This week I played with Temari Balls.

I belong to a couple groups online and one is doing a beginning study. While I have been doing Temari Balls for a long time, I do not consider myself anything but a beginner. I think in order to advance you should work at the art regularly and I am sporadic at best.

I can do most of the simple divisions and some of the complex divisions. I am not at all familiar with the terminology, especially the Japanese terms that true Temari artists use. I call a ball stitched with spindles and “spindle Temari”; while a true Temari artist calls this “Tsumu kagari.”

But I like to keep my beginning skills up and so every now and then I join in rather than just lurk all the time. If you would like to explore the two sites I frequent most, here they are: they just recently changed web hosts and I think you have to ask permission to join but that should not be a problem.

Temari Challenge for Everyone: https://temarichallenge.groups.io/g/Main

Temari Talk Companion group to Temari Kai (see below)  https://talktemari.groups.io/g/main

 

And here are the Temari sites I explore most:

Barbara Suess: http://www.japanesetemari.com/index.html

Temari Kai: http://www.temarikai.com/

Temari Obsession: http://www.npcdesign.com/index.html

This study (Beginning Basics) appealed to me because it was the perfect opportunity to explore some concepts that I had been tossing around in my head while also honing my beginning skills and practicing stitching  a spindle.

In my Temari Ball mind I have wanted to play with DMC #3 and #5 perle cotton to see the differences in making a ball. This seemed like the perfect opportunity to explore this concept.  I learned that two rounds of stitching with #5 perle is about equivalent to 1 round with #3 perle. It is kind of an eyeball adjustment and a judgement call but at least I have an idea now.

 

In the past some of my spindles seem to pop out of place and now I know why. I was not allowing enough space between the stitches. I have decided that a good rule of thumb for stitching spindles is that there should be at least the diameter of the thread between stitches. And if you lay the thread where it should be placed you can see where to take the next stitch. Following these personal observations, my Temari spindles turned out very well.

 

Another thing I gleaned from this study is that if you are using more than two threads of the same color from one source, make sure they are the same or at least compatible. I used #3 and #5 perle in three colors: the white and dark blue were the same but the light blue was two different colors (even though they were the same number). When placed next to each other under a bright light, one had a blue-green cast while the other was a true blue tint.

 

I also experimented with stitches at the pole points. This one I used a Smooth Spider Web stitch.

I also tried using a double silver thread and twisting it in the needle before stitching. Both of these experiments worked fairly well.

This was a fun experiment and I considered it a great learning experience, so  I am going to try and continue following along and practicing…never know I might consider myself an intermediate Temari Ball stitcher when I get.

I am going to get back to needlepoint and I have been stitching. I’ve been stitching on a secret project but I did take pictures and so when it is completed and given as a gift I will post all about it. And as a matter of fact going to do another one as an experiment. More later.

Would also like to get back to finishing needlepoint as it is mounting up. And I haven’t told you everything I did last summer and this summer is already about half over. I made a list of things to write about and I don’t think I’ve covered more than a couple….see how I get distracted. Okay off to finish another non needlepoint project….but next week I will share needlepoint.

Thank you for stopping by, I hope you have time to stitch today.

ttfn…sue

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Melissa Shirley Wicked: final thought

See what happens when I get busy or distracted. I had been writing this post for the week of May 15-20 and I got distracted or sidetracked and now here it is almost Memorial week-end and I am just coming up for air. So here is the final thoughts on Wicked…

After the stitching is completed then the piece has to be finished. I know I have been showing how to finish needlepoint but last year I was not up to the task of finishing. That’s my story and I’m sticking to it…Seriously, I can do ornaments and some other little stuff but really haven’t had the time to try the biggies. One day I am going to try a pillow and a purse but for now I’m going to send big pieces to the finisher. I can’t even find time to sew a button on, let alone make a blouse or finish big needlepoint or for that matter any needlepoint.

 

I knew where I wanted to hang “Wicked” and how I wanted it finished. I drew a picture for the finisher and once the material was purchased I sent it to her to do her magic.  I was very pleased with the way it was finished and I love to see it hanging at Halloween.

