This week I played with Temari Balls.

I belong to a couple groups online and one is doing a beginning study. While I have been doing Temari Balls for a long time, I do not consider myself anything but a beginner. I think in order to advance you should work at the art regularly and I am sporadic at best.

I can do most of the simple divisions and some of the complex divisions. I am not at all familiar with the terminology, especially the Japanese terms that true Temari artists use. I call a ball stitched with spindles and “spindle Temari”; while a true Temari artist calls this “Tsumu kagari.”

But I like to keep my beginning skills up and so every now and then I join in rather than just lurk all the time. If you would like to explore the two sites I frequent most, here they are: they just recently changed web hosts and I think you have to ask permission to join but that should not be a problem.

Temari Challenge for Everyone: https://temarichallenge.groups.io/g/Main

Temari Talk Companion group to Temari Kai (see below)  https://talktemari.groups.io/g/main

 

And here are the Temari sites I explore most:

Barbara Suess: http://www.japanesetemari.com/index.html

Temari Kai: http://www.temarikai.com/

Temari Obsession: http://www.npcdesign.com/index.html

This study (Beginning Basics) appealed to me because it was the perfect opportunity to explore some concepts that I had been tossing around in my head while also honing my beginning skills and practicing stitching  a spindle.

In my Temari Ball mind I have wanted to play with DMC #3 and #5 perle cotton to see the differences in making a ball. This seemed like the perfect opportunity to explore this concept.  I learned that two rounds of stitching with #5 perle is about equivalent to 1 round with #3 perle. It is kind of an eyeball adjustment and a judgement call but at least I have an idea now.

 

In the past some of my spindles seem to pop out of place and now I know why. I was not allowing enough space between the stitches. I have decided that a good rule of thumb for stitching spindles is that there should be at least the diameter of the thread between stitches. And if you lay the thread where it should be placed you can see where to take the next stitch. Following these personal observations, my Temari spindles turned out very well.

 

Another thing I gleaned from this study is that if you are using more than two threads of the same color from one source, make sure they are the same or at least compatible. I used #3 and #5 perle in three colors: the white and dark blue were the same but the light blue was two different colors (even though they were the same number). When placed next to each other under a bright light, one had a blue-green cast while the other was a true blue tint.

 

I also experimented with stitches at the pole points. This one I used a Smooth Spider Web stitch.

I also tried using a double silver thread and twisting it in the needle before stitching. Both of these experiments worked fairly well.

This was a fun experiment and I considered it a great learning experience, so  I am going to try and continue following along and practicing…never know I might consider myself an intermediate Temari Ball stitcher when I get.

I am going to get back to needlepoint and I have been stitching. I’ve been stitching on a secret project but I did take pictures and so when it is completed and given as a gift I will post all about it. And as a matter of fact going to do another one as an experiment. More later.

Would also like to get back to finishing needlepoint as it is mounting up. And I haven’t told you everything I did last summer and this summer is already about half over. I made a list of things to write about and I don’t think I’ve covered more than a couple….see how I get distracted. Okay off to finish another non needlepoint project….but next week I will share needlepoint.

Thank you for stopping by, I hope you have time to stitch today.

ttfn…sue

More on thread organization

Organizing threads is an on-going project…

My SplendoOLYMPUS DIGITAL CAMERAr, Watercolors, and DMC flosses and perles are sorted by number, the rest are mostly by color and then by number. If I found a chart for color families, I have a copy with the threads.  Splendor, Silk & Ivory, Vineyard silks (these are the ones that come to mind) also have color family lists that I think you can find on line at their websites…I keep a copy of these also with the thread.

I also have color cards for many of my threads and these are stored hanging, in my old wooden toy bucket, or in a notebook (these are all my Rainbow Gallery threads).  I need to update these too.

