Melissa Shirley Wicked: final thought

See what happens when I get busy or distracted. I had been writing this post for the week of May 15-20 and I got distracted or sidetracked and now here it is almost Memorial week-end and I am just coming up for air. So here is the final thoughts on Wicked…

After the stitching is completed then the piece has to be finished. I know I have been showing how to finish needlepoint but last year I was not up to the task of finishing. That’s my story and I’m sticking to it…Seriously, I can do ornaments and some other little stuff but really haven’t had the time to try the biggies. One day I am going to try a pillow and a purse but for now I’m going to send big pieces to the finisher. I can’t even find time to sew a button on, let alone make a blouse or finish big needlepoint or for that matter any needlepoint.

 

I knew where I wanted to hang “Wicked” and how I wanted it finished. I drew a picture for the finisher and once the material was purchased I sent it to her to do her magic.  I was very pleased with the way it was finished and I love to see it hanging at Halloween.

To some people finishing a piece of needlepoint is easy; they take it to a trusted shop and have it finished. Not me, I agonize over finishing. As I am stitching I can see the finished piece, I get these pre-conceived images in my head and then I feel like I need to look for the material to finish the project. Nice for me I know the finisher and I can as her if my idea will work. If she says yes, then I’m off to look for material.

 

Now, let me give you the advice I seldom ever follow but every finisher I know will tell you is the truth.

You should buy the fabric for finishing before you ever start stitching.

I know, seems illogical to me too, but remember we are limited by out thread choices and the fabrics we choose to  finish our pieces are limited by their color choices. Now I will admit if you go to Hamilton Mo or any large quilt shop, you should be able to find a fabric. But what if you want a velvet or moiré for that Christmas stocking you are spending hours stitching? There is a world of difference between DMC 666 red and DMC 321 or 498 red. And fabrics only come in certain colors. And yes, you could use green for the backing and lining, but there are different greens too. So, if you want as perfect a match as you can get; sometimes it is important to buy that fabric first.

And while we are talking “you buy the fabric”; remember that if you want self-cording you need extra fabric. Self-cording is cut on the bias of the fabric and will require more fabric. Just as local needlepoint shop or finisher how much fabric you will need to finish your piece.

 

And some shops stock fabrics for finishing, so ask before you head all over the countryside looking for that perfect fabric. Some finishers have fabrics stockpiled and if you ask the shop you use, they probably can tell you which red would be best on that stocking or they can ask the finisher for you.

 

I’m lucky we have several very nice fabric shops in the area. Sarah’s in Lawrence (http://www.sarahsfabrics.com/), and several quilt shops in the area, plus Hamilton, Mo (https://www.missouriquiltco.com/). I’ve been to Hamilton twice now and while it is both eye candy for the imagination it can be overwhelming also. Hamilton is quilt town in northern Missouri, aka Missouri Quilt Co; Google it or read my post from last year…

 

A word about finishers… Have you ever wondered why so many shops guard their finisher’s name so closely? The real reason is that they are not trying to keep her a national secret, they are trying to protect her from the thousand calls she would get during busy times of the year asking, “Is my ornament finished yet?” And that is why finishing deadlines are so early. I think a finisher told me one time she finish over 1000 ornaments for Christmas and that didn’t count the stockings. Keep in mind blocking boards can only hold so much and sometimes pieces need to be blocked more than once and sometimes needlepoint even needs to be cleaned before blocking may begin. (This is another blog…but stitching in the hand vs stitching on a frame does have its drawbacks as well as its advantages…I will put this on my list of things to write about.)

 

Back to “Wicked”… I found the fabric and Batik at Hamilton and bought it. Brought it home and took it to the shop for my finisher to pick up (No, just because I know her doesn’t mean I don’t have to take it to the shop. My finisher will not accept pieces except through the shops she does finishing.) I took the piece about mid-May and I got it back about mid-August.

