Hearts

I haven’t been ignoring my blog but I have been busy designing needlepoint hearts and making beaded butterflies. But, I have been remiss in writing about my guild’s philanthropic project, Hearts For Hospice.

Guild members (really anyone who wants to help on this project, you do not have to be a guild member) stitch hearts; Sue and her 12 year old Grandson, Jon, make the twists (DMC #3 perle) to finish the hearts, Georgia and Sara (and sometimes we have a finishing day) finish these hearts at no cost and the hearts are donated to three (3) local Hospice Houses, one is a children’s home.

Maybe you saw the article in ANG NeedlePointers, Jan/Feb 2019 and May 2017; Needlepoint Now, January/February 2019, and on Facebook.

It all began when our friend Georgia went over to “The Home” at her retirement community to volunteer. They asked her if she had received her flu shot and of course she had not (doesn’t like them or maybe they don’t like her…can’t remember), so she could not volunteer. A staff member saw hearts Georgia was stitching and inquired about them and asked if she could make more.  Knowing she could stitch a heart, she returned home and started making hearts and that’s how it began…one heart at a time.

Within the month she had convinced several of her friends to join her and soon it became a project and another friend, Sue Hart organized us into a philanthropic group and offered the project to our guild as an ongoing philanthropic project.

Side note: did you know that all non-for-profit organizations need a philanthropic program to qualify as a 501(3)(c)? I didn’t but it makes sense if you are a non-for-profit organization that you would do something. I know our national bylaws state that our purpose is to teach, promote and preserve the art of needlepoint but I did not know you need to have an ongoing philanthropic project.

We have encouraged members to just try a stitch and variations. These hearts make great doodle canvases. Then if you take a picture of it you will have a permanent copy and a family will receive a lovely remembrance. We have also encouraged needlepointers to take the painted canvas they thought they couldn’t live without, but have now become less likely to finish and make a heart(s) out of the painted canvas. There are two hearts from a painted canvas in this picture.

Barbara Richardson; a friend of GKCNG members and past president of ANG adapted her heart design for us to use. We use it to teach groups of needlepointers how to start and some first time needlepointers. We even have a class that shows you how to finish these hearts.

 

Several months ago Colour Complements: https://colourcomplements.com/ embroidery threads sent me samples to hand out to guild members I had several left over and so I stitched hearts with  them and sent pictures to Colour Complements. The owner contacted me and I have designed a couple hearts for her use (soon to appear on her website, I think).

 

This summer, one of the bead groups I belong to posted a beaded butterfly and I stitched those for some hearts. I asked permission of the designer, Patricia Parker to stitch them for other hearts and she gladly gave her permission. So guild members that request butterflies for their hearts will get one and I have made several for the two finishers to use at their discretion.

We (I use this term loosely, because I am but a small part of this endeavor) have been doing this for the last four years and have completed over 1400 hearts. We have received hearts from 26 states and 2 countries. There are at least three other guilds that we know about who have started their own program.

If you or your guild would like the information, contact Sue Hart at Heartsforhospicegkcng@gmail.com

If you have any #5 or #3 perle cotton or #12-16 Kreinik Braid (Ribbons work too), or any thread suitable for cording laying around, it needs to be skeins not cut. And you don’t know what to do with it , Hearts For Hospice would be happy to use it. Just contact me or Sue Hart.

I have designed another heart in two colorways for our Hearts For Hospice program and I will PDF you the instructions for free These hearts used Colour Complements Overdye, DMC #5 perle cotton, and Kreinik #12 braid but any of your stash will work. All I ask is that you please stitch one for our Hearts For Hospice program and return to them. All the information to return to Hearts For Hospice are in the instructions. Thank you.

Thank you for stopping by, I hope you have time to stitch today.

ttfn…sue

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Happy Birthday Friend and Thank you Friend

I can share this with you today; the gift has been delivered and you will see it  was a surprise and well liked. I’m sure everyone has a friend that is difficult to find a gift to give them, but this is not only about my gift receiving friend but also about my new beading mentor and friend.

