Finishing: ornaments 2: square or rectangle

As you probably guessed by now I am a glue person. I can lace a piece of needlepoint, I have and I will again but sometimes I just have too many ornaments to finish at one time. See the carrots from a few years ago (https://sudukc.wordpress.com/2011/04/26/recipe-for-finishing-carrots/) that was a production. And truthfully I would much rather have my Grandchildren carry around their ornaments in their sticky little hands (although I would prefer they didn’t have sticky fingers…but you know what I mean). The look of delight and love in their eyes when they see their favorite ornament is worth far more than any museum could ever offer me for a piece of my needlepoint

Today is finishing square and rectangle ornaments…there are only two differences between round /oval ornaments and square/rectangle ornaments. You don’t have to clip curves, there are none but you do have to miter the corners. It’s a trade off and personally I think the  round/oval is easier but I also like the look of the square/rectangle. And I really make more square ornaments than round ones…geometrics usually are square.

Again RULE ONE is having all materials at hand. I can’t emphasis this enough and trust me you will get frustrated if you have to stop and go to the craft store to purchase something (been there, bought that T-shirt many times).

Let’s get started.

Finishing:  Square/rectangle ornaments using illustration board (glue method)

You will need:

Blocked ornament (all needlepoint needs to be blocked)

Backing material

Lining material if needed

Fleece:  I use one about a 1/4 inch thick.

Illustration Board: medium weight

Glue:  use archival save glue please

Clips to hold needlework and backing fabric

Sewing thread to match backing and complement needlework.

Beeswax

Sharp needle

Hanger (can use cording) another post…

Usual sewing supplies: pins, scissors, clips etc.

1.I press the backing fabric to get the creases out, if lining ornament (you only need to line an ornament if you did an open background stitch or your design has large open areas (not stitched).

2. Measure ornament and cut out illustration board cutouts; cut two same size: one for needlepoint, second for backing. I usually make these a tad smaller than the measurement; this is not an exact measurement, it is really by trial and error method because it actually depends on how much padding you use. Example:  needlepoint measures 3 inches x 3 inches, I make the illustration board about 2 7/8 inch by 2 7/8 inch.

Make sure these 2 cut outs are the same, trim if necessary. I mark mine with an up arrow so I know how they are to be put together.

3.Cut quilt batting; I usually use two for the back and three on the front. Number 1 is cut about 1/4 inch smaller than illustration board; number 2 is cut 1/4 inch smaller than first; and number 3 is cut a 1/4 inch smaller than number 2. You can do this as many times as you want, but four is about the most I’ve seen.

 

4.Cut backing fabric 1/2 inch to 3/4 inch larger than the illustration board.

 

5.Cut needlepoint 1/2 inch to 3/4 inch larger than the illustration board, trim corners diagonally. If using a lining for needlepoint cut this too. For ornaments on illustration board I use the same size lining fabric as needlepoint and you will aple the lining first and then repeat the same process for the needlework.

 

6.I glue the quilt batting to the illustration board with a dot of glue to hold in place. Start with smallest cut batting and largest batting goes on top.

At this point if your needlework need lining do lining first and then repeat with needlework. You do not need to finger press the lining fabric.

7.With wrong side of needlepoint (lining fabric) up, Finger press the corners and sides. Place illustration board over needlework.

8.Place a bead of glue on back side of illustration board at the corners. Start with the corners, turning them in to start mitered corner. I usually do one side and then the opposite side. It is important to keep design centered on the illustration board. Allow to set.

9.Run a small bead of glue along opposite edges of the illustration board and turn needlework bto the back , finish mitering the corners and secure in place with clips until set.

10.Repeat steps #6-7-8-9 with backing fabric

11.When set remove clips from needlepoint and backing illustration boards.

12.Attach purchased hanger if desired or can make from cording.

13.On wrong/back sides of illustration board place thin layer of  glue over the backs of the illustration board;. Keep glue about 1/4  inch from edge as I don’t want any seeping out. Leave an opening to place the cording ends between the layers. Place two canvases together and secure with clips. Allow to dry completely.

14. Make cording and attach with pins. Hide one end in the opening left in Step 12 and when finished placing cording, hind second end.