 

What took so long? Mine was not the only finishing in line. Mine had to be blocked, just like the rest and maybe twice I didn’t ask; and it’s a pretty big piece so it took up some real-estate on the blocking board. Mine also only had the green material supplied, so my finisher had to get the black for the inset, thread and even the interfacing. I could have purchased the black but I didn’t think about it at the time and she suggested this after she saw the piece…that’s another reason you use a finisher…She’s seen enough pieces to know what looks best even when you limit her by you pre-conceived finishing. And I had no idea what interfacing she would recommend. So see, Finishers do more than finish; they make your needlepoint look just like you want, and they know from experience what works best.

When “Wicked” returned home, it was just what I envisioned and more. I hung it and hated to see Halloween come to an end. I sometimes think I stitch long hours for a piece that only is displayed for a short time but I like it and it brings a smile to my face. And I hope it will be around for many years to come, maybe even one of my Grandchildren will want it when I am gone. Sometimes I get it out in it’s protective bag, and hand it on the door of my office just to look at it…it makes me smile.

Oh and before I forget; what do I do with the stitch guide after I complete stitching the canvas? I destroy it; it is a copyrighted piece of work.  And in my opinion, stitch guides should not be bought or sold without the purchase of the canvas! I have done two or three stitch guides for canvases and I will not sell them to individuals only to shops where I assume the canvas is purchased.

I know a stitcher who saves her stitch guides as a reference and that’s fine but I don’t want all the extra paper. I might make a note in my computer or my stitch notebooks I keep about a technique, stitch pattern or stitch but my stitch guide goes to the trash. I do not share it with my stitch friend who bought the canvas only because she liked mine. I destroy it. Enough said…my soap box stand for the week.

On another note…my family is having a garage sale…no needlepoint but I do have needlepoint books I have accumulated over the years. I will list them here next week with cost and then I will put them on Needlepoint Nation Stash after that.

Thank you for stopping by, I hope you have time to stitch today and over the holiday week-end. AND please don’t forget to honor those you know who are serving or have served in our military. Without these brave men and women we would not enjoy the freedoms we take for granted.

ttfn…sue

3D Finishing: Melissa Shirley Sewing Bird Part 2

Materials used:

Stitched and blocked needlepoint pieces
2 Copies of each stitched, blocked pieces
Backing fabric: I used two
Ultra-suede for the wings
Cotton for the rest: fat quarter would be ample
Batting: low loft for wings and body
Batting: craft weight for sides and body
Fiber Fill
Sewing thread to match fabric
Illustration board
Paper scissors
Glue
Cording
Usual sewing supplies

Like I said last week, the body gave me some trouble. I spent at least three days trying different methods, losing my cool, and becoming more frustrated.  I had thought I could finish these two pieces as I had finished the sides but trying to sew the lining to a hard piece of illustration board smoothly did not work.  So since I had cut out a first lining and clipped curves I trashed that lining and cut a second. I also tried to stitch the needlework to illustration board and it proved to be not only not smooth but bulky too. Luckily I had left a lot of canvas and all I had to do was trim a bit more.

I used a lightweight piece of batting (cut two for each side…you will use the other for lining)  to separate the needlepoint canvas from the illustration board and the since I had already somewhat clipped the curves I trimmed and clipped the canvas again and GLUED it to the illustration board.  This was about a three day project since I first tried to lace the needlework to illustration board; then I had to undo, fume, fume some more, cut another piece of illustration board, still fume, and then give in to the little voice that kept saying “glue.” I figure if I keep saying “glue” it will get better.

Truthfully I am not a glue person, but I also know most of my needlework is not going to the Smithsonian; most of my needlepoint will be lucky to survive two to three generations. I have one piece that is registered with the Smithsonian and that is my White House needlepoint stocking but in all fairness all White House collections are registered with them; they are the storehouse and inventory control for all collections.

So when all else fails…glue. Yes, I said glue, but I had already used all the other four letter words I knew and to keep my sanity and finish this project, glue was the answer. I glued the needlework to the illustration board.

The second piece of batting needs to be trimmed to be about an 1/8th inch smaller than the needlework.  Then I clipped the curves, pinned the lining to the batting, and stitched it in place.