To some people finishing a piece of needlepoint is easy; they take it to a trusted shop and have it finished. Not me, I agonize over finishing. As I am stitching I can see the finished piece, I get these pre-conceived images in my head and then I feel like I need to look for the material to finish the project. Nice for me I know the finisher and I can as her if my idea will work. If she says yes, then I’m off to look for material.

 

Now, let me give you the advice I seldom ever follow but every finisher I know will tell you is the truth.

You should buy the fabric for finishing before you ever start stitching.

I know, seems illogical to me too, but remember we are limited by out thread choices and the fabrics we choose to  finish our pieces are limited by their color choices. Now I will admit if you go to Hamilton Mo or any large quilt shop, you should be able to find a fabric. But what if you want a velvet or moiré for that Christmas stocking you are spending hours stitching? There is a world of difference between DMC 666 red and DMC 321 or 498 red. And fabrics only come in certain colors. And yes, you could use green for the backing and lining, but there are different greens too. So, if you want as perfect a match as you can get; sometimes it is important to buy that fabric first.

And while we are talking “you buy the fabric”; remember that if you want self-cording you need extra fabric. Self-cording is cut on the bias of the fabric and will require more fabric. Just as local needlepoint shop or finisher how much fabric you will need to finish your piece.

 

And some shops stock fabrics for finishing, so ask before you head all over the countryside looking for that perfect fabric. Some finishers have fabrics stockpiled and if you ask the shop you use, they probably can tell you which red would be best on that stocking or they can ask the finisher for you.

 

I’m lucky we have several very nice fabric shops in the area. Sarah’s in Lawrence (http://www.sarahsfabrics.com/), and several quilt shops in the area, plus Hamilton, Mo (https://www.missouriquiltco.com/). I’ve been to Hamilton twice now and while it is both eye candy for the imagination it can be overwhelming also. Hamilton is quilt town in northern Missouri, aka Missouri Quilt Co; Google it or read my post from last year…

 

A word about finishers… Have you ever wondered why so many shops guard their finisher’s name so closely? The real reason is that they are not trying to keep her a national secret, they are trying to protect her from the thousand calls she would get during busy times of the year asking, “Is my ornament finished yet?” And that is why finishing deadlines are so early. I think a finisher told me one time she finish over 1000 ornaments for Christmas and that didn’t count the stockings. Keep in mind blocking boards can only hold so much and sometimes pieces need to be blocked more than once and sometimes needlepoint even needs to be cleaned before blocking may begin. (This is another blog…but stitching in the hand vs stitching on a frame does have its drawbacks as well as its advantages…I will put this on my list of things to write about.)

 

Back to “Wicked”… I found the fabric and Batik at Hamilton and bought it. Brought it home and took it to the shop for my finisher to pick up (No, just because I know her doesn’t mean I don’t have to take it to the shop. My finisher will not accept pieces except through the shops she does finishing.) I took the piece about mid-May and I got it back about mid-August.

 

What took so long? Mine was not the only finishing in line. Mine had to be blocked, just like the rest and maybe twice I didn’t ask; and it’s a pretty big piece so it took up some real-estate on the blocking board. Mine also only had the green material supplied, so my finisher had to get the black for the inset, thread and even the interfacing. I could have purchased the black but I didn’t think about it at the time and she suggested this after she saw the piece…that’s another reason you use a finisher…She’s seen enough pieces to know what looks best even when you limit her by you pre-conceived finishing. And I had no idea what interfacing she would recommend. So see, Finishers do more than finish; they make your needlepoint look just like you want, and they know from experience what works best.

When “Wicked” returned home, it was just what I envisioned and more. I hung it and hated to see Halloween come to an end. I sometimes think I stitch long hours for a piece that only is displayed for a short time but I like it and it brings a smile to my face. And I hope it will be around for many years to come, maybe even one of my Grandchildren will want it when I am gone. Sometimes I get it out in it’s protective bag, and hand it on the door of my office just to look at it…it makes me smile.