 

 

 

 

 

 

Let me add a note here…I use and store my threads UNCUT, since I do some of my own finishing… I want to be able to pull the threads to use when making twists. I do not cut my Watercolours either but that is a post for another day. ThreadworX (http://threadworx.com/) is one of the few threads I have that are cut; the other two that come to mind are Dimin Epic and Rosebud Studio Felicity’s Garden and that is because they have such great animal fur colors. Epic and Felicity’s Garden are stored by color.

Back to storage…Some of the threads are stored on rings in sweater boxes; these are mostly stored by color, then number on large rings; the exception to this is ThreadworX and they are stored by number.

Another added note: I use the Floss Keys; I got mine from YarnTree (http://yarntree.com/) and Floss Pak bags to store yarns that I have begun to use on these rings.  If the skein or put-up  hasn’t been opened it hangs on the ring as is, but once I go to use it I wind it on a card.: I try to buy threads I know that have changes in their dye lots in pairs, so I will have two skeins of most colors. Once I wind one of these skeins on a floss Key I will store both in a Floss Pak bag. Once one of the skeins is completely or almost completely used I will buy two more hang them on the ring next to floss bag.

I also use the storage boxes I get at Hobby Lobby with my coupons; each box is labeled to the contents. Kreinik, DMC, Trebizond, Kreinik silks, Painter’s threads. Some others that I have limited colors are stored in these boxes too one for cool colors V-B-G and one for warm colors Y-O-R. These threads are stored by company , then by color, then by number;  I usually have less than two dozen of these threads per company…otherwise they would rate a box.  I always keep the label with the thread!  I make a template to store in the lid with number info for all these boxes.

All the DMC floss, #3 and #5 perle are stored in Hobby Lobby boxes. I use floss keys to wind the threads; each is specifically marked and is stored with the labels as well (I wind the thread over the labels.) The Floss Keys are marked not only with the color number on the top right but the type of thread on the top left: i.e. DMC (floss), DMC#3 or DMC#5.

 

I have some threads hanging on a wall but the sun does not hit them and they are mostly threads I have made samples of myself and some are discontinued or threads I do not use. I would not store threads here I plan to stitch with, there is too much of a chance they would fade or get dusty.

 

When I started this re-organization, I decided I also needed to update my inventory sheets. I have kept (and I use this term very loosely) a spread sheet of the different threads in my stash for years. I am not very good at remembering to update these files and so as I started the physical re-organization of my threads, I also took the time to update and re list threads in the spread sheets. DMC was the file I had semi kept the best and it was fairly easy to update. Some of the other threads I had listed all their colors even though I only had a partial inventory; so I made a second sheet within the spread sheet for the thread and called it “my threads” and the complete list is “master.” I moved the color info for only the threads I have in inventory to the “my threads” sheet. Now when I go to use threads I will be able to see if I need to fill in families (if info was available).

It took me a while to set up but it keeps me on track. I have been a poor record keeper and so I have some threads that I have kept buying because I was not sure I had them. I have 7 cards of #820 red Splendor; since this is a Christmas red I think several of these are probably from classes I have taken but I probably bought several too. I am from the school when in doubt, buy two. I have a few others of these and I did notice they are all in my comfort palette so I know I have purchased them more than once.

I have promised myself now that I am pretty thread organized both in storage and on paper I am going to keep it up. Will let you know at the end of the year how I feel I did. I have also bought a small loose leaf notebook (5.5×8.5″) that I am going to adapt the spreadsheets to fit, so when I am shopping I have it with me. Probably won’t work as well as I envision but we’ll see.

Storage and record keeping of threads is an ongoing thing and a personal thing. I think you have to look and listen to how others do theirs and then incorporate what works for you. AND then you have to be diligent about using your method.  I have a friend who gives or throws her threads away after every class or piece she stitches…she says it is more trouble and aggravation to remember where the threads are, to get them, and she never has all the right ones. There is too much Scotch blood in me for that…

Now that I have my threads in 85% order…it’s never completely finished, I am starting on all the stitch diagrams and stitch patterns I have collected and want to put in my computer. I know there are a great many stitch books out there and this is just for my benefit, don’t plan on writing a stitch book. But I have lots of stitches I have written down that I think could be developed into quick little designs.