 

Next I pined and stitched the linings to the front pieces.

Then I assembled the front piece to the side pieces and pinned together. Here is why the lining pieces are a bit fin30a inside of friendssmaller than the needlepoint. If you’ll notice on my friend’s piece the inside looks like the lining fits snuggly together, but it didn’t look stitched, just snuggly fit. So I made my linings just a tad smaller so they would fit somewhat like these too.  That was the easy part, next came stitching. I stitched the pieces together; sometimes I had to use my trusty third hand (needle-nosed pliers) to push or pull the needle between the threads of canvas. Stitching the angles and curves took some times and since I was going slowly this took another day.

Then I made a bottom for the stitching bird.  Again I had a picture of my friend’s fin33a bottom of friendsand I knew it needed to recede.  I cut a bottom and trimmed until it fit, covered it with lining fabric and stitched in place leaving the four corners unstitched so I could hide the ends of the cording in the bottom.

Made cording for the sewing bird; two long ones to go around large bird pieces and two small pieces to fin35b  together cord allcover the side ends. Pinned the side pieces on first and stitched into place; I hid the ends in the linings as best I could then sewed the large pieces around the bird hiding the ends in the bottom. Here is a blurred picture of the direction of the larger pieces of cording around the face of the birds. Again used my third hand a few times , but finally could see the light at the end of the tunnel. Almost finished ;-)!

 

Oh those #### wings. I thought I had a curved needle to sew these in place but my curved needle I think is an upholstery needle and will leave holes not only in the wing but the bird too. Need to see if what other curved needles are available. Thought about gluing them on but just could not bring myself to do this. So for now I have used  silk pins and pinned them in place for now.

Finally a finished sewing bird! Many hours, many choice words, a bit of glue and I have a stitching bird to add to my sewing tools collection. I also will have a fond memory of a stitching friend who is no longer with us, she loved birds.  And one more thing, this project took me less than a year to complete, I started August 5, 2015  and it is completely finished…trust me I have projects older than this still not yet stitched and more projects stitched but not finished.

Do you have unfinished stitching projects? Why? Did you lose interest in stitching? Or after you stitched it, were not satisfied enough to have it finished? This is probably another thought for a blog post. Send me your thoughts and I’ll mull this one around.

But the one thing I did learn from this project is that when that little voice in your head tells you you are in too deep…listen!  I wish I had listened to that little voice in my head that said, “Send it to the finisher.” I would have saved myself a lot of anger and frustration. And yet now that the project is completed I do feel accomplished…even if I would not do it again!

Thank you for stopping by, I hope you have time to stitch today!

ttfn…sue

3D Finishing: Melissa Shirley Sewing Bird Part 1

Materials used:

Stitched and blocked needlepoint pieces
2 Copies of each stitched, blocked pieces
Backing fabric: I used two
Ultra-suede for the wings
Cotton for the rest: fat quarter would be ample
Batting: low loft for wings and body
Batting: craft weight for sides and body
Fiber Fill
Sewing thread to match fabric
Illustration board
Paper scissors
Glue
Cording
Usual sewing supplies

20160712 a bird yellowI have contemplated how to finish this piece for weeks/months. I should have listened to that little voice in my head that said, “Send it to the finisher.”  But no I just kept looking at it and I had a friend who had stitched one (she sent hers to the finisher) and I figured I could manage this myself. Afterall it was just a stand up without the stuffing… and ornament in 3-D…I can do this.

I had it on the blocking boards for a long time while I mulled over finishing in my mind. Then I got brave and began the process. I mad two copies of each of the blocked pieces.  And then I plunged in…I felt like a kid jumping off the high dive for the first time. Once you get up your courage to climb that ladder you gotta go off the diving board; if you climb down…well you all know what that means when you’re a kid. So off I plunged…

Once I took the plunge it was a long way down to the finish; this project took me at least two weeks to complete. I would breeze right along and then I would hit a rough patch and it would take me a couple days to get through it. I’ll let you know as we go along where, when and why I became frustrated.

blockingI had blocked the pieces. Even though I had stitched the designs on Evertite stretcher bars I still block. I do know some people who adjust and tightened their Evertites and block using them too but I do not.   I use my Marie’s blocking board (if any one has one they don’t want, I will pay to have it shipped to me.)