Oh and before I forget; what do I do with the stitch guide after I complete stitching the canvas? I destroy it; it is a copyrighted piece of work.  And in my opinion, stitch guides should not be bought or sold without the purchase of the canvas! I have done two or three stitch guides for canvases and I will not sell them to individuals only to shops where I assume the canvas is purchased.

I know a stitcher who saves her stitch guides as a reference and that’s fine but I don’t want all the extra paper. I might make a note in my computer or my stitch notebooks I keep about a technique, stitch pattern or stitch but my stitch guide goes to the trash. I do not share it with my stitch friend who bought the canvas only because she liked mine. I destroy it. Enough said…my soap box stand for the week.

On another note…my family is having a garage sale…no needlepoint but I do have needlepoint books I have accumulated over the years. I will list them here next week with cost and then I will put them on Needlepoint Nation Stash after that.

Thank you for stopping by, I hope you have time to stitch today and over the holiday week-end. AND please don’t forget to honor those you know who are serving or have served in our military. Without these brave men and women we would not enjoy the freedoms we take for granted.

ttfn…sue

Melissa Shirley Wicked: Embellishing

Over the week-end went to a bead show, bought some beads for projects (like I need more projects), but like I say want has nothing to do with need., so I indulged myself. Funny thing is when I got home I remembered I had purchased a bead project last year. But do you think I have found where I put that project? A blog all of its own! I’ve looked a few places but still haven’t found it, but it will turn up…maybe much later. Anyway had a good time at the Bead-Blast.; look forward to next year.

Also went to out 1st art fair of the year. Brookside annual art Fair was this week-end (http://www.brooksidekc.org/art-annual) 32 years and I bet I have been to most. It is just a fun way to spend the afternoon or evening. There is always something to see and I usually come home with something too. This year I did not get anything but the art was very inspiring and my two favorites were Gwen Bennett’s Feather Art (http://gwenfeathers.com/)…these were beautiful. And after I got home and read about her art was even more impressed. And my other favorite was Julie Powell Beading (https://www.juliepowelldesigns.com/)…I will never be this good. Two reasons: My first love is needlepoint and I just don’t have the time or patience.

But it was a beutiful week-end (no rain) and we had fun.

I left most of the attachments, bullion knots and all the beading to the very end, I didn’t want to take the chance I would catch other threads on them and either snag the thread or worse still pull the embellishment or bead out of whack.

I have several Bullion knot needles I got from needlework shop. Colonial Needle distributes them and I blogged about them a couple times (https://sudukc.wordpress.com/2015/02/08/hari-kuyo-broken-needle-celebration/ ) or (https://sudukc.wordpress.com/category/needlework-tools/needles-needlework-tools/bullion-needle/). These needles are a size 20 and so they make a pretty good sized Bullion Knot.

I started with the Letter “K”. I decided the Bullion Needles were too large for the curly-q on top of the pumpkin and the bird’s feet, I used a #24 Tapestry needle. I stitched the curly-q before I stitched the birds feet; it is a very long bullion and I gave it a twist or loop.  After curly-q I added the bird’s feet, more Bullion Knots that I stitched over and around the green curly-q, still using the #24 needle. I left the curly-q above the bird’s wing and the wing to apply later.

I stitched the red veins for the eyeball in Bullion knots using the long Bullion needles I stitched these into a center whole that I had enlarged with and awl (or larger Tapestry needle) to accommodate the eyeball I would attach later. Notice these veins go over the outline of the letter

Next Letter “C” and the legs of the spider. I used a #24 needle here too as I wanted the legs to be small.

And finally the Letter “I”, this had almost the whole top half of the letter unstitched. Using a Bullion needle I made a short Bullion for the top of the pumpkin at the bottom of the “I”. Then I made Bullions using the Bullion needles and made them looser than normal so they looked like curls. I made some at the top of her head too and these I made tighter so the brim of the hat could lay over them.