I have been very fortunate in my life to have met a handful (maybe a dozen) of people who I consider mentors or inspirations to me. To be a mentor or inspiration to me just means that I want to listen to them lecture, teach, or just watch them create…and I always hope some of their creativeness falls off onto me AND I always learn something from them and I treaure their friendships. This is true of every teacher and mentor I have met and interacted with…all except one.

Cath Thomas is a bead designer and she lives in Switzerland. We have never met in person, but I not only consider her a mentor but also a friend. Let me tell you how we met…

Back in March I happen to be online when Cath posted a picture of her Octavio.

Cath Thomas Octavio

Cath Thomas Octavio

Immediately my friend sent her a message: “Is there a pattern for the octopus? I would like the instructions.”

Cath: “No I’m sorry, very difficult and just haven’t had time to write them. There is an article on my blog, https://samohtac.blogspot.com/2018/05/meet-octavio-or-how-to-take-design.html

My friend:  “Can I purchase the octopus?”

Well I knew the answer to this and so I immediately sent a private message to Cath, explaining who I was and how I knew my friend and that I would love to tackle this project to give to her for her birthday. Cath responded and said to give her a couple days and she would send me some pictures and notes. She also suggested I purchase her design “Tulip Tassel” from her web shop https://caththomasdesigns.indiemade.com/.

Over to the web shop I went and immediately knew this was meant to be. I was working on a beaded rope that was just getting longer and longer with no intended use. But when I saw the tulip I knew that this was going to be my focal point for the rope. I immediately purchased “Tulip Tassel” downloaded and printed a copy.

I read the instructions and knew I had just crossed over from a novice beaded into deep water; I felt like the kid who barely knows how to swim and finds herself in deep water. I knew this was going to be my first really hard challenge, but I gathered up beads and tried making a tulip. Took it apart and started over again…several times. Finally, for some reason I tried using a dowel I had in my tool box and voila it worked. I made my first tulip. I knew I needed to make another and since things usually work best in threes, three tulips was my goal. Amazingly I had the three tulips completed and the necklace completed in time for Easter, April 21,2019.

In the meantime, Cath had sent me notes and pictures. I had compiled all in a file, printed them, read them AND knew I was in way over my head.

Yet, I persevered. I decide rather than order beads online, sight unseen I would buy locally. This would prove to be my first good choice…if I ran out of beads I could just pop over to the bead shop and resupply. Andrea, my bead shop owner (https://beadboutiquekc.com/) helped me pick out beads and I was on my way.

On my way is a relative term, since I had no idea what I was undertaking. I was lucky, my friend had no idea what I was up to and was living in Florida. I was bound and determined to try to make this for her and so…about Mother’s Day, May 12th I took the plunge. Working the tulips had been a big help but they were in different colors and easier to keep track of the correct order…all these beads were pink. After a couple false starts I finally got the hang of it and was comfortable stitching the head. I even got the eyes in the correct places and she didn’t look cross-eyed .

Wrong size

Then came the legs. Cath had said each leg had taken her about 8 hours, that meant one or two days, maybe three for me. This also took several days because I can’t look at pictures correctly. The legs are 6 beads stitched in a Herringbone round for most of the leg; one end tapers off to a point and the other will be enlarged to connect to the head and beak.   I didn’t see or read this so my first leg was too large, and never curled like it would when stitched correctly.   My second leg was beaded incorrectly and as I was about to write Cath and tell her I gave up; a light went on. I was on my leg making journey. Each leg did take me several hours and I knew there would be more to come…I had decided not to add the suckers until after I had joined the legs to the body thinking I wouldn’t be catching the thread on them.

 

I had a deadline July 25th and so I stitched on. I would look at the head and had decided the legs would be joined in two groups of four. I decided I needed to stitch the beak in its ring so I could get a better visual in my mind of how the attachments would work. My beak is not the way it should have been beaded but it was beaded.