I also made two copies of the pieces on the printer/copier for patterns. Remember copies of copies are a bit smaller, I think the standard is about 97-98% smaller; so when you make a copy of your stitching it is already a bit smaller.  And sometimes I use more than one copy and so I have a second in reserve in case I need it. It is hard to make a second copy once you have started or cut the first copy.

I started finishing the wings, they were easy; they were like a soft ornament.(see: https://sudukc.wordpress.com/2016/03/23/finishing-ornaments-3-soft-ornaments/) I cut out one of the copies for a pattern of each wing. I colored the edges with my Copic pens (https://imaginationinternationalinc.com/copic/), I don’t like grin through.

I trimmed the canvas to within a 1/2 inch of stitching and clipped the curves.  I finger pressed to the back and used Clover clips to hold in place.  These clips come in several sizes, I like the green jumbos best (http://www.joann.com/clover-12pcs-jumbo-wonder-clips-neon-green/14789036.html). I buy them at JoAnns with my $$ off coupons.

 

I stitch the canvas to the back with a double waxed sewing thread. Always wax your thread…it makes it stronger and it keeps it from twisting and knotting.

I used a small piece of ultra-suede I had to back the wings; I used each stitched wing to cut a backing fabric. I marked the stitched needlepoint onto the wrong side of the fabric and clipped the curves. I cut two pieces of low-loft quilt batting using the patterns I made for the wings. I used one of the quilt battings to stabilize the backing fabric and to give me something to fold the ultra-suede back onto and it also gave me something to baste the fabric in place.

Then I sandwiched all together: needlepoint second batting and backing and pinned together. I stitched the wings. I also decided that there was not enough dimension to the wings so I stuffed them with fiber-fill. I didn’t think I filled them too much but they proved to be a problem later on.

I also made a small cording, joined and stitched it around the wings…The wings were completed and truthfully I think this took me a couple days, but they were no problem.

Next I finished the side straight pieces; one short and one long…these had the decorative flowers stitched on them. I used pretty much the same method I had used finishing the wings without the fiber-fill.

Using the patterns I cut batting for large and small side pieces. I cut the needlepoint to within 1/2 inch of stitching.

I finger pressed the edges to the back mitering the corners around the craft weight quilt batting, pinning in place.

Using a double waxed length of sewing thread I laced the sides together,  starting in the middle and working toward ends and stitching the mitered corners.

Then I cut backing fabric 1/2 inch larger that the needlepoint. I finger pressed and pined to be just slightly smaller than the finished needlepoint. I pressed this in place with my new gadget I purchased some time ago to help with finishing. It’s a Clover Mini Iron with all sorts or attachments. It has a large and small iron head, a ball head (I think for curves, a long thin head (probably for corners and a cutting knife. And I doubt I will ever use the cutting knife since I do not want to gunk up the iron for finishing.

The reason that I stitched these slightly smaller than the needlepoint is because when I assemble the pieces together I am going to join them together through the needlepoint and therefore the lining needed to be slightly smaller because it will be inside the bird.

I stitched the backing to the needlepoint using a single waxed thread.  These pieces went quickly and I thought I was on a roll; then finish came to an abrupt halt.

The bird body gave me some trouble and so if you don’t mind I am going to continue this saga next week., otherwise this post will be way toooooo long. I can give you a hint…I did finish this bird but it took me the better part of a week, a few well-chosen words and a do over. But for now…

Thank you for stopping by, I hope you have time to stitch today!

ttfn…sue

Finishing: ornaments 3: Soft ornaments

Shaped ornaments may be finished with illustration board but I find it easier to finish them as a soft ornament. Any shape , even square or round may be finished using this method. These ornaments take a bit more time because they are hand stitched, no glue here.