Then it came time to tackle the hat and flower on the Letter “I”. The hat was a padded ultra-suede applique with beading. I decided to applique the hat and only to tack the brim at the left side outside the letter and the right side on the tip also. The right side is also held in place by the flower. Next I did the ruched petals of the flowers using a flat braid thread and pulling one of the plies.  I left the hat beading and center of flower until I was finished with all the letters.

Two of the areas had a memory wire thread applied to the canvas; the pumpkin in the “W” and above the bird in the “K”.  Memory wire thread is a thread with a fine wire hidden within it; some wires the wire is like one of the plies and other wire threads are wrapped wire with thread. I don’t know that one is any better than another, this was the first time I had used them. My only experience with wire before had been to use in finishing to make an ornament bend, so it looked like ribbon candy.  First I cut two 3-4″ pieces of the memory wire, then I wrapped them tightly around a small knitting needle. I could have used the Bullion needle, a #18 or 20 Tapestry needle, or even the end of a laying tool; just anything that would coil the wire. On one end, I pulled enough back out straight to tie an Overhand Knot close to the coiled thread at one end; I also placed a small drop of Fray Check on the end to keep it from coming loose. I threaded a #26 needle with 1 ply of matching floss (you could use matching sewing thread) to secure the wire in place on the front of the canvas as well as to secure the tail to the back of the canvas.

To place the wire on the pumpkin on the “W” and above the bird on the “K” I used an #18-20 needle or laying tool.  I opened a space in the canvas to plunge the open end of one of the wired threads to the back of the canvas. I pulled the wire to the desired length and secured with at least one couching stitch on the front; then I turned the canvas over, left about an inch and half, cut excess and tacked the remainder securely to back of canvas.

Beading: There were two types of beads on this canvas; regular size 11 or 15 seed beads and then glass eyes on long pins. Go to Etsy and search for glass eye beads on a long pin, they come in all sizes and colors. Here’s one place: https://www.etsy.com/shop/TheWoolenWagon?ref=l2-shopheader-name. I’m sure you could find even the one used for the eyeball in letter “K”; I had smaller green one for the cat’s eye in letter “W”, larger green pair for the witch in letter “I” and amber ones for a bat in letter “D” and a solid black one for the bird in letter “K”.  These all came in the thread kit, so I don’t know the sizes. You were to place these in the proper place through the front of the canvas, with needle nose pliers bend the wire down into place and the secure with thread on the back. Since I had never done this before I was a bit apprehensive…I didn’t want to get into the wrong place on the front, break a pin bending it on the back, or after I secured to back finding the bead looked wrongly placed on the canvas. You guessed it, I left these until I could do nothing else.

I first did all the stars on the letters, then the bat eyes on letter “D”, and the skull on the witch’s dress on letter “I”. For the stars, bat eyes and skull I used the double thread, lasso method. I referred to the unstitched pictures of the canvas for placement of the stars; I did move a star to the nearest over one stitch of the Nobuko so I did not disturb the over 3 stitches. The other beading was on the letter “I” were the center of the flower, and it was just piling beads up to make a center. Then there were the beads on the hat, they were supposed to be Peyote stitched but at that time I did not know how to Peyote stitch (I just learned last week); so I just strung five beads by row and stitched them on the hat.

 

And then I attached the wing of the bird. I attached it at the top, poked the wires through the canvas ,  bent the wired down and secure with thread to stitching on the back. Then on the front I bent just a bit to give the curve of the wing.

 

 

When there was nothing left but the glass eye beads I tackled them I started with the cat in letter “W” because I figured if I broke this bead I could use a metallic braid and make a French knot. Then I did the bat in letter “D” and the black eye in the bird of letter “K”, same thinking here. By know I was pretty sure I could do this and so I did the witch’s eyes letter I and then the big eyeball in letter “K”. They all turned out well, the big eyeball has a tendency to flop but I’m the only one it seems to bother.

 

 

And “Wicked” was stitched!