By July 4th I was beginning to feel the deadline fast approaching and I was nowhere near ready to assemble. I put everything else aside (housework included, but that was the easy part) and morning until night worked on the octopus. All this time I am sending updates and emails to Cath. Her patience is amazing and her advice invaluable!

As I was finishing the legs I was formulating a plan for assembly and I received an email from Cath saying the beak was not connected to the head. My first reaction was “WHAT!” Not connected, whoever heard of a mouth not connected to the head! After much though and looking at my parts I knew I had to make a decision. I decided I had in my mind seen the

beak connected to the head and the legs connected to both, so I went with it. I stitched the first leg on and it seemed to act okay (flow freely), so I continued. I did realize that not attaching the suckers before assembly was a mistake so I stopped attaching legs and attach suckers to with a 1/2 inch of the ends. I remembered reading in Cath’s notes that she attached more suckers after she assembled all the legs.

I finished my Octavio late July 23rd, two days before I was going to give her away to my friend. I bought a box, sent pictures to Cath and received the nicest complement ever. It brought tears to my eyes and still does!

Takes breath away! I swear, when I saw the first picture, I was moved and really sighed of happiness! You can be really very proud! It is just perfect!

I am very much looking forward to seeing your photos, and to learn what your friend thinks about it.

A huge bravo! I’m truly proud of you, of me, of us!

I will treasure my friendship that I have built with Cath through emails forever. Cath is a remarkable woman and bead artist. She designs constantly, shares her gifts with others and moderates three beading groups on Facebook:

Cellini Peyote Freaks (https://www.facebook.com/groups/2158100991128070/?ref=group_header)

From Petal to Pod: (https://www.facebook.com/groups/PetalToPod/?ref=group_header)      International Bead Week            https://www.facebook.com/groups/internationalbeadingweek/?ref=group_header

She has a blog (https://samohtac.blogspot.com/)

And a store (https://caththomasdesigns.indiemade.com/)

Thank you Cath; I forever in your debt.

Please keep Cath in your prayers, she is having some health issues and prayers are always helpful. Thank you!

And before anyone askes, I cannot share more than I have here about Octavio. She is not my design and without Cath’s permission I have shared all I can.

And my friend, well I think she was as surprised as I have ever seen her and I know Octavio will have a great new home.  Happy Birthday,Nancy!

And that’s why we create. For the friendships we have, the friendships we make; so we can share our time, our talents and our gifts. Thank You for stopping by.  I hope you have time to stitch today and every day.

ttfn…sue

The Tale of Three Sunflower

These three little sunflower canvases have been lying on my desk for a couple years and I guess I never blogged about the original design either.

About 2 years ago my guild asked me to stitch a free Laura Perin design. I thought it was a Rainbow Gallery freebie but when I went to look for it to give credit I could not find on either Rainbow Gallery webpage (https://www.rainbowgallery.com/) nor Laura Perin (http://www.laurajperindesigns.net/index.html) webpage.  And I’m sorry but I don’t even remember the title of the design.

The guild also wanted me to offer alternative ideas in beading for the center of the sunflower using beads; one guild member called it “messy beading.” Since I didn’t know what “messy beading” was I stitch the design as diagramed and then stitched three other center designs in the beading techniques I was familiar with. I liked all three methods of beading techniques; each technique creates its own look and I can see using in on different canvases for a special effect.

I use Miyuki beads whenever possible, Toho are also excellent beads too. I use mostly Miyuki because that is what I started with and although the beads may be intermixed, there is a very slight size difference. There are many seed beads on the market and they are not all equal; I would stick with Japanese seed bead Manufactures, Mill Hill or a source I knew I could trust. Beading is a whole blog(s) unto itself so I will just say if you are starting beading, buy one manufacturer and stick with them. I will also add an addendum to this if you buy a kit, don’t throw the beads away, use them. We will assume that whoever kits the project uses the best beads available for the project; if you find this to be untrue then substitute your favorite beads for the project.