Stuffing is a personal thing; some prefer tightly stuffed, while others like softer ornaments that are not stuffed as much. Whichever type you prefer, remember to use small amounts of fiber fill. Use a chopstick (reason to eat out) to push small amounts of fiber fill in to the nooks and crannies of shaped ornaments. My personal preference is somewhere between medium firm to firmly stuffed, squishy ornaments are not my thing.

Materials List:

BLOCKED Needlepoint

Copy of blocked needlepoint

Lining (optional)

Fabric Backing

Iron-on Pelon  or fleece: medium weight

Hanger (optional) Can use cording

Sewing thread to match Needlepoint and/or backing

Cording

Chop Stick or pointed tool

Usual sewing supplies

Step 1: Make a copy of your needlepoint on the copy machine and cut out.

 

 

Step 2: Lay copy right side up on the non-iron side of the pelon and draw around cut out copy.  Place on fabric backing for the ornament and iron to backing.

 

 

Step 3: Trim ornament to 1/2 inch and clip. Finger press the canvas to the back side of the needlepoint and hold in place with pins.

 

20160323 OrnSoft 4Step 4: With a long waxed thread tack the excess to the back of the needlework with running stitches. Be careful not to take the stitches to the front of needlepoint canvas.

Step 5: Repeat this process for the fabric backing, checking to be sure that 20160323 OrnSoft 5the fabric backing will match the needlepoint canvas. Be sure the running stitches are only tacked to the pelon or fleece.

Step 6: Optional. I used a hanger I bent to fit as a 20160323 OrnSoft 6hanger  to fit the sweaters.  I attached this to the needlepoint side of the canvas with basting stitches.

 

 

20160323 OrnSoft 7Step 7: Pin the needlepoint to the fabric backing.

Step 8: With the back side facing you (don’t ask me why…it’s just easier) and a waxed thread, ladder stitch the front to the back. The ladder stitch catches canvas 3-4 threads on the needlepoint and then 20160323 OrnSoft 8 ladder stitch graphicabout a 1/4 inch in the fold of the backing fabric. Pull this stitch snuggly, drawing the canvas and backing together. Do not for get to leave an opening for the ends of the cording and a place to stuff. Note the sweater ornaments had two openings; one at the hanger and one I left at the bottom to use for stuffing.

20160323 OrnSoft 11Step 9:  Using small amounts of stuffing, stuff the ornaments to the desired fullness. Use a chop stitck, small knitting needle or any pointed instrument to stuff; poking small amounts of stuffing into small places and corners. When stuffed to desired fullness, 20160323 OrnSoft 10close the hole with more ladder stitches.

Step 10: Make a cording to match or blend with the needlepoint. Attach to needlepoint hiding the ends in an opening left for this purpose.

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Step 11: With back side (backing fabric) toward you stitch cording to canvas with 1 strand of waxed thread. This thread should match the cording and if multi colored cord match fabric backing, whatever is most inconspicuous. Stitch through the cording, NOT over the cording. Stitching over the cording creates dimples in the cording that are not pretty.

Enjoy your finished ornament.

 

 

 

 

There is another type of soft ornament finishing and that uses fleece. These ornaments are not stuffed but rather stitched with fleece layers between the front and the back. I find this a great way to make a scissor fob…

It is finished very much the same way the above ornament is done:

Materials:

Blocked needlepoint Canvas

Backing material

Fleece

Thread

Cording

Step 1: Cut needlepoint canvas to 1/2 inch from needlework, angle corners.

Step 2: Finger press to back of needlepoint and pin.

Step 3: Cut fleece just a bit smaller then needlework and attach with running stitches being careful not to go through to the front of the needlepoint.

Step 4: Cut backing fabric 1/2 larger than needlework. Also cut 2 more pieces of fleece 1/8 to 1/4 inch smaller than needlepoint.

Step 5: Finger press and pin into place, mitering corners.

 

Step 6: Stitch needlepoint to fabric backing using ladder stitch method. Remember to leave opening for cording.

Step 7: Making cording and attach to needlework.

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Enjoy your new scissor fob. Hint you can also use to park needles.