Thank you for stopping by, I hope you have time to stitch today.

ttfn…sue

Melisssa Shirley “Wicked”

Promised we would add some needlepoint in here…and then I got behind last week and of course the blog is the first to go. I really wish I could write ahead and have several posts ready to go. I’ve just never been very good at that; maybe I’ll try again.

Most of my stitching is either a geometric counted pieces or I am designing my own original pieces so a painted canvas with a stitch guide is a rarity for me until this past year. This past year I have done at least three or four with stitch guides and several even had thread kits. BUT not one of them is stitched exactly like the stitch guide was written; sometimes I wasn’t happy with the chosen thread and other times I chose a different stitch. But I did read every stitch guide before I started stitching and if there was a thread or stitch I was unfamiliar with I either tried it on the edge of the canvas or on a doodle canvas I keep handy.

I go in spurts doing painted canvases and most of the painted canvases I have stitched never had a stitch guide so I was on my own. Stitch guides are a relatively new thing on the needlepoint market, they have become a big thing in the last several years. I have mixed feelings about stitch guides. I think they are great as a guide, but please remember these stitch guides are not written in stone. If you don’t like a certain thread or stitch, then don’t make yourself miserable trying to use it or stitch it…change it. Needlepoint is supposed to be fun and THERE ARE NO NEEDLEPOINT POLICE (unless you enter a piece to be judged and then that’s a different story.) So be sure if you are buying a canvas with stitch guide and threads, be sure and look over the stitch guide first for threads you might want to substitute before purchasing all the threads. When you get home read the stitch guide and if there is a stitch you just fight all the time, then start to think of what you might stitch in its place.

So if possible, you might wait to purchase the threads for the canvas later. Live with the canvas a while, read the stitch guide and check you stash for threads or threads you can easily substitute…i.e. Neon Rays for Ribbon Floss, one brand of silk for another (be sure to adjust ply and make sure color is very, very close. ) Also if there is a thread you do not enjoy stitching with, you probably have already thought of and used a substitute thread, so just see if it comes in the color you need for this project. You can also use partial skeins sometimes if the area you are stitching doesn’t call for multiple cards or skeins.

I always try and remember to take pictures of unstitched canvas before I start stitching; but sometimes I forget and I only remember when I get to a place where I want to cover the painted canvas and stitch later…but I usually get a picture before I stitch too much stitching is completed. I take pictures of my unpainted canvas one of two ways and sometimes both: The difference, you ask?

I use the copy machine, especially if there is an area I am going to use felt padding or need a pattern to make an applique. I use the copy machine when I want an exact copy of the design ..or almost exact copy.  Copy machines do reduce your image about 1-2%, but it is usually not negligible, and a copy machine picture is much better than trying to get a photo to resize to the correct size.

I use my phone or PHD (push here dummy) camera if I just need a picture to take notes about the canvas. I use this method when there is not a stitch guide and I want to make notes about the threads and stitches I use. With my camera image I can reduce or enlarge areas to suit my needs, but I still find the copy machine best if you are making a pattern of an area.

After I have an image(s) of the canvas I read the stitch guide. You bought a stitch guide, it is written, and you might as well read it. I also keep the canvas handy so I can refer to the areas as I read. I sometimes make notes on the image I have printed if I may want to change something or if there is something I want to look at or do before I stitch an area.

So let’s talk about one project I did last year, Wicked. This is a Melissa Shirley canvas (http://melissashirleydesigns.com/galsearch/index.cgi?index=1382044750_26409&col=)

OLYMPUS DIGITAL CAMERA

and I had a stitch guide and threads. I will tell you I did not always follow the stitch guide and there were a couple threads I did not use. The stitch guide was a guide for me and a few places I did change or modify instructions. Wicked was a gift to me and it came with canvas, stitch guide, threads and embellishments, so I just checked my stash to use up any partial threads I might have and I did substitute two thread choices, but I didn’t do it until I was stitching the area and the suggested thread was just not working for me.