The first sunflower used round 11/0 seed beads and made loops of beads. This is the technique I would call “messy beading” you string several beads on beading thread and make loops. I like this technique, but it will catch easily and so be careful where you use it. You could secure each loop so that if one loop breaks they all won’t come unraveled.

 

The next sunflower technique is similar to “French knots on a Stick” but they stand straight up; it could be considered another messy beading technique. It is another technique that will catch easily and so you might want to secure each spike so all will not unravel. Although you can’t see in this picture, nor can you see looking straight on the sunflower I stitched this using two different beads (see diagrams). On the four corners I used a small bugle bead topped with a seed bead. The rest of the beading was stitched using all seed beads. I didn’t think of this until just now but using different lengths of bugle beads would make an interesting effect.

Note: I did not secure either of the above but I am not using where they might be snagged.

And the last sunflower was stitched in basketweave using cylinder beads. It is just basketweave adding a bead to each stitch. What makes this technique special are the beads; they are cylinder seed beads; Miyuki names theirs Delica beads, Toho’s are Aiko, and Mill Hill are Magnifica. I guess you could use regular seed beads but I’m not sure the technique would stand out like it does with the cylinder beads.

I found this Basketweave technique from Associated Talents in their stitch guide section (http://www.atneedlepoint.com/CanvasLookup.asp?Category=Guides). I wrote and asked if I might use this and the owner graciously gave me permission. Since there was not a diagram of this technique I created one. Basketweave done with Delica beads (cylinder beads) is sooooo cool; the light refraction really looks woven.

 

 

 

 

 

Okay so that’s why and how I stitched the three little sunflowers….BUT since then these three beaded canvases have been on there little wooden stitching frames were just lying on my desk area gathering dust. The large one is put away waiting for the black box I haven’t found yet; and if all else fails I have a black frame in my stash that will work.  One day I did find a black shadow box frame that I thought would be great for them but I didn’t have a mat cut just bought the frame.

And then this January Kimberly Smith posted this fabulous finishing technique for pictures using beads and I knew that my sunflowers had just been waiting for this method. I am so excited about a new way of finishing I learned from Kimberly Smith; you can find the complete instructions here: http://akimberlydesign.blogspot.com/2019/01/sharing-techniques.html

I followed her instructions and the only things I would suggest are:

 

Start away from a corner; it seemed to make the corner beads lie smoother when you turn the canvas.

 

 

Watch for loops of unruly thread when beading…fix immediately! You don’t want unruly threads coming loose and have a hanging bead later.

 

 

I wanted no grin through or as little as possible…I didn’t think about this until I had already finished one canvas so I was very careful about marking that canvas. But with my trusty Copic black marker I darkened the canvas to minimize the white grin through. I also bought a piece of black core foam board since I didn’t want any white to be seen.

 

 

I thought the hardest part was getting the three little sunflowers in the frame evenly…But unless you have more than one canvas in a frame this should be no problem.

 

There are two questions I forgot to ask: (If you are reading this please comment or I’ll add an addendum later when I find answers.)

  1. Is there a limit to the size canvas you can use this method?
  2. My canvas was even count and so the corners came out even. How do you compensate for odd count canvas?

NOW I have another finished needlepoint…Yeah! One down many to go….

Hope you all had a Bang up 4th of July.

Thank You for stopping by.  I hope you have time to stitch today and every day.

ttfn…sue

Sorting out and other stuff

My Computer is back from the computer hospital…Over 1000 viruses but none that spread, they were all mine, tracking my every move. My doc said if it was any consolation, his mother had over 2000 and some of hers were spreadable. Well now Facebook, Amazon and Google are going to have to start over on what they send me and I’ve noticed I see more of my friends posts than I was before my computer got treated. My computer doc also said probably should not wait 8 years to do this again, at least every two years. Maybe I can find a grandchild interested in this field of work…there is always a call for computer engineers’ and seems like there will be in my lifetime. Anyway my computer is home and I’m back in business.