This will be all the finishing for a couple weeks. Today as  I am having total knee replacement and will be rehabbing for a few weeks. But I look at it this way, I will have a good knee to keep me on my finishing quest.

AND I am going to have some great stitching time! 😉

Thank you for stopping by, I hope you have time to stitch today!

ttfn…sue

Monkey year…complete it year

A few posts back I wrote…http://eac-blog.blogspot.com/2016/02/some-unfinished-business.html

I’ll be back soon. I have been giving a great deal of thinking to my plans for 2016. Now that my threads are organized and I am working on reducing the pile of paperwork I have accumulated, I also have found another pile of things that really need my attention. More about this next time

I have sooooooo many stitched pieces that need to be finished that I should never stitch another piece of needlepoint. Well, we all know that is not going to happen so I am going to just bite the needle and start finishing. Another reason I am telling you this is that it will make me accountable, if I tell someone then I will have to do it or at least try.

So, this year , if it kills me I am going to tackle this project. I am going to get rid of the pies of paper on my desks.  I am going to finish many of my completed needlepoint pieces. And of course I am going to stitch.

I can tell you before I begin that this is probably not going to be my favorite project; if it were I would never have amassed this pile of unfinished needlework.  I just kept putting it off until It was either sell one of my children (and they are all too old to sell and I could never sell one of my grandkids), take a loan on our home (DH would not sign the papers, I tried) or try to do it myself.  And just so everyone knows, I am NOT going into the finishing business!  I can do it for myself because if I mess it up I can either live with it or get rid of it…but I would die a thousand deaths if I messed up someone else’s work.

So this monkey (yes, it is the Chinese year of the monkey) has decided that 2016 is the year of the finishing, finished projects are a priority. Not only is finishing needlepoint a priority, but that stack of accumulated papers on my desk is another priority. There are not just papers on my desk(s), yes I have two because I moved from smaller desk to larger area on table in office. I am getting stacks everywhere…and I didn’t even take you into the sewing area there are more canvases there.

So even though I will be stitching (a girl has to do what a girl has to do to keep her sanity);  I will also be using a pointed needle to finish some stitching.  I’m going to use scissors and glue too. So come along and we will learn together. If I forget to mention something just ask and if I have an answer I’ll tell you and if not we will put it out there and maybe someone else will have an idea or two. Together we can conquer the finishing challenge…and if all else fails I can send it to the pros.

Thank you for stopping by… I hope you find time to stitch today with whatever type needle you need to get the job completed.

ttfn…sue

My Stitching bird.

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I usually set the next un-stitched canvas I want to stitch out on stretcher bars so I can look at it as I finish stitching the last one. This usually gives me incentive to finish a canvas and not dawdle; but sometimes (usually) I get ahead of myself and stick the new canvas audition out to soon and it frustrates me that the canvas I am working on is stitching so slowly.

This is one of those pieces that had many side stories to it, or maybe it is just insight into my crazy thinking. At any rate, I will try and explain as we go…I am going to walk you through MY processing. It takes some turns and twists…so let’s get started. This canvas is painted on three separate pieces of canvas for easy of handling; so I have three canvases framed up and I am going to start the bird’s bodies first.

2015-08-05 MS Bird tear sheetThis Melissa Shirley (http://melissashirleydesigns.com//) canvas is another guild member’s canvas (Remember if you like this canvas ask your shop to see if the canvas is still available.)  She loved birds and stitched many of them…I have a couple turkeys she stitched but this was one that spoke to me, so I brought it home. I knew I wanted all the squares to be the same stitch: middle blue square are Reversing Scotch, lightest blue squares are Milanese; and dark blue squares are Byzantine.  The yellow bars are Slanted Gobelin and the little squares would be Smyrna Crosses. I had even decided to stitch the bird in Brown Paper Packages’ Silk n Ivory (http://www.brownpaperpackages.com/).