Thank you for stopping by… I hope you find time to stitch today

ttfn…sue

Needed to reorganize

 

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My office and threads got away from me last year and even though I DO NOT make New Year’s resolutions, I decided reorganization was needed. I spent some time thinking about how I wanted to do this and nothing jumped out at me, so I decided to just jump in and start.

I made some basic decisions: If a thread is discontinued, I was getting rid of them: Good-bye Marlitt; Rainbow Gallery has discontinued threads over the years and I still have them, good-bye discontinued threads.  I had a complete set of JP Coats and I don’t think they make it anymore and if they do, I never used it.  There are two exceptions to this rule: Orange Needle Necessities (now ThreadworX) Overdyed Rachel. ThreadworX does not produce this thread and I love it for carrots and carrot noses so I horded several skeins for my own personal use. And another Needle Necessities thread, an overdyed Madras in blues was perfect for my Peter Rabbit coats; so I horded it too. I have been to the ThreadworX website (http://threadworx.com/) and have noted a few choices to replace these threads. ThreadworX if you are reading this: would love a #5 perle cotton in Trick or Treat orange.

I also decided that if any of my DMC floss or perle cotton was cut I would get rid of it. If I use perle cotton for stitching a Temari ball, it cannot be precut because I use very long lengths when stitching Temari Balls. I did keep my Anchor perle cotton, although I have heard it had been discontinued (Anyone know anything about this?). And I do know that Colonial Needle (http://colonialneedle.com/) carries a full line of Finca floss and perle cotton thread (sizes: 3-5-8-12-16) in a great color range, so I’ll start adding that to my stash. 😉

My old threads are going to a friend who uses odds and end of threads and canvas to stitch hearts for a Hospice Home near her. A heart is placed on a patient’s door after they have passed away. This alerts staff and visitors to be respectful and quiet around this patient’s room. The family is then given the heart when they leave. If there are any threads she doesn’t want she will send them to a prison in Ohio that used them.

So I began. Then I had to decide if after I separated all the threads I was going to sort by number or color. I finally decided on using both and seeing if I prefer one method over the other. All the DMC is stored by number and I will continue to do this since I have a great color card. If I stored a thread by color then within that color I stores in numeric order. Watercolours overdyes I stored by number but others I stored by alpha name. I guess you just have to find a method that works best for YOU.

I also decided to wrap all my threads on large floss winder cards and so I ordered 1000 floss Keys and 200 Floss Pak bags from YarnTree (http://yarntree.com/) so I can start this process. I also purchased some storage containers from Hobby Lobby to store the floss keys. I have begun a slow wrapping process…as I need a new thread I will wrap it on large floss winder cards. I also use these floss winders for any thread that is skeined, even overdyes. This will be an ongoing process; otherwise I will not get anything else accomplished this year.
I finished my reorganization this week-end by labeling all the containers. I feel so accomplished. I have two boxes and a bag for my friend who stitches hearts. I got rid of 4 large sweater boxes from my closet and I still have a closet full of threads! And of course, we all know that when I go to stitch, I will not have all the right threads….Stitcher’s Law. 😉

I don’t know if this is the final reorganization or whether I’ll redo as I go, but it is sure a lot better than it was last year. And I am still looking for an answer to whether Anchor is doing away with their pearl cotton? I would love to hear from you on how you store your threads. Do you store by color by manufacturer, a combination? I think when we share , we learn and that’s what this is all about and having fun stitching of course.

Thank you for stopping by… I hope you find time to stitch today

ttfn…sue

P.S. Someone asked me this week what “ttfn” means.  So for those of you who don’t know it is from Winnie the Pooh; Tigger says it all the time. It means “ta-ta for now” or “ttfn”. Winnie the Pooh books were my favorite growing up and my grandmother used to say this to me. So if Carol Burnett can pull her earlobe for her grandmother, I can ttfn for mine. It just makes me smile and we need to smile and make the world a nicer place.

