More on 1st Communion crosses

I have done three 1st Communion Crosses, each is a bit different, but I still planned them all out on graph paper before stitching.

 

 

 

 

 

I plan out on graph paper the name and design before I begin stitching. I use an alphabet that is 9 stitches high for uppercase and 5 stitches high for lowercase letters. Whatever method of framing you decide to use, your design MUST be planned on graph paper.  Plan your design out first on graph paper, remember to allow for open space around the design area I usually figure 5 threads on each side for this type of design….although you usually are going to get extra space by choosing a standard mat..

I count the lines of the graph paper (each line represents a thread of canvas)  and divide by the needlepoint canvas thread count to see what type of design I might be able to use; i.e. square or rectangle. This will also let you know if you can use a pre-cut mat and frame (my favorite). If I had a long name  I might consider making a rectangular piece from the start

For example: a name like Christopher Robin is long…by my quick calculations this rectangle stitching would need minimum 87 by 105 threads. This translates to 87 divided by 18 count canvas equals 4.8333 inches of 5 inch opening and 105 threads divided by 18 count canvas equals 5.833333 opening or 6 inch opening , Since standard mats usually are 5 x 7 inch openings. I would be look for a shadow box frame with a precut mat with a 5×7 inch opening or find a frame I liked and have a 5 x 7 inch mat cut to fit the frame.

The best method is to have your piece stitched when you go to look for the frame. If you are lucky you will find a precut mat and frame; otherwise you may have to have a mat cut to fit a premade frame. But remember sometimes this still does not work and you are going to have to bite the bullet and the piece custom framed. EDNOTE: If you are planning to  enter a piece to be judged, then you MUST have the piece custom framed. …There are framing rules too, maybe not rules but guidelines or ratios of mat size to frame size…Your framer will know these, I don’t; I just know if I like the way it looks matted and framed.

 

Other things I did to make stitching easier for me:

I tent stitch the grape areas first. This gives me an idea how they will look and it is easier to remove tent stitches than it is French or Colonial knots. Then when I stitch the grapes if I am using an overdye I use the puddle stitch technique to stitch the knots. I learned this from John Waddle years ago and blogged about it once but I will repeat it since it was years ago that I wrote about puddle stitching.

Puddle stitch method:  

I do not cut the overdye thread in this instance (some overdyes are pre-cut but the method is the same.)

Here is a graphic of a length of an overdye thread; I have numbered each segment with an arbitrary number of stitiches (10-8-12-6-etc…). Notice that there are three circled 10’s; these are the beginning of the repeat. The numbering has no significance in puddle stitching other than to show the repeat and the number of stitches I arbitrarily assigned to each area.

The next graphic shows this overdye thread stitched in Continental Horizontal rows (top left), Basketweave (bottom left) and then puddle stitching on the right. I attached the sequence numbering to all these so you could compare to the first graphic and follow he sequence of stitching. The puddle stitching is a bit hard to follow but you can and there is no method to this it is just a random thing.
Puddle stitching is nothing but a group of stitches randomly placed together to form a puddle of color. You could call this method a glob, blob, whatever you choose to call it…but then it would have to be glob stitching, blob stitching and I like puddle stitching best. Remember this is not my technique I learned it from John Waddell (http://johnwaddellneedlepoint.com/index.html)  in his Fun with Overdye class.

If this has confused you more I am sorry but just drop me note and I’ll see if I can do better or take a class from John, he’s really good or maybe your local shop can help you.

Making a twist:

I sometimes make a tiny twist of usually 2 ply floss to be the stem of my flowers or in this case wheat.

I showed how to make a twist here: (https://sudukc.wordpress.com/2014/09/04/all-twisted-up-making-cording/) and this twist is the same but it is only an 18 inch length of thread so I usually just twist between my fingers.

Once the twist is make I use a larger needle. I thread the twist into this needle to start stitching. I bring the twist to the front of the canvas leaving the knot on the backside…I know the rule about knots and needlepoint but there are exceptions to every rule.

I’m showing you the back of the my stitching because that’s where all the work can be seen! The free form shape in picture is my beginning knot. The rectangle is the line I couched the twist on the front with second needle using 1 ply floss. And the circle is a picture of how I end this twist.

Ending the twist depends on if there is enough twist to use again. If there is enough twist to use again make two overhang knots as shown in picture and cut between them. This will help keep the stitched twist from becoming lose and it also keeps the remaining twist, twisted. If there is not enough twist to use again just make an overhand knot and clip, leaving the knot on your canvas.

 

Over the years I have stitched three 1st Communnion Crosses and I have a PDF version of the first cross instructions but have also included information on all three in this newly revised edition. If you are interested, email me (sudu@kc.rr.com) your email and I will send to you a copy; be sure and put 1st communion in subject line or it might go to my junk mail.