(1st twist). Yes, I know some stitchers think Silk & Ivory pills on 18 count canvas and it may; but I have never had this problem. I think if you are stitching something that is going to get a lot of wear (belts, purses, etc.); Yes, then you should think about using another thread. But remember any thread on a wearable garment will wear: perle cotton will lose its luster as will silk pearls, floss will not hold up to constant wear, and wool will pill too. So in my opinion, you should use what you like. Wearable stitching is not for a lifetime in most cases. Using Silk and Ivory on 18 count ornaments, standups and other decorative pieces works for me and I use it. The only problem I have ever encountered over the years is that large area of Silk and Ivory stitched in Basketweave tend to be tight (but I did it on this piece as you will see), but I have very little or no problem with decorative stitches. I do us a size 22 needle when stitching with Silk and Ivory, I think the larger needle opens the wholes of the canvas a tad more and helps the thread move smoothly through the canvas.

So I had pulled my threads (I originally intended to do the entire bird in Silk and Ivory and had pulled all the threads. Good thing I have my stash at hand…because the best plans usually change.)

2015-08-05 MS Blue Bird square counts usedI don’t know why I picked a center square to start must have been Stitching Angel intervention, but somewhere I got it in my head these were not perfect squares. They are 16 threads to each square separated by 3 threads. But I made a mistake and stitched the Reversing Scotch Stitches over three threads instead of four. I could have taken it out but 2015-08-05 MS Blue Bird scotch squarefor whatever reason (I hate Frog stitching) I kept going.  I assumed the squares were off, but if I added a fourth thread to the dividers I could continue…I later went back and charted the Reversing Scotch and I liked my mistake better, so I kept it. After I played around and decided this mistake would work there was another twist: I have decided to change some of 2015-08-05 MS Bird rev scotch used 2the threads.

2nd twist: I have a list from Kreinik (http://www.kreinik.com/) of the threads they are no longer stocking (some you can request others have been discontinued) and I had spent a day separating these out so I would not use them for designing. I had lots of 042 Confetti fuchsia; I had used it to teach a class years ago when I was in certification for teaching. I use discontinued threads only in pieces for my personal use. So I decided to take yet another twist…

2015-08-05 MS Blue Bird copic marker3rd twist: A few years ago I discovered Copic pens (http://www.copiccolor.com and http://www.copiccolor.com/) and now I can’t get enough of them. While playing with the Copic pens and an air gun I realized I could color areas of white canvas to simulate any color canvas I could want to purchase…hummm…but that’s another story. But I have used them to color canvas backgrounds if I need a larger or different shaped background.  I wonder if I can change the color too?  So I stopped stitching and changed all the yellow to sorta pink so I could use the Kreinik Confetti Fuchsia.

So now I am back on track, well at least my track. I am stitching the blue squares and looking at the wings and sides too

2015-08-05 MS Blue Bird chin aAnother turn came (not really a twist but a stitchers/finishers decision) when I went to stitch under the beak. Since I have been doing some of my own finishing I am more aware of these sharp, small turns that do not finish well. So here, under the beak I made another stitchers choice. See that one stitch that is unpainted, it went away; not the finishing there will 2015-08-05 MS Blue Bird chin bbe easier. As you are stitching and you see this little opps, you can cover them with a stitch and finishing will be much easier

So for now I am stitching along on the blue bird bodies…I will be back with the sides and wings soon. .

Thank you for stopping by… I hope you find time to stitch today!  ttfn… sue

Why do you stitch canvases?

When you buy a canvas do you think what the finished product will be? You should but few of us do. We are impulse buyers and this is good for shop owners but not always wise for us. There is just so much wall space that pictures can occupy. And even though I love my dog to bits, I do not like her using my needlework pillows as her lounging chair. And when are stand-ups & ornaments too many, not to mention where you store them all? So next time you go to buy that canvas, please think about the finished product; what will it be, where will it go, where will you store it if you need to do this and who will get it (if it is a gift)? All good questions and if you can’t answer them, then you might think about another canvas…because we all know that we have to purchase a canvas to maintain our mental stability. And visiting a shrink is more expensive and it will take you too long to get an appointment, so find a canvas you can see finished (someday), you can live with and then by all means… purchase it.