Pi Day

We are going to a wedding reception this afternoon and were asked to bring our favorite pie…I really didn’t think anything of it  (the host is a great pie lover) until this week and the news media started taking about Pi Day. Then it hit me…they are just waiting to see who bites (pardon the pun).

In case you don’t know, today is Pi Day.

What is Pi Day you ask?

Saturday, March 14 is a very special Pi Day that comes but once in a century. That’s right, it’s 3-14-15, the only time before 2115 that the date reflects five digits of the magical, infinite number, 3.141592653…from the Washington Post

15 used instructionsSo I had to make a pi/pie. Only kind that I knew would be successful was the kind I stitch. So I charted one and stitched it. I have included the chart and finishing instructions as a PDF in case anyone else wants to do one. Pi day is every year; this year just is special because it is 3-14-15

15-03-14 Pi ornament aBUT my little creative mind did not stop here… We had  bought the lucky couple a pie plate and were going to give them cash (not very creative but wait…last night I had this great inspiration…we are going to get $1 and 2 bills to line the pie plate (representing 3). and then fill with 14 dimes and nickels (representing.1415) and cover with cling wrap.  Our pi pie.

Well I must be more of a nerd than I though but this just appealled to me.

 

15-0314 Pi ornament bAnd my real pie…coming from the store of course!

If you have trouble downloading the Pi instructions just email me and I will send you the PDF version. I may not get to it until later today or tomorrow as I am on my way to a St. Patrick’s Parade and then I am going to the wedding reception.

 

 

BTW here are some pretty cool places to visit today …all about PI:

http://www.usatoday.com/story/news/nation-now/2015/03/14/pi-day-kids-videos/24753169/

http://www.washingtonpost.com/blogs/wonkblog/wp/2015/03/14/10-stunning-images-show-the-beauty-hidden-in-pi/

Thank you for stopping by to visit, I hope you find time to stitch today or do whatever helps you be creative!

ttfn…sue

PS if you hold up 3.14 (have to have pointed 4) it is this: 🙂

15-03-14 pie reverse

Stitching updates

15-02-24 temari aSorry about last week but the week got away from me and before I knew it this week is almost halfway over too.

15-02-24 temari bI have been trying to finish up a heart and move on to St Pat and Easter and poor Mardi Gras just blew by like a cold breeze (hummm it was cold.)  But I did make two Temari for the occasion,  just didn’t get them posted.  Used Kreinik blending filament in purple gold and green togive color to base of ball and stitched with #5 DMC Perle in Green Gold and 15-02-24 temari cPurple and a Kreinik braid. Simple 6 division but the Obi bands are different.

My creative juices are keeping me awake; I even got up one night to stitch…What can I say…didn’t have a pencil and I was awake so it seemed logical to me. I don’t think dog and DH had the same thoughts… and 15-02-24 heartsall I did was play with the Kreinik wire braid for a few minutes, okay maybe 30 but in an eight to ten hour night that’s only a few minutes. Didn’t even stitch it down during that time…and the light was only on my stitching.

15-02-24 stitches aAnd then Jane at Chilly Hollow (http://chillyhollownp.blogspot.com/2015/02/lets-make-ribbon-flower.html)  posted this new type of knot that was taught at TNNA winter show (https://www.facebook.com/video.php?v=656298941158846&set=o.108537025890131&type=2&theater ) and I had to try it, seemed perfect for this design. Colonial Knot, French Knot and Ruching. Plus the flowers are another decision I haven’t decided on yet either: Ribbon flowers, beads…decisions decisions!?!?!?!?!

15-02-24 stitches bAnd before I stitched the leaves on the heart I wanted to play with stitching picots. Needed to decide whether I wanted to use wired braid or just braid; whether I wanted two, three or four legged picots;  would one work better than another and did I want more than one style? You get the idea questions, questions and more questions.