15. With back side (backing fabric) toward you stitch cording to canvas with 1 strand of waxed thread. This  thread should match the cording and if multi colored cord match fabric backing, whatever is most inconspicuous. Stitch through the cording, NOT over the cording. Stitching over the cording creates dimples in the cording that are not pretty.

Notice that I do not glue cording! I guess you could if you’re good but I personally like to sew my cording.

16. Enjoy

 

 

 

Lacing Method is the same except that you turn all to back and hold in place with clips or pins. Lacing should begin in the middle of a side and proceed to 1st miters. Stitch the miters as you go around.

Thank you for stopping by, I hope you have time to stitch today!

ttfn…sue

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Thanksgiving and Blue Bird finished

This is Thanksgiving week and I am so thankful for my friends and family. I am thankful for all of you who visit my blog too, it makes it fun to write when you know someone is taking the time to read what you have to say. Anytime you would like…chime in, just leave me a comment. If it’s a question I will try and answer you quickly and if I don’t know will ask around and see what I can find out for you.

2015-11-24 BB a need stitchesAnd this week I am so-o-o-o thankful that I am finished with the Melissa Shirley Blue Bird. The last thing I needed to do was fill in around all the flowers that have empty canvas threads showing with the Silk ‘n Ivory. I need to block and finish finish. I 2015-11-24 BB b stitchesdon’t think that will happen until after the first of next year.

I looked at all the pieces and decided that even though there are a few ribbon stitches I really
reverted back to the tried and true French Knots, Satin Stitch 2015-11-24 BB alland Woven Stitch. Stitches I was familiar with and could do without much though. Ribbon work with Silk Flowers I can see is going to take more study.

This is the time of the year I begin to reflect on what I have and have not done this year. And so far my incomplete pile is growing larger than my completion list. I have gotten many needlepoints pieces stitched, just haven’t finished them up. Maybe this will be my goal for 2016… I’ll have to give this some thought.

For now I will leave you with pictures of a few of my completed birds fitting for this week. May you and yours have a great Thanksgiving. I hope your holiday will be joyful and merry and safe.

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Thank you for stopping by… I hope you find time to stitch today and all through this holiday week-end.

ttfn…sue

Books on Ribbon Embroidery, Bullions and other creative stitches:

Here is a list of some of the books I am consulting. Some I have had just for the different embroidery stitches used to make flowers, some are specific to bullions and others are all about ribbons. And there are others, these are just the ones I pulled for the Blue Bird project.

I have three Hard to Find Book stores in my area and I never go by one that I don’t stop…never know what you will find (and I usually do too.)  I like to see the book before I purchase it. I want technique instructions rather than project books. I check several online sources for needlework books too and I price compare:

Abe Bookseller: http://www.abebooks.com

Amazon: http://www.amazon.com

Hard-to-Find Needlework Books: http://www.needleworkbooks.com

Ruth Kern Books: http://www.ruthkernbooks.com

The books in my library: I wouldn’t list them here if I didn’t like them but some are better than others.

A-Z Ribbon WorkA-Z of Ribbon Embroidery. Country Bumkin Publications. Susan Gardner, Editor-at Large, Quilter’s Resourses, Inc.; 2003 Illinois.

This book is out of print but if you are patient and check often you can get a deal on Amazon or Abe Books and I understand they are going to update and reissue this soon. But it is a staple for learning  Ifa picture is worth a 1000 words then this book is worth every penny you pay for it. There are pictures for every stitch and technique. Excellent Book

A-Z BullionsA-Z of Bullions. Country Bumkin Publications. Inspirations Magazine Publishers. Country Bumpkin Publications. 1999. Australia.

The instructions are clear and the pictures are wonderful. This book is strictly bullions, bullions of every kind. Again the pictures make the directions clear and concise. How can you go wrong with a book published by Inspirations Magazine?

American School of NeedleworkAmerican School of Needlework. ASN Publishing. California.

An Encyclopedia of Ribbon Embroidery Fruits, Vegetables & Herbs #3409. 1997.

An Encyclopedia of Ribbon Embroidery Holiday Designs #3410. 1997.

The Big Book of Little Ribbon Embroidery Designs #3411. 1998.

Encyclopedia of Ribbon Embroidery Borders #3412. 1999.

All these books are nice and they all have pictures to help.