This last two weeks I have spent trying to organizing my stash (translation: moving one pile of stash from one place to another.) I thought I was pretty organized but am finding that not so much. I have found needlepoint stuff with other stuff and vice versa. Not really that bad, just like cross stitch and needlepoint, but occasionally have found needlepoint with knitting… I think that is a Freudian hint…knitting will NEVER replace my needlepoint. I have a lot more sorting and getting rid of to do…I really am trying to downsize.

All this organizing got me to thinking and I’m only throwing this out there not as an excuse for not blog often but as a matter of fact…There are only so many hours in a day. I’ve said all along, I need to have cloneSSSSS, yes multiple me’s (no comments friends). I like to needlepoint, bead, and crochet; sewing, finishing my needlepoint, felting, making Temari balls and attempting knitting. Now if you’re counting that’s eight things I like to do; if I give a couple hours to each (you all know you cannot get much done in 1 hour. And I’d like to sleep six or seven hours, so if I give two hours to each project and sleep six hours I have used up the day. And we all know two hours turns into one day or more for each project…so you get the picture…I need more me-s.

But this last week I did come across a few cross stitch charts lingering in my needlepoint stash; I had these visions of converting them to needlepoint. I have finally decided this probably is not going to happen with all the other projects I have in mind and so I am going to list them online for sale in a couple weeks. If anyone would like a preview, drop me a comment and I’ll send you a goodies list with pictures. You can have first dibs.

 

I have so many projects in various stages of completion that I meet myself coming and going.

Felting: no project in the works but supplies and ideas abound

 

Beading: Take you pick I have projects in various stages of completion

 

Crochet: one of a couple projects

 

 

 

 

Knitting: still at the dishrag stage….but have yarn stored for other projects

 

Temari Balls: Always have one of these going for left over threads. I make lots of sampler balls…left over threads; not enough for another project but too much to just throw away. What can I say I’m Scotch.  The surprising thing is when I offer to give one to someone; they pick the sampler balls over one with a design more often; so I have very few sampler balls in my collection. The picture shows two on right in progress and two on left are only two sampler balls I have completed right now.

Sewing: need to repair a few things too.

 

 

And my Needlepoint…have two projects in the works right now. I need to concentrate on getting some of them completed so I can move on to others I can’t wait to start. There are so many things I want to stitch and every time I go to the needlepoint shops to stitch I see more. This is just half the closet and doesn’t show the ones stored flat. I am by no means going to die with the most but I won’t die with the least either. I have to keep enough on hand since my family (all male) say when I die, they are just going to find a refrigerator box and line it inside and out with my projects before they put me in.

…And then there is the finishing on and off the blocking boards. I need to lock myself in the sewing room and not come out for a month.

And add to all this, I do like to blog, I think it is so important that we share our knowledge. So if any of the above interests you just let me know and I will blog more about that craft. And if you want to see my list of cross stitch leaflets about 25) before I put them online next week, drop me a note; I’ll send you a PDF file… don’t forget your email address or you can message me through Facebook too. .

Until my next post…Thank You for stopping by.  I hope you have time to stitch today and every day.

ttfn…sue

My major coup

 

While I was stitching the 1st Communion piece I also remembered that another granddaughter is graduating from high school this May and I probably should stitch something for her too. And maybe I should start thinking about it now.  But then I put that idea quickly on the back burner…

But a few weeks ago I was having lunch with friends and they wanted me to go by  a needlepoint shop in the area to see some finishing they were picking up. So off we went. While I was there, it was mentioned that I had stitched a 1st Communion piece and I showed the picture in my phone. I also mentioned I had a granddaughter graduating from a local high school. One of the owners mentioned that they paint the cypher for that school in two styles…Oh pleaseeeeee let me look. And yes here was what had been mulling around in my head… I asked if they could have this painted on 8 x 8 inch canvas and leave off the circle outline…sure thing. They took my order and then put the original canvas with it to send it to the painters. I thought this was strange; wouldn’t the artist have a master?