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I made notes on pages I had printed out for each letter as I read the stitch guide and then as I stitched each letter I also made notes on these same sheets.  My first change was to stitch the letters in Nobuko instead of Basketweave. I just wasn’t in a Basketweave mood and I really thought Basketweave would cause the letters to recede and I wanted them to be on top of the background. And by stitching them first, it gave me a place to turn rows of the darning background around with less difficulty and also to begin and end threads if I couldn’t get to an edge.

 

OLYMPUS DIGITAL CAMERAI was happy to read that I was suppose to stitch the background as one of the first elements of the project; backgrounds can be long and boring, especially after you stitch all the fun stuff. I decided to center the background darning pattern in each section; you can see my centering marks on the canvas. I also tried to begin and end threads for the background at the edges of the canvas using an “L” or “U” stitch. I could also begin and end threads in the letters where I stitched Nobuko. I used the Nobuko also to turn a row and keep background darning pattern thread in line.  Sometimes where I knew I would be padding the canvas with felt or thread I could also make a turning stitch, but I tried to keep this to a minimum. Sometimes I had to do a small tuck stitch or carry the thread up further than2017-05-01 beg & end I might have liked.

It seemed like it took me forever to get the background and letters stitched and I do think it took me about a month. But them each letter was fun to embellish and I worked them from W to D.  I’ll tell you the few things I waited until the very last to do as I tell you about the letters. I did not stitch the details of each letter until I had the letters and background complete, but I didn’t take pictures either so you’ll have to bear with me on this one.

And this is about all I can write today…I think I am well over my 55 minute sitting time.

So I will get up and walk and maybe I can get back to this and be a few posts ahead.

Thank you for stopping by, I hope you have time to stitch today.

ttfn…sue

Blue Bird Flowers: More Flowers

I am really not liking these flowers now. I think it is because I am ready to move on to other stitching and the blue bird has a bunch more stitching before it is ready for the finishers.

I was working on a piece at a time but that seems kind of counterproductive. I don’t seem to get into a rhythm, so I’ve sorta decided to work by color and get these flowers stitched.

2015-11-12 BB aThe pink stitches were first in this new method; there was just a single pink flower  (#4) on the large side piece. I stitched the green area in a woven stitch using #4
Kreinik Braid. Truthfully, this is a green no longer being produced, but I think this is an excellent way to use your stash and should I run out of #4 I’m sure I also have a spool of #8 2015-11-12 BB b pinkbraid and who but me is going to notice. In fact if you look at the pictures, the magenta Kreinik I used is Confetti Pink 042 and I believe this is one of the colors Kreinik is phasing out. I happen to love it and have it in every size so if I ran out I used another size. I have even been known to twist ribbon in the needle to use as braid.

But back to the flowers…The border is a Freeform Satin using Neon Rays, so I had to lay the Neon Rays. But the center is my favorite. I love to do French Knots and so both the white and read areas are stitched in French Knots. I used the Confetti Pink 042 first and covered most of the area, then added a few white perle French Knots around the edges.
2015-11-12 BB d redThere are four red flowers: 2 large (#6: one on the wing and one on the large side piece) and 2 small red flowers (#5: one on the large side piece and one on a wing) I’m not wild about all the white around the flowers (see stitch placement picture) so sometimes I just stitch over these areas with the petal color. The small red flower is stitched using all French Knots (yes I am on a roll). I stitched from the center out with yellow floss, Kreinik Confetti Pink 042, and white perle; then added beads.

2015-11-12 BB c redAnd since I am on the French knot making roll, why stop? I decided that since I was not found of doing satin stitch, French Knots on a Stick would do nicely for the petals of the red flowers. In case you hadn’t noticed all the red flowers are really Confetti Pink, and guess what the Needlepoint Police have not shown up at my door yet…and if they do I’m not answering the door!  And yes the centers are filled with more French Knots using green Kreinik, yellow floss and pink beads.

Can you tell I’m losing interest in this piece? I’ll be back next week to finish up the flowers…I am bound and determined to be done with this piece by Thanksgiving…I have too many other canvases to stitch….not to mention the original ideas floating around in my head.