 

Bradford Book Jenny Bradford. Textured Embroidery. Milner Craft Series. England. 1994.

A  book on Decorative stitching, it has nice drawings and projects.

 

Victoria Brown BooksVictoria Adams Brown. Watson-Guptill Publications. New York.

The Complete Guide to Silk Ribbon Embroidery. 1996.

It is a basic Ribbon work book,  full of how to pictures and projects.

The New Ribbon Embroidery. 1997.

This book takes ribbon work to the next level. Dying ribbons, making ribbons, etc. Plenty of eye candy but not for the beginner. I like it but I like to push the envelop too.

book cableSheena Cable. Silk Ribbon Embroidery. A Reader’s Digest Book. NY. 1996.

Mostly projects with pictures and diagrams.

 

Ann CoxAnn Cox. The Handbook of Sik Emroidery. Search Press. England. 2010.

This is a small book (same size as the new Royal School of Needlework books) and it is material from Ann’s two other books: Beginner’s Guide to Ribbon Embroidery and Silk Ribbon Embroidery Designs & Techniques (neither of these do I have). This book  is full of pictures and instructions for ribbon work techniques. I would recommend it.

Heather JoynesHeather Joynes. The Complete Book of Ribbon Embroidery. Kangaroo Press. Australia.1993.

Another book on ribbon work. Has pictures and clear instuctions. Ms Joynes is one of the experts on this subjecy and her books are reccomended in many bibliographies.

River SilksPaul E Krynicki. “OOOOOH”. The Essentials of Ribbon Needlepoint with River Silks 100% Silk Ribbon.Self published.  2006.

If you are using River Silk Ribbons you may want to read this book. It explains how to use RiverSilk Ribbons. It was written for RiverSilk ribbons only. When you order this book you will also receive a spool of Ribbon Silk and a doodle canvas to play.

Lampe Diana Lampe. Sally Milner Publishing. Austrailia.

Embroider A Garden. 1995.

Embroidered Garden Flowers. 1997. with Jane Fisk.

            Embroidery from the garden. 1997.

Diana Lampe’s books are decorative stitches…Any of these books are nice if you are doing a lot of decorative flowers.

Montano silkJudith Baker Montano. C & T Publishing. California

Silk Ribbon Embroidery. 1993

This is eye candy for the ribbon world. Judith knows the rules, bends the rules and does inovative things. I have all the books listed her and look at them for information and inspiration.  Some of Judith other books… these are either inspiration and or quilting techniques.

Montao othersCrazy Quilt Odyssey. 1991.

The Art of Silk Ribbon Embroidery. 1993.

Elegant Stitches. 1995.

Free-Form Embroidery. 2012.

TrottPat.Trott. Three Dimensional  Embroidery Stitches. Search Press. England. 2005.

This book is similar to Diana Lampe’s books but with more and different techniques explored. I like it but it may not be for the beginner to decorative stitching.

AnchorSue Whiting. The Anchor Book of Ribbon Embroidery. David & Charles. England. 1997.

An old book but a goody. Small, 4 x 4 inches, will fit in your stitching bag. Has a complete list of stitches with explanation, drawing and picture. It is really inexpensive and I would recommend for beginning study of ribbon work and library.
Brazilian Embroidery Books: I have had these for years. Brazilian Embroidery Chapman was basically small embroidery (decorative stitches) flowers done with rayon floss. I used them to stitch on denim shirts in the 1980’s.


Floss Flowers, Book 1
. Virginia Chapman. !mpact Presentations. Oregon. 1988 This book was created basically for Brazilian Embroidery and covers a multitude of ways to use bullions as the cover photo attests.

Brazilian booksThe Bossa Nova rose and Friends. Mary Clark and Vee Wedoo. self published, Colorado. 1980.

Hand drawings , project book, a nice book if you can find it but not a necessary one.

Brazilian Stitchery, Instruction Book 1, Janice Gerst Levine and Patricia Von Coelln. American Crewel and Canvas Studio. New York. 1985. Another project book with photos  and line drawings.

Dimensional Embroidery, Book 2&3. Zeann Aguilar. self Published. Utah, 1980. Basic stitches and patterns.

Brazilian Embroidery Instructions. Barbara Demke Johnson. Hawkes Publishing. Utah. 1980. Basic stitches and patterns.

