you might wait to purchase the threads for the canvas later. Live with the canvas a while, read the stitch guide and check you stash for threads or threads you can easily substituteā€¦i.e. Neon Rays for Ribbon Floss, one brand of silk for another (be sure to adjust ply and make sure color is very, very close. ) Also if there is a thread you do not enjoy stitching with, you probably have already thought of and used a substitute thread, so just see if it comes in the color you need for this project. You can also use partial skeins sometimes if the area you are stitching doesn’t call for multiple cards or skeins.

I always try and remember to take pictures of unstitched canvas before I start stitching; but sometimes I forget and I only remember when I get to a place where I want to cover the painted canvas and stitch laterā€¦but I usually get a picture before I stitch too much stitching is completed. I take pictures of my unpainted canvas one of two ways and sometimes both: The difference, you ask?

I use the copy machine, especially if there is an area I am going to use felt padding or need a pattern to make an applique. I use the copy machine when I want an exact copy of the design ..or almost exact copy. Ā Copy machines do reduce your image about 1-2%, but it is usually not negligible, and a copy machine pictureĀ is much better than trying to get a photo to resize to the correct size.

I use my phone or PHD (push here dummy) camera if I just need a picture to take notes about the canvas. I use this method when there is not a stitch guide and I want to make notes about the threads and stitches I use. With my camera image I can reduce or enlarge areas to suit my needs, but I still find the copy machine best if you are making a pattern of an area.

After I have an image(s) of the canvas I read the stitch guide. You bought a stitch guide, it is written, and you might as well read it. I also keep the canvas handy so I can refer to the areas as I read. I sometimes make notes on the image I have printed if I may want to change something or if there is something I want to look at or do before I stitch an area.

So let’s talk about one project I did last year, Wicked. This is a Melissa Shirley canvas (http://melissashirleydesigns.com/galsearch/index.cgi?index=1382044750_26409&col=)

OLYMPUS DIGITAL CAMERA

and I had a stitch guide and threads. I will tell you I did not always follow the stitch guide and there were a couple threads I did not use. The stitch guide was a guide for me and a few places I did change or modify instructions. Wicked was a gift to me and it came with canvas, stitch guide, threads and embellishments, so I just checked my stash to use up any partial threads I might have and I did substitute two thread choices, but I didn’t do it until I was stitching the area and the suggested thread was just not working for me.

OLYMPUS DIGITAL CAMERA

I made notes on pages I had printed out for each letter as I read the stitch guide and then as I stitched each letter I also made notes on these same sheets.Ā  My first change was to stitch the letters in Nobuko instead of Basketweave. I just wasn’t in a Basketweave mood and I really thought Basketweave would cause the letters to recede and I wanted them to be on top of the background. And by stitching them first, it gave me a place to turn rows of the darning background around with less difficulty and also to begin and end threads if I couldn’t get to an edge.

 

OLYMPUS DIGITAL CAMERAI was happy to read that I was suppose to stitch the background as one of the first elements of the project; backgrounds can be long and boring, especially after you stitch all the fun stuff. I decided to center the background darning pattern in each section; you can see my centering marks on the canvas. I also tried to begin and end threads for the background at the edges of the canvas using an “L” or “U” stitch. I could also begin and end threads in the letters where I stitched Nobuko. I used the Nobuko also to turn a row and keep background darning pattern thread in line. Ā Sometimes where I knew I would be padding the canvas with felt or thread I could also make a turning stitch, but I tried to keep this to a minimum. Sometimes I had to do a small tuck stitch or carry the thread up further than2017-05-01 beg & end I might have liked.

It seemed like it took me forever to get the background and letters stitched and I do think it took me about a month. But them each letter was fun to embellish and I worked them from W to D.Ā  I’ll tell you the few things I waited until the very last to do as I tell you about the letters. I did not stitch the details of each letter until I had the letters and background complete, but I didn’t take pictures either so you’ll have to bear with me on this one.

And this is about all I can write todayā€¦I think I am well over my 55 minute sitting time.

So I will get up and walk and maybe I can get back to this and be a few posts ahead.

Thank you for stopping by, I hope you have time to stitch today.

ttfnā€¦sue

Harikuyo – Broken Needle Festival.

Harikuyo – Broken Needle Festival.

Yesterday wasĀ “Harikuyo – Broken Needle Festival.” I have actively celebrated this for the past two years, you can click on hari-kuyo in the Categories list to see my other posts. Many fellow bloggers celebrate this festival too, so just check your other blogs or Google the festival. . If you would like to see how the ladies in the orient honor their prized possession here are a few links:

https://en.wikipedia.org/wiki/Hari-Kuyo

Yesterday I spent a few hours preparing my wonderful previously stitched with needles for myĀ “Harikuyo – Broken Needle Festival.” Last year I wrapped my needles in the same way I did this year; I have not yet decided how to permanently honor these old friends. I don’t want to put them in the ground; it is too cold and I don’t want them to eventually work up to the surface and hurt someone. One of my DiLs suggested I re-purpose them and do something creative with them to give them a new permanent life. Good idea just has not figured out what that will be.