But last week I did get this playing accomplished and this week I am really putting effort into finishing up the heart. Should get some great stitching time in as it is supposed to be cold, cold, cold and only have only a couple outings planned.

Thank you for stopping by to visit, I hope you find time to stitch today or do whatever helps you be creative!

ttfn…sue

Finished Lighthouse on National Lighthouse Day

I’m still on dogie-watch schedule; I can’t seem to get back in the grove of things.

14-08-07 desk beforeMary Corbet (http://www.needlenthread.com/2014/08/embroidery-work-space-or-where-is-waldo.html) and I have something in common this week…I came back to a desk piled high with things that needed attention and all I wanted to do was stitch and let the dogs out. But I did tackle my desk and made a dent to put some order into my desk; now instead of a heap of mess, I have organized piles of mess.

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But since I finished stitching my first light house and Vicki De Angelis over at Mostly Needlepoint (http://mostlyneedlepoint.com/did-you-know/) pointed out it was National Lighthouse Day…I figured it was an omen and I should share this with everyone today.

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My first lighthouse from ABS designs (http://www.absdesignsonline.com/)is Portland Head Lighthouse and is destined for Sudberry’s (http://www.sudberry.com/) black box. My box is like the one shown on Anne’s website (I think it was called the pen box) but I think it is out of stock and unless you find it in a shop somewhere, you may have to frame this piece.  I needleblended the sky (post: https://sudukc.wordpress.com/2014/07/30/hiding-out-is-such-fun/) and will share with you my email from Anne, MNS (master of Needleblended skies):

You’d think that counting the number of threads in the depth of your sky, then dividing it by the number of “blends” you’ll be using, would give you the right number of lines deep for each “blend.”  But every time you cut in a new “blend,” it encroaches on the one before it.  So….

 Try turning the canvas upside down, working the lightest value of blue at the horizon.  Keep going until you run out of “blends.”  In the case of the box insert, you then have the option of going to DMC 3755 to cut into the 3325, so the darkest shade is at the top of the canvas.  That makes for a more dramatic effect, and the lightest shade at the horizon doesn’t overpower the shades above.

That makes sense to me…I started at the top and worked down but next time I’ll work up from the horizon line.

This was one of those pieces that no matter how hard I tried to place more decorative stitches, my friend Virginia’s words kept rattling around in my head. Virginia is a guild member, who has tried more techniques than anyone I know; she stitches till the wee hours of the morning and until recently (last year or two) stitched on 40 count canvas without extra light or magnification. Oh yes, and did I tell you she is 80+ years young. I always say Virginia has forgotten more than I am ever going to learn. Anyway one time, I was trying very hard to put decorative stitches on a canvas and it was not working out at all. Virginia said; “Honey, when it’s screaming Basketweave, just stitch Basketweave. Sometimes Basketweave is best and every needlepoint should have some…it’s a place to rest your eyes. ”

Well, every time I would try to think of a different stitch I would hear Virginia, “Basketweave” So much of this piece has Basketweave. The sky is Basketweave, but I did get to play around with the needleblending technique. And after I was completely finished with the sky I thought I could have used Nobuko or Diagonal Mosaic for the clouds…but I was lucky to get the clouds in there anyway. And I love the rocks, Alternating Padded Satin with overdyed threads just jumped off the canvas. And the Diagonal Gobelin for the water was good too. The foreground green and shoreline could be nothing else but Continental and Basketweave.

The buildings: I tried my best to stitch the siding of the large building in a small decorative stitch but nothing seemed to work for me…Okay Virginia, Basketweave it is. I did get the windows and doors stitched in Cashmere and variations of Cashmere. The brown building did lend itself to a decorative stitch and so the siding is worked in Diagonal Mosaic, the shutters are Oblong cross, and yes, the windows are basketweave. And all the red roofs are a Gobelin stitched diagonally, horizontally or vertically.