Do you ever buy previously owned canvas? Sometimes these canvases come with threads and stitch guides too. They can be from Susie Stitcher who is no longer as excited to stitch the canvas as she was when she purchased it; it can be from a guide member who is downsizing; or an estate sale of a former member. While I have purchased a canvas or two (less than 6) from an online auction company; I like to buy directly from the original owner, I like the connection to the stitcher.  I prefer to purchase something from a guide member at an estate sale for a couple reasons: 1. It gives that person a portion of her investment back or 2. It reminds me of that guild member who is no longer with us.

I have several of these and each time I stitch one I remember this lovely stitcher and how much I enjoy(ed) her company. This is one of those canvases, and when I got it out to stitch it I wondered how she had meant to finish it. I’m guessing a picture, but I do not know for sure. I asked on Facebook: Needlepoint Nation Group how I should finish this piece (https://www.facebook.com/groups/NeedlepointNation/search/?query=sue%20dulle) and received many responses: bolster pillow, box, black lacquer box, top for a new stitching bag; basket band, top of a chair back, door draft stopper, hat band, eyeglass case, table runner, top of a mirror, tray insert, coat rack inset and a stand up. At first I thought I would learn to make a box, then I thought top of a tote bag or a bolster pillow, but after stitching on it I’m not sure.

The canvas is an older canvas from Melissa Shirley Designs. I think it has been retired; but when I contacted Melissa Shirley Designs (http://melissashirleydesigns.com/)for permission to use photos, she had some great advice for those of us looking for an older canvas. She suggested you contact your local shop and have them check with the designer; they sometimes have a back stock or will be willing to paint a special order. There were at least two others if memory serves me well; one was with a fish and the other I do not 2015-07-06 Barbara pictremember. Thank you Barbara Cohen for sharing one of the other pieces that are in this series. The piece is lovely and I do like the framing too. .  Does anyone remember the other design canvases in this series? Maybe I should check and see if the others in this series are still available… Oh my gosh, I am enabling myself!

This canvas I purchased from a guild members estate was kitted with silks and so I decided to use these…there were some stitch suggestions from the shop that chose the threads but I decided to wing it on my own. First I took a picture of the unstitched canvas. I always try to do this as a reference to the canvas; I print this as a reference only. AND I do not keep them 2015-07-06 MS JB unstitchedafter I am finished stitching and shred these pictures as they are not my designs.

I try to remember to ask permission of the designer to use pictures of the design in my blog too. I’m not always good at this; I guess I think all of you who needlepoint and read my blog are honest. I did contact Melissa Shirley Designs and obtained permission for two of her canvases. And then feeling guilty, I contacted some other designers I plan on stitching and received their permission too.

I Basketweaved all the children’s skin and most of their outfits; the exceptions were the small decorative stitches and they were either Reverse Basketweave, Cross over 2 threads one direction, Cross stitch over 1…whatever fit the area. Their backpacks or ribbons were mostly Diagonal Goblins to fit. I decided to have some fun with the hair and so three of the children have padded, hair, I think they call this Shimada hairstyle [https://en.wikipedia.org/wiki/Shimada_(hairstyle)]. The second child from the left just had wild hair… Random Straight stitches; while the second child from the right had a more controlled hairdo using Straight stitches in a more controlled method.

2015-07-06 MS-JB shoesThe shoes of the children were a combination of Cross stitches to fit; the heels and straps were Elongated Cross stitches to fit.2015-07-06 MS JB feet & grass

I spent 2015-07-06 bookan evening perusing for a grass stitch I liked. I chose #Grass 27 from Stitch Landscape from Little Shoppe Canvas Company (http://littleshoppecanvascompany.com/books); your local shop should be able to get this helpful little book for you.

Next I am going to stitch the butterfly…and then the background.

I still am undecided about how to finish this but maybe it will come to me as I stitch.

Hope everyone had a safe and happy 4th of July! Enjoy the rest of your summer…

Thank you for stopping by… I hope you find time to stitch today!

ttfn…sue