I was still at the shop visiting with friends and I learned that this shop also has an outreach program. The needlepoint shop supports “100 Jobs for 100 Moms” program and has hired women to hand-paint canvases four days a week. What a great idea…

So know I am going to get a canvas with major part of the designing already completed (I will not have to re-invent the wheel) and then I can personalize it for my Granddaughter. And you know what, I’m sure she will appreciate this even more knowing that we helped someone less fortunate in the process of making her special memory.

I love my local shops, they both carry a different variety of things, the help is good, stitchers are friendly and they both have outreach programs. Do visit your local shops often.

I’m thinking about beading the cypher; could use the three beads from Mr & Mrs. I think I might discuss this with the graduate, maybe she would like it finished with her tassel. Ummm—that would give me more time too. I’m liking this better all the time. I will keep you posted on the progress of my graduation gift.

Thank you for stopping by, I hope you have time to stitch today.

ttfn…sue

Burrrrrrrrr: Ann Strite-Kurz More catching up…

ED Note: I was out of my blogging phase when I stitched this and so pictures are incomplete…I am trying to be better now that I am back to blogging about taking pictures as I stitch. But sometimes I get carried away and forget…

After I finished Mr & Mrs I took a couple weeks off and just did knitting or Kumihimo…anything without beads. But one day I was looking through my stash and came across this piece. I have always loved it, it is an adaptation of a Charlie Harper print and I love Charlie Harper prints.

Ann-Strite Kurz (https://www.annstritekurz.com/ ) has always been one of my favorite teachers. If you read Ann’s resume it is very impressive…she is one of those teachers who has forgotten more than some of us will ever learn.

I own many of her books and I follow her article every month, Using Common Stitches in Uncommon Ways, in Needlepoint Now (https://www.needlepointnow.com/). Our guild had her teach an applique class one time and I loved it; I still use the techniques I learned in this class.

I love her work but was never able to get into one of her classes at ANG national seminars…My luck of the draw never seemed to work and most of her classes seemed to go to lottery.

Somewhere along my stitching path I had acquired one of Ann’s teaching pieces, Br-r-r-r-rdbath, (probably a stash sale or someone gave this to me). It has been one of my favorite pieces for a long time and had been waiting it’s turn in my stash, so I pulled it out…time to do an Ann piece.

Ann’s books are so well written that I knew her instructions would be no less and they were everything I expected them to be…excellent. Ann’s instructions and diagrams are some of the best. I had no idea what I had gotten myself into…I was looking for a fun easy stitch but this was going to be a learning piece. But you know what I have always loved this piece so it became my at home project.

First you basted guide lines on the canvas and then I started the design…

First you stitch the Smyrna outlines (dotted lines in picture)…then you started the border designs. The borders (A & B in picture) are truly a lesson in “Using Common Stitches in Uncommon Ways”! If I remember correctly, there were at least four steps to each border and then BEADING. Remember I said I was trying to avoid another beading project? Well at least you waited until the design was completed to add beading maybe I would recover from the Mr & Mrs beading.

 

Then I started the design part of the piece and every area was a review of a previously learned skill or an adaptation Ann has created to enhance this design (area C the birdbath.)  I loved stitching this piece…okay maybe love is a strong word but I liked the challenge it presented. The leaves (D in picture) became a challenge for me and then I decided, this was my piece and I was stitching it for me and so if the leaves were giving me a fit I needed to adapt and overcome. The leaves became my change to the piece; I had stitched the first two (D in picture) as instructed and was having a devil of a time, so the rest of the leaves are my adaptation of the instructions. This was my fun relaxing piece and I was keeping it that way. I’m the only one (and now you too) that notices that the leaves are a bit different …but then aren’t all leaves in nature different?!

 

The body of the bird was a relaxing stitch, nothing I didn’t know how to do. But the wings were my next challenge. I love the look of Blackwork but it is really a technique you have to study to be really good at it. Ann’s instructions were wonderful and easy to follow. I made a couple mistakes but Blackwork is a technique some spend a lifetime perfecting. If you would like to pursue this technique, there are several books written about this technique. Here are the ones I have in my library:

Ilse Altherr; Reversible Blackwork, Book 1 and Blackwork & Holbein, Book 2

Becky Hogg; Blackwork RSN Essential Sitch Guide.