By the way, while I am reading I may not be back too soon…but I hope to have other things to share while I read.

Thank you for stopping by… I hope you find time to stitch today!

ttfn…sue

Blue Bird: Sides and wing

I made another creative decision on the bird bodies I made sure the stitches were slanted the same on both sides. I guess I should say I reversed the direction of stitches for one side. Whatever, I did it and it was a conscious decision.

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one side

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the other side

 

 

 

 

 

I think bird wings and sides are going to be the most fun, but probably the most labor intensive.

2015-08-12 MS Blue Bird flower sample aI have been watching the internet and the trend to use silk ribbon in stitching and just being so creative stitching flowers.  I collected a few pictures from the internet that I thought would inspire me and set them aside for reference. You can just google “silk 2015-08-12 MS Blue Bird flower sample bribbon flowers for needlepoint” and click on images for an unlimited supply of ideas. And since this piece had lots of cute flowers… I decided to play.

 

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I also had purchased Bullion needles from local shop earlier this year.(https://sudukc.wordpress.com/2015/02/08/hari-kuyo-broken-needle-celebration/) and wanted to play with them too. These are from Colonial needle and come in two types (of course I have them both): Tapestry or Sharp Point Bullion needles.  There are three needles packaged in a plastic tube for storage; there are a 3 1/2 inch, 5 inch and 7 inch needle in each package and they are equivalent to a #20 Tapestry needle in size. While I would like to see smaller sized needles available, we will play with these.

And of course there were more thread changes to be made. I have spent the last few days gathering up threads, silk ribbons and beads I think may work. I have a stash of silk ribbons for that future day of fun…so today has become that future days /weeks of fun.

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Silk Ribbons

A word about silk ribbons: Most silk ribbons we are using to stitch with come in the following sizes: 2mm-4mm-7mm-13mm; 2mm is the narrowest silk ribbon.  Most common seems to be 4mm (but remember I am flying by the seat of my pants and have not done much research into this technique yet.) and it is what I have the most supply in my stash at the moment. Several companies are producing silk ribbon:

Dinky Dyes: 4-7mm (http://dinkydyes.com/index.html)

Gloriana Threads: 4-7-13mm (http://www.glorianathreads.com/)

Planet Earth Fibers: 4-7-10-13mm (http://www.planetearthfiber.com/)

Rainbow Gallery Splendor Silk Ribbon: 4mm (http://www.rainbowgallery.com/index.html);

River Silks: 4-7-13mm (http://www.riversilks.com/index.html);

Thread Gatherers: 4-7mm (http://www.threadgatherer.com/);

Treenway Silks: 2-3.5-7-13mm (http://www.treenwaysilks.com/index.php);

YLI: 4-7mm (http://www.ylicorp.com/index.aspx)

2015-08-12 MS Blue Bird silk ribbon on spoolI am sure there are others, but these are in my stash; I’ve seen one on a spool and would love to find it someplace…I just think the little spools are too cute. Anyone know where these can be purchased?

And I would be remiss if I did not tell you about Florilegium…If you are in the Midwest or plan on being here; plan a trip to Weston, Mo (http://westonmo.com/?page=home). It is a quaint little town about 35 miles (45 minutes) north of Kansas City or 30 minutes from KCI airport. Great shops and food.  Make sure it is a week-end, that’s when most all shops are open. But DO NOT MISS seeing Florilegium (http://florilegium.com/), even if you have to call ahead and make an appointment for early in the week visit; this is eye candy overload for the creative soul. Gretchen is the owner and Kathy, her friend, are the two sweetest ladies around. But the reason I mention them here is that if you need a silk ribbon Gretchen dyes them and has beads, embellishments and ribbons forever.  It really is eye candy overload! Every time I go in there I feel like a kid in a candy store and when I leave I am exhausted and know I missed half of what was right in front of me.

But I digress…I have a few books that I need to look through too. I’ll post again in a day or two with a list of books I have. Even though I prefer a book in front of me, the internet is always a good source and sometimes you can find videos that allow you to see the stitch being created.

But first I am going to Basketweave the backgrounds of these pieces. Yes I am going to use Silk and Ivory in medium color blue. Remember I use #20 or #22 tapestry needle…it works. I will Basketweave right up to the flower edges and if I have to go back and fill in I’m sure it will not be noticeable for all the flowers.