I have thought about mingling them with the orts of the threads they so loyally helped onto my canvases to create the needlework I enjoy. I have kept orts and placed them in clear balls to decorate a stitching tree. And while this is an excellent idea it is so seasonal that I am waiting for inspiration to hit me for a more year-round idea. Any suggestions?

I kept last year’s packet on my desk to remind me that my needles are a very important part of my work and that I need to treat them with respect. I try to remember that like stitchers, needles come is different types and each has a purpose.

The Chenille friends are very much like my Tapestry friends but they have a sharp pointā€¦their numbers are even the same. I love the fact that the larger the needle size in Tapestry and Chenille needles, the smaller the needleā€¦it’s good to know that larger can be smaller.Ā  Chenille needles make it easier to pierce the needlepoint canvas when necessary and also they pass through layers with easy. I’m sure when I use my Chenille needles for this purpose my Tapestry needles are very relieved; because if I forget I usually end up pushing or pulling the Tapestry needle with needle-nosed pliers and sometimes I injure the eye of the needle and, sad to say, it will often join other fallen needles in the loved, used and put away area.

I seem to be most hard on the eyes of my needles. I think I sometimes try and make small needle do the job of one of its larger sisters. I will put a thread through the eye and then have to push and tug the needleā€¦and I know this is not good on the needle or the thread.

Happily, I noticed I have very few broken Tapestry and Chenille but my beading needles are another story; I am really tough on these poor girls. I love the look of beading; I think I just do not enjoy the process. I have been known not only to break these fragile girls but to destroy a bead or two in the process. And their eyes are so fine and thinā€¦not to mention the rest of themā€¦I think it must be a bit of needle envy on my partā€¦never was I this fine and thin.

And sad to say, this year my regular sewing needles and sewing machine needles are in short supply in the loved , used and put away area. This is not because I treat them better it is because I have not been using them. I’m hoping that this year will put a different perspective on these workhorse ladies of needlework and stitching. I keep many different types and sizes of needles in my sewing area; I have sewing machine needles from heavy duty to sheer and light; the Embroidery, sharps and millenary ladies all have their jobs and the needles are sized to do them.Ā  I love my curved needle for those hard to stitch areas; they seem to breeze through like a lady waltzing with her favorite guy. All of these lovely needles are in my finishing sewing boxes (yes I have two) in my needlework finishing area.

So for now until I have that ah-ha moment; I have wrapped and will keep Ā my wrapped needles of honor on my desk to remind me this year to better about using the correct needle for the job and not to abuse and hurt them but to retire them with love and memories of jobs well done.

Thank you for stopping by and today you must find time to stitch.

 

ttfnā€¦sue

1st Valentine’s Day Present

SDNote: Feb 25 Spoke With Michael Helmke and he is going to fill outstanding orders, but has suspended production of his products for personal reasons until the first of the year. HeĀ said he would let me know when he starts up again and I will let you all know too.

Last week I received a package I forgot I ordered, so I ‘m thinking it is my early Valentine present. This is good because by Valentine’s Day I will have forgotten and I can have another gift or two. ;=)

20160204 bAnyway I was using my original aficot when I stitched Anie Lane’s Welcome and then one of the books I was reading mentioned having one to lay and burnish silk. Ā My original was a gift from Kathy Holman at an ANG national seminar; all she 20160204 asaid was it was a laying tool and so for years that is all I knew about it. In the few books I have seen it mentioned, it was used as a laying tool and until last year I didn’t know the history. Mary Corbet told all about them last year (http://www.needlenthread.com/2015/03/whats-an-aficot-embroidery-tool.html )

I visited Michael Helmke’s site and fell in love with the different aficots and laying tools (http://www.mandhhandcrafts.com/Home_Page.html ) One of these days I am going to order the Pink Ivory and then I’ll let Michael tell me the differences in the Ebony or the Macasar Ebony; Ā which is more elegant and I’ll have to have one of these too and probably a laying tool to match.

My aficot came beautifully packaged and well protected. I have it sitting here on my desk to remind me to blog about it and then it will go up to my stitching collection area by my stitching nest and I will use it often. I’m really happy to have the box it came in because I have seldom taken my original aficot out because I do not have aĀ way to protect it in my stitching tool case. I’ll have to remember to ask Michael for an extra box next time I order another aficot. And when I get my next aficot I will have another collection…remember when you have two you have a few but three makes a collection.

Like Mary Corbett said, if nothing else it is a great conversation starter because we have seen so few of them. But really they do a beautiful job when laying silk, floss or any multi plied thread. Burnishing or polishing the laid threads almost makes them look like materialā€¦.Now before you all write meā€¦let me state that: An aficot WILL NOT make a poorly laid thread look smooth! If you have a ply that has crossed over the others; an aficot nor any tool will make that little misplaced thread fall back in place.Ā  Only frog stitching and relaying that thread will help this problem. I hate to frog stitch and I know that it is a pain; but if bothers you today, it will bother you ten years from now.

I’ll be back soon. I have been giving a great deal of thinking to my plans for 2016. Now that my threads are organized and I am working on reducing the pile of paperwork I have accumulated, I also have found another pile of things that really need my attention. More about this next time..

Stay warm, winter is not over yet. Andā€¦

Thank you for stopping byā€¦ I hope you find time to stitch today

ttfnā€¦sue