Marion Scoular; Why Call It Blackwork?, Folio of Blackwork Patterns

Ann Strite-Kurz; The Heart of Blackwork

Leslie Wilkens; Blackwork Made Easy;

Jane Zimmerman; Blackwork Embriodery Patterns, The Art of English Blackwork

By the time this piece was completed and I was ready to start the beading, I had decided that I would add the sequins (you use a bead here to attach the sequins) but the border was going to be sans beading. I liked the look and I was not into that much beading again.

So here is another project under my belt and it is also in a ready-made frame. I really do like framing  pieces when I can do it myself, and then they don’t end up in my to finish later pile. So another project is completed but I still have more to catch up and then maybe by summer I will be back to finishing projects or sewing.

BTW, if you really love Charlie Harper designs, the Meredith Collection (http://themeredithcollection.com/) has them in needlepoint;  you can see them at The Meredith Collection: http://themeredithcollection.com/collection/charley-harper/needlepoint.

When I get caught up on some of my stash, I will add to my collection here.

 

Thank you for stopping by, I hope you have time to stitch today.

 

ttfn…sue

Mr & Mrs canvas designed by Raymond Crawford

Today is March 30 National Stitching-In Day so what a better way than to talk about my last big needlepoint project. I started this project last spring March 2017 but could not share because it was a present for my grandson and his bride on their first anniversary. I had seen this Raymond Crawford (http://www.raymondcrawford.com/) canvas before they were married and with my new love of beading I knew I would have to bead this project. I would guess it took me six months to completely finish this canvas. Beading needlepoint is a long process and why I chose 18 count when 13 count was available I’ll never know.

First I had to find the right beads and I first purchased 11/0 beads for the project but they were too big so back to square one and size 15/0.

 

I stitched every bead twice in Basketweave style. Why Basketweave? I did not want to stitch Continental and have the canvas warp; I knew blocking would have been impossible. So I took the extra time to stitch Basketweave beading. I used a double strand of beading thread that I had stretched and waxed. If you don’t stretch your beading thread over time it can become loose and your beads will droop; also strech thread before waxing. I stitched every bead twice to secure each bead in place (see diagram). I also started every letter on the right side so my basketweave was always being stitched into a previously work hole. I did this for two reasons: I wanted all the beads to slant same direction and  I was very careful not to pierce thread from previous row. Here are two or more days of stitching on the &, some days I only got in 10 to 15 beads. Beading is a long arduous process for me;  it was tiring on the eyes and also just a slow, labor intensive process.

 

 

 

 

When I went to stitch the border I noticed on the left there was one empty thread between the M in Mrs and the start of the border, but on the right the & was right next to the border (no empty thread.) This bothered me so I just decided to I stitched the border one thread further out. It wouldn’t show because I planned on stitching all the background with silk. I also changed the direction of the border stitches at the center of the design area; this allowed me to stitch around the corner without compensation. As I recall, it was not an even count divide , so I always try and make the

odd count to the right of center and/or lower of center. I don’t remember if both counts were off or just the left –right borders (top & bottom)   I used Kreinik #12 braid in 3 colors: 221, 202HL and 102 and the stitch was a Diagonal Gobelin over 2 threads.

I stitched the background last in basketweave with 4 ply Rainbow Gallery Splendor S800.

It seemed like it took me forever to stitch, but I love they way it looks finished. I had a mat made and   framed it myself and it now is safely residing in Michigan.

When I gather up another project I did for my guild I will share the different methods of beading needlepoint with you.

After I finished this project, I thought I would swear off beading forever…but forever is a long long time. 😉

Have a blessed Passover or Happy Easter.

Thank you for stopping by, I hope you have time to stitch today.

ttfn…sue