The green background I couldn’t decide whether that was grass or trees and I wanted it to be trees, but they had to stay on the back. I used 2 ply green overdyed floss and did French Knots. They were small enough that they did not overpower the little brown house but added a texture to the right side of the canvas to help balance the decorative stitches used in the rock.

The lighthouse did give me pause…I thought since it was behind the main house it should be Basketweave too, but then I decided that lighthouses are round and so this was probably a bit further behind the house than I originally thought and maybe if I did Alternating Diagonal Gobelins it would make the light house the focal point (as it should be) and still not overpower the house  or the whole canvas. It worked, gave the lighthouse a bit of definition and the illusion of roundness yet stayed behind the house. The top is mostly Continental stitched in black perle cotton and Kreinik black braid with the lights in yellow Kreinik braid cross stitches.

But my favorite is the fence, I was afraid it might get lost against the white house but it didn’t (even if the picture doesn’t show this. I wanted to stitch the fence in a whiter white but could not find DMC B5200 in & 8 perle and did not want to use floss. I stitched small horizontal  (2 threads x 1 thread) Overlapping Oblong Crosses for the rails and then when I had cleared the area for a post I went back and stitch an upright Oblong Cross (4 threads x 1 thread)…see diagram.

14-08-07 overlapping oblong cross

My first lighthouse is completed and as much as I would like to keep stitching new canvases I have a box full of canvases I need to stitch so I have decided one PPC (previously purchased canvas) before new canvases. And I haven’t decided what that will be yet…but I have to find a small one for my carry along project.

In a couple days I’ll show you how much progress I made on my Debbie Stiehler Tomato too. I really did get some serious stitching done last week. BUT I have to get back to my finishing…Christmas is a coming!

Thank you for stopping by, I hope you have time to stitch today!

ttfn…sue

Stich’n & Comput’n

For the past two weeks I have been frantically using my fingers to either stitch or write stitch guides; the tips of my fingers are screaming, “What is going on?”

It all started two weeks ago when I remembered I had a 1st Communion coming up for one of my Grandsons and I better get his gift because I wasn’t the only Grandmother looking for a gift.  I get these ideas in my head and then when I can’t find what I want I get frustrated; and that’s just what happened to me while I was shopping. I had decided to get him a statue of his name saint and couldn’t find one I liked. So I am now aimlessly walking around the store looking for something I do like. Finally decided to look for a card and that’s when inspiration struck.

14-05-08Comm pictI found four cards and one I decided would make a great needlepoint design and sure I could design and stitch it in a week. (My Guardian Angle must have been taking a short nap because it didn’t jump in to say, “REALLY????”…I am such an optimist sometimes. So I purchased 4 cards and a few other little things (the trip wasn’t a complete bust) and came home. Good thing my DH was driving because all the way home I was thinking about the design. And I could tell by the look on DH’s face, he thought I had lost my mind…I think if I had thought about it I would have too; but I had seen the cross immediately…so how hard could this be? By now my Guardian Angel was awake but so taken back she couldn’t so anything but keep those negative thoughts out of my head.

Once home I got out my trusty computer and scanned a copy of the card into the computer. I knew I wanted the design to be about 4 inches square. I had already decided that if I couldn’t find a frame to suit me I would make a stand up or an ornament; so I wanted the size to be smallish. 4 inches give or take would be a good size, that was 72 threads, give or take, on 18 count canvas..

First I did the lettering: Name, Church, date, 1st Communion. I have two go to alphabet books:

1. Rose Ann Hobbs; Designed Alphabets Book 1 (I have Book 1 and 2 and would love to find 2 and others she wrote)

2. B. Borssuck; 97 Needlepoint Alphabets

14-05-08Comm Step1 borderI used two alphabets: 9 high for upper case and 5 high for lower case. I played with the placement and once I got the lettering into place I knew how much design area I had to work with and if I was going to be able to fit the design inside lettering.