Thank you for stopping by… I hope you find time to stitch today!

ttfn…sue

My Stitching bird.

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I usually set the next un-stitched canvas I want to stitch out on stretcher bars so I can look at it as I finish stitching the last one. This usually gives me incentive to finish a canvas and not dawdle; but sometimes (usually) I get ahead of myself and stick the new canvas audition out to soon and it frustrates me that the canvas I am working on is stitching so slowly.

This is one of those pieces that had many side stories to it, or maybe it is just insight into my crazy thinking. At any rate, I will try and explain as we go…I am going to walk you through MY processing. It takes some turns and twists…so let’s get started. This canvas is painted on three separate pieces of canvas for easy of handling; so I have three canvases framed up and I am going to start the bird’s bodies first.

2015-08-05 MS Bird tear sheetThis Melissa Shirley (http://melissashirleydesigns.com//) canvas is another guild member’s canvas (Remember if you like this canvas ask your shop to see if the canvas is still available.)  She loved birds and stitched many of them…I have a couple turkeys she stitched but this was one that spoke to me, so I brought it home. I knew I wanted all the squares to be the same stitch: middle blue square are Reversing Scotch, lightest blue squares are Milanese; and dark blue squares are Byzantine.  The yellow bars are Slanted Gobelin and the little squares would be Smyrna Crosses. I had even decided to stitch the bird in Brown Paper Packages’ Silk n Ivory (http://www.brownpaperpackages.com/).

(1st twist). Yes, I know some stitchers think Silk & Ivory pills on 18 count canvas and it may; but I have never had this problem. I think if you are stitching something that is going to get a lot of wear (belts, purses, etc.); Yes, then you should think about using another thread. But remember any thread on a wearable garment will wear: perle cotton will lose its luster as will silk pearls, floss will not hold up to constant wear, and wool will pill too. So in my opinion, you should use what you like. Wearable stitching is not for a lifetime in most cases. Using Silk and Ivory on 18 count ornaments, standups and other decorative pieces works for me and I use it. The only problem I have ever encountered over the years is that large area of Silk and Ivory stitched in Basketweave tend to be tight (but I did it on this piece as you will see), but I have very little or no problem with decorative stitches. I do us a size 22 needle when stitching with Silk and Ivory, I think the larger needle opens the wholes of the canvas a tad more and helps the thread move smoothly through the canvas.

So I had pulled my threads (I originally intended to do the entire bird in Silk and Ivory and had pulled all the threads. Good thing I have my stash at hand…because the best plans usually change.)

2015-08-05 MS Blue Bird square counts usedI don’t know why I picked a center square to start must have been Stitching Angel intervention, but somewhere I got it in my head these were not perfect squares. They are 16 threads to each square separated by 3 threads. But I made a mistake and stitched the Reversing Scotch Stitches over three threads instead of four. I could have taken it out but 2015-08-05 MS Blue Bird scotch squarefor whatever reason (I hate Frog stitching) I kept going.  I assumed the squares were off, but if I added a fourth thread to the dividers I could continue…I later went back and charted the Reversing Scotch and I liked my mistake better, so I kept it. After I played around and decided this mistake would work there was another twist: I have decided to change some of 2015-08-05 MS Bird rev scotch used 2the threads.

2nd twist: I have a list from Kreinik (http://www.kreinik.com/) of the threads they are no longer stocking (some you can request others have been discontinued) and I had spent a day separating these out so I would not use them for designing. I had lots of 042 Confetti fuchsia; I had used it to teach a class years ago when I was in certification for teaching. I use discontinued threads only in pieces for my personal use. So I decided to take yet another twist…

2015-08-05 MS Blue Bird copic marker3rd twist: A few years ago I discovered Copic pens (http://www.copiccolor.com and http://www.copiccolor.com/) and now I can’t get enough of them. While playing with the Copic pens and an air gun I realized I could color areas of white canvas to simulate any color canvas I could want to purchase…hummm…but that’s another story. But I have used them to color canvas backgrounds if I need a larger or different shaped background.  I wonder if I can change the color too?  So I stopped stitching and changed all the yellow to sorta pink so I could use the Kreinik Confetti Fuchsia.