Thank you for stopping by… I hope you find time to stitch today

ttfn…sue

Lost my stitching buddy…Violet Angel


Monday, I lost my stitching buddy and so have spent little time stitching in the stitching nest (have been stitching temari balls in the family room.)

Her official name was Violet Angle, violet/purple is Josh (grandson’s) favorite color and he got to name her since she was really his trick or treat gift 16 years ago this month. We called her Angel, since a yellow tabby called Violet might have given her identity problems and God knows she was nuts to come into this crazy household anyway.

She was a true tabby and she either loved you to pieces or wanted nothing to do with you…and she hated the vet! I had never seen a spiting cat until we took her to the vet the first time. She went into the cat carrying case a cute 8 week old kitten and came out at the vet’s office a spitting, growling angry yellow cat. Vet even commented, “You have this cat around children?” We assured him this was not our kitten and so after the exam he put that angry cat back into the carrier and when we got back home our sweet angle walked out, purring and rubbing up against us. That remained her attitude right up to her last day; she either loved you or wanted nothing to do with you… although over the years she learned to just hide rather than make a lot of noise.

14-01-23 sick deskShe loved to sit and watch me whatever I was doing. And her best times were ironing days and stitching times. On ironing days she would lie on the floor by the cord so it would brush over her as I moved theiron. She never batted at the cord just used it as her personal rubbing tool.

Stitching time was by far her greatest joy. She knew about the time I would be heading to my stitching nest and would wait patiently on the arm of the chair and wait for me to show up.  She would sit patiently until I got everything situated to stitch and would then find her place on my lap to begin her naps.  She was just interested in keeping my lap warm and occasional scratching behind the ears. She would adjust her sleeping position so that my under the canvas hand would stroke her as I stitched.

2015-10-13 Angel bShe was the best stitching cat I know; she was so courteous about leaving threads alone but would wake up from an apparent dead sleep to let me know I dropped a thread or stitching tool. She would wake and look down at the misplaced item as if to say,
“Let’s get this picked up…you are disturbing my naptime.”2015-10-13 Angel c

Angel, you will be missed; my lap will be cold in the winter and now I will have to keep track of my own stitching tools and threads. I know you are looking for the purr-fect stitching cloud for us and romping with all the other stitching cats that are there to share their people tales; but don’t pick up any bad habits…my threads are still off limits.

Thank you for stopping by… I hope you find time to stitch today!

ttfn…sue

2015-10-13 Angel d

The better to see you with my dear….

Okay so I never was good with time…two weeks a month all relative.

But can I see…I have heard people say after cataract surgery, “white is white again”, but I had no idea what they meant until now. White is white again, colors are brighter, tints, shades and tones are clearer…oh my, what a difference! I was telling an artist friend of mine this and he said he was going to the eye doctor to see if they would do his eyes. Didn’t have the heart to tell him that the lenses have to be clouded first; if you’re not ready…you’re not ready.  And I can see 100 yards away…but up close is another story. But up close has been a problem since I was about 40 years old and I can correct that at the local pharmacy with readers.  I have my mag-eyes too and have been stitching.

At first, with one eye corrected it was not fun…computer and stitching gave me a headache (not to mention the sinus infection I had); so I did very little computing or stitching. But after my other eye was corrected and I found the reading glasses that worked I was back to stitching and computing.

But my poor blog has suffered…it is so-o-o-o easy to get out of the habit of writing for a blog. I really do not know how Mary Corbet (Needle ‘n Thread  http://www.needlenthread.com/ and Jane Wood  (Chilly Hollow http://chillyhollownp.blogspot.com/) do it. Every day without fail, it never ceases to amaze me and Jane also runs a Facebook page too.  I’m lucky to do once a week on a good roll.

But I will get back to the blue bird I waited to stitch until I could see, so next week I promise will show you some flowers…I really like this flower stitching. Here’s a hint…

2015-10-07 flowers

Thank you for staying around and Thank you for stopping by today.

I hope you find time to stitch today!

ttfn…sue