I had seen the stitches for the cross the minute I 14-05-08 Comm Step2 crosslooked at the card, it was just one of those fall into place moments (trust me this doesn’t happen often). So the next step was to see if the cross would fit and still leave room for the designs. So I plotted the cross.

Once the cross was in place I placed small pictures of the motifs in the spaces and started plotting stitches I 14-05-08Comm Step3 motifsthought I would use. This all came rather quickly and I did not second guess myself. My Guardian Angel was working overtime just keeping me on track; she already knew this design was divine inspiration and her job was to keep all negativity away from my thoughts.

Next step was to pull threads and I pulled way too many overdyes but I stepped OLYMPUS DIGITAL CAMERAback and pulled some go to DMC cotton solids too. I needed a Kreinik gold metallic that I had in various sizes. There was not time for a trip to needlepoint shop…and anyway we
only have one with a large variety of threads and it is OLYMPUS DIGITAL CAMERAby appointment. I could have called the owner and if she had what I needed she would have opened for me but I was already pushing the envelope and tried to find threads in my stash.  My thinking on the threads was I wanted to use threads that would wear well with young children…remember at this stage this design still had possibilities of becoming an ornament.

With threads pulled, canvas on stretcher bars, I sequestered myself in my stitching nest and started. Found in my haste I had made a couple spacing errors in the lettering but nothing that was going to throw the design out of line.  After the border was stitched I found the center of the remaining area and began the cross. The cross is my favorite part, I saw it from the minute I picked up the card and now it was stitching up just like I saw it.

OLYMPUS DIGITAL CAMERAOnce I got to the motifs…I had more inspiration. Why not try needleweaving for the challis…if it worked then I would needleweave the basket for the hosts too. My Guardian Angel by now was wide awake and pulling her hair out, how much could she do to keep this design on track? The challis worked out just fine and so I started the wheat. The wheat was stitched like the designed had planned but just wasn’t looking good but it would have to do for the moment. The hosts and basket were next and they too stitched up just as I hoped. The grapes I had seen as beads but at the last minute decided French Knots would be a better choice. Okay all the motifs are completed but the wheat has to be redone. It just looked awful and needed help. So I cut it out and went with a heavier thread and straight stitches instead of Lazy Daisy stitches. It looks much better and it is done..

All I can tell you is that it was divine inspiration and my guardian Angel was working overtime to keep me from second guessing myself…and to keep my fingers moving with needle and thread. I wish all my designing came this easy…

I found a frame and I have put the piece together and last Sunday one of my Grandsons received his own personal 1st Communion gift, a true gift from God. I blurred his name because I have a thing about kids names on the internet…especially little kids. Thank you God for this special project!

2014-05-08 GradThen in a misguided state of “You can do anything”, I decided to make a graduation needlepoint for his sister who is graduating from 8th grade this year. Border of course was easy…trusty alphabets. But that shamrock gave me a run for my needle. I had plotted it on the computer but for some reason was having more trouble with this design than the other; probably because I was second guessing myself. Then of course I did not have the right green ribbon for the cross, and none was to be found in town (I called) so I had to make an executive decision and I think I chose right. I had a multi green but I think it had too much blue; I like the gold better for the cross. But I persevered and this is her gift she will receive for graduation next week.

2014-05-08  Stitch guideAnd in-be-tween all this stitching I was writing stitch guides for pilot classes and the stitch guide for the 1st communion piece. And since I know this 1st Communion design was a gift from God (I on my own do not work this fast)…I want to share the design with everyone. If you email me: sudu@kc.rr.com, send me your email and I will happily send you a PDF of the design. I just ask that if you stitch the design you send me a picture.

All I can say is if the rest of my body worked out as much as my fingers have these past two weeks, I’d be in great shape. This week’s pace is a bit slower I have another pilot class to compute and always have something to stitch, but my fingers are not moving so fast.

Thank you for stopping by this week and I hope you have time to stitch every day in May! ttfn…sue