So now I am back on track, well at least my track. I am stitching the blue squares and looking at the wings and sides too

2015-08-05 MS Blue Bird chin aAnother turn came (not really a twist but a stitchers/finishers decision) when I went to stitch under the beak. Since I have been doing some of my own finishing I am more aware of these sharp, small turns that do not finish well. So here, under the beak I made another stitchers choice. See that one stitch that is unpainted, it went away; not the finishing there will 2015-08-05 MS Blue Bird chin bbe easier. As you are stitching and you see this little opps, you can cover them with a stitch and finishing will be much easier

So for now I am stitching along on the blue bird bodies…I will be back with the sides and wings soon. .

Thank you for stopping by… I hope you find time to stitch today!  ttfn… sue

My Doodle Canvas Notebook is born…

2015-06-23 ToitI have been contemplating starting a “Doodle Canvas” for years but have just never got around to it. Well, I have found “a round to it and wooden nickle” all in one …so I now have a Doodle Canvas too.

I have always thought you should have a “Doodle Canvas” but just never listened to myself. I have taken classes where teacher/designers have either suggested this; asked you to bring a Doodle canvas on stretcher bars; or supplied you with canvas (you bring the bars.) Susan Portra uses French Knots and suggests you practice making about 10-20 French Knots on a “Doodle Canvas” before doing on the stitching.

Then when I discovered “blog-dom” and became addicted to following blogs,  I began to see Doodle Canvases with purpose and still I did not heed. PinTangle (http://www.pintangle.com/ ) has documented hers. Here is how it all began: http://pintangle.com/2008/12/31/for-the-love-of-stitching-band-sampler-back-story/

Blogs had been speaking to me for years about “doodle canvas” but I just wasn’t listening…

Be Stitched several years ago (http://bestitchedneedlepoint.com/news-and-updates/what-the-doodle-is-a-doodle-canvas/ ) and

And Threads Across the Web: http://threadsacrosstheweb.blogspot.com/2011/11/doodle-page-exotic-swirls.html. She calls hers a “Doodle page”

Needle Bug (http://www.theneedlebug.com/) ) calls theirs a “sample canvas.”

And even Mary Corbet on Needle n Thread blog tried to tell me to start a doodle canvas.  (http://www.needlenthread.com/2014/10/5-reasons-to-make-keep-a-doodle-cloth.html)

Thought these were very cool but still it did not motivate me to start my journey. BUT I wasn’t able to get these out of my mind and I would think about this when I was stitching. So for the last several years I have had good intentions and we all know what road that paves; but still I did not heed that little voice in my head until earlier this year.

I had cleaned out some UFOs and knew I would never finish stitching but it seemed a shame to dispose of the canvas, so I put the canvass aside until I decided how to use them. And then while cleaning out a sewing drawer too, I found two things I had purchased in quantity.  Grommets and bias tape…I must have had something in mind or just thought I needed them because I bought 2015-06-23 Toolseveral packages of both and have never opened any of them. At that same time my daughter-in-law showed me this neat little gadget she had bought for something she was making and I realized I could use my grommets with this cool little gadget.

Canvas, bias tape, and grommets…hummm… the “doodle canvases” were born. I made two and put one on stretcher bars. Now I had no excuses. Still that canvas sat around for a couple months until one day I needed to practice something and I did it on the bottom of the canvas I was working on only to wish I had done it somewhere else. Not because I didn’t like it or that it ruined the canvas I was stitching, but rather because when I finally finish this piece you will not see my experiment that I like. If I had done this on my “doodle canvases” I would have it for future reference…as it is now I will have this scape of canvas to keep track of.  So then when I needed to practice some decorative flower stitches and ribbon stitches for this same project I remembered the “doodle canvases” and thus was my start.

2015-06-23 Notebook 1 2015-06-23 Notebook 2 2015-06-23 Notebook 3

Remember early this year when I was taking about notebooks? Well I have been pretty faithful about documenting all my stitching in this notebook. When I finish stitching a piece, I put the notes in the computer and fold the pages up with the name of the project written on outside of folded pages. So I started documenting the “doodle canvas” too. This week I finished using the first “doodle canvas” and documented it in the computer. I haven’t decided if this is the final format for this but I wanted to get it computed and move on.

2015-06-23 Doodle Canvas 1So now I have “Doodle canvas #1” and its documentation; another notebook in the making.  Here is my canvas and how I documented it. I had thought I would use something I found at the quilt show to make a cloth print of the documentation to use as the backing of the piece but as you can see I have lots of documentation and it would be larger than the canvas…so 2015-06-23 DoPg01b2015-06-23 DoPg01aI am formatting and incubating ideas again. I am thinking that I have several other projects that I want to make into book formats and this will be the canvas I use to experiment with the covers. Someday I will be blogging about these too but right now the book finishing is still in the incubation stages, doing research and formatting ideas in my head and on paper too.

I don’t think everyone has to go to the extreme I have but I hope you will all consider the merits of a “doodle canvas.” You can experiment with threads: new threads, combination of threads, number of plies needed to cover the canvas or to get the desired effect. You can play with stitches: change the direction of the stitch, play with threads to give the stitch a different look, or just practice those French Knots  or as I have found Bullion Knots too. And best of all reasons: On a doodle canvas there is no “frog stitching”,  there are no mistakes only less usable ideas. And for those of you who are really creative you could create a design and make Christmas ornaments or scissor fobs, any small project for all your stitching friends. If you keep them, think of the reference canvas you will be making…. I like the roll that Sharon B on Pintangle makes (http://pintangle.com/2008/12/31/for-the-love-of-stitching-band-sampler-back-story/)  but that is not for me…a book will serve me better…find what works for you.

Thank you for stopping by… I hope you find time to stitch today!

ttfn…sue

Threads

2015-04-21 bunny 2I’m so glad I have this extra skein…

I am finishing up a Easter project and I got to here and was out of thread. I happen to have an extra skein (same dye lot) but I am lucky. How many times have you gotten to here and not had that extra skein?

What to do if you didn’t notice until the bitter end?

15-03-24 bunny stichedIn this case if you could get a gray that is close (different dye lot) I would frog stitch: rip-it rip-it out. This is a contained area and the dye lot change will probably not be noticeable for two reasons:

  1. It is its own self-contained area, isolated from other areas of gray stitching.
  2. The area has is slant different from the other paw and slanted not like the feet or head.

Also in this case if the gray dye lot was noticeably different (bummer) you still could salvage the stitching by removing both paws and re-stitch with new dye lot.

But what do you do when the area is a large area and you run out of thread? Don’t throw the piece away, there may be some good solutions.

You can try and ask the needlepoint community on line if anyone has another skein of your dye lot. We are a fairly friendly and honest group and love to share. I always check when someone asks…usually I’m a day late and a dollar short…someone has beat me to a random act of kindness already.

If that fails you can get another dye lot and hopefully the new dye lot is very close. I also hope you realize the lack of thread before you have used every last inch because you can start stitching with the new dye lot every other thread until the old is gone and then finish up with the new dye lot. It would also be nice if you were using a stitch other than Basketweave….Basketweave is not very forgiving when it comes to new dye lots but you can “pepper stitch the area and then fill in with new dye lot. You gotta do what you gotta do.

2015-04-21 tent peper stitchingBut what if all else fails and the dye lot is so different you  are about to give up…Wait, look at the canvas a try and find a cutoff place. Hopefully you are stitching a background or large area and have enough thread to cut off so it looks planned. Then look at the canvas, pick a stitch very close to the original. Example:  stitching with Mosaic using dye lot A, use a Reversed Mosaic or 2015-04-21 Changing stitchesContinuous Mosaic and stitch with dye lot B.

My best advice is when purchasing the threads for a canvas buy one more than you think you need for large areas. Life happens and if the canvas and threads gets pushed to another days stitching you will be covered. This bunny had 4 skeins of gray…I will have most of two left over and 3 skeins of overdye used in pants (Using overdyes are a post all their own…will leave for another blog day.); I have parts of all three left.

I don’t think of these extra threads as overbuying but rather as stash enhancement! I like to always buy at least two of any thread I purchase (especially if there is a dyelot number) We all know the threads that have dye lot changes regularly and overdyes are the worst…even if the colors don’t vary the length of color can vary)

Hope this is helpful.

Thank you for stopping by to visit, I hope you find time to stitch today or do whatever helps you be creative!

ttfn…sue