I think that’s it for today…but I did score a major coup this week and I’ll tell you more about that next week…

Thank you for stopping by, I hope you have time to stitch today.

ttfn…sue

Advertisements

Mr & Mrs canvas designed by Raymond Crawford

Today is March 30 National Stitching-In Day so what a better way than to talk about my last big needlepoint project. I started this project last spring March 2017 but could not share because it was a present for my grandson and his bride on their first anniversary. I had seen this Raymond Crawford (http://www.raymondcrawford.com/) canvas before they were married and with my new love of beading I knew I would have to bead this project. I would guess it took me six months to completely finish this canvas. Beading needlepoint is a long process and why I chose 18 count when 13 count was available I’ll never know.

First I had to find the right beads and I first purchased 11/0 beads for the project but they were too big so back to square one and size 15/0.

 

I stitched every bead twice in Basketweave style. Why Basketweave? I did not want to stitch Continental and have the canvas warp; I knew blocking would have been impossible. So I took the extra time to stitch Basketweave beading. I used a double strand of beading thread that I had stretched and waxed. If you don’t stretch your beading thread over time it can become loose and your beads will droop; also strech thread before waxing. I stitched every bead twice to secure each bead in place (see diagram). I also started every letter on the right side so my basketweave was always being stitched into a previously work hole. I did this for two reasons: I wanted all the beads to slant same direction and  I was very careful not to pierce thread from previous row. Here are two or more days of stitching on the &, some days I only got in 10 to 15 beads. Beading is a long arduous process for me;  it was tiring on the eyes and also just a slow, labor intensive process.

 

 

 

 

When I went to stitch the border I noticed on the left there was one empty thread between the M in Mrs and the start of the border, but on the right the & was right next to the border (no empty thread.) This bothered me so I just decided to I stitched the border one thread further out. It wouldn’t show because I planned on stitching all the background with silk. I also changed the direction of the border stitches at the center of the design area; this allowed me to stitch around the corner without compensation. As I recall, it was not an even count divide , so I always try and make the

odd count to the right of center and/or lower of center. I don’t remember if both counts were off or just the left –right borders (top & bottom)   I used Kreinik #12 braid in 3 colors: 221, 202HL and 102 and the stitch was a Diagonal Gobelin over 2 threads.

I stitched the background last in basketweave with 4 ply Rainbow Gallery Splendor S800.

It seemed like it took me forever to stitch, but I love they way it looks finished. I had a mat made and   framed it myself and it now is safely residing in Michigan.

When I gather up another project I did for my guild I will share the different methods of beading needlepoint with you.

After I finished this project, I thought I would swear off beading forever…but forever is a long long time. 😉

Have a blessed Passover or Happy Easter.

Thank you for stopping by, I hope you have time to stitch today.

ttfn…sue

 

 

Beading and Kumihimo

After our herringbone bead sampler class at Florilegium, my friend Nancy and I set out to discover what KC had to offer in bead shops and like any specialized needleart stores in our area there are few. We ended up finding a home at Bead Boutique KC (http://beadboutiquekc.com/) or (https://www.facebook.com/BeadBoutiqueKC/). Andrea is the owner; expert beader and enabler…just look at my stash.

 

We came away from our first visit with an easy leather stringing project; we could make a bracelet and scissor fob. And of course we ordered more to teach all our friends and grandchildren. It is a fun easy project; I have even done this with my Granddaughters. I made all my Grandsons a fact similar key-fob of a Boy Scout totem they wear when joining the tribe of Mic-o-say (https://www.hoac-bsa.org/tribe-of-mic-o-say) at H. Row Bartle Scout Reservation (https://www.hoac-bsa.org/bartle).

 

We set up a private class and learned Peyote: even-count. We signed up for a Basics of Beading meetings on the first Saturday of the month to learn different techniques from a basic beading book, Mastering Beadwork by Carol Cypher. We all bought it and a few others and more beads. We made a square of even-count peyote but I have to have an end result, so I looked through the two new books I decided to make beads.

 

There are two types of peyote beads: zipper and in-the round. I mastered the zipper method. And what do you do with 30 peyote beads; you make a bracelet. I also learned the ladder stitch for joining the beads, how to make a beaded clasp and a Pequot edging; not bad for a first project.

 

Our next class was an odd-count Peyote class. We made an American flag and I used size 8/0 beads because I was still trying to limit my stash accumulation. And I was also unsure of my ability and 8/0 beads are easier to do than 11/0 beads and definitely better than 15/0 beads, especially when learning. I hang this on a stand with all my other flags.

 

I have been very neglectful in attending the Basics of Beading 

meetings and need to get back into them; but before I became so lazy and weather became cold I did attend Double-sided peyote diamonds project at the Basics of Beading meeting. My color choices were too close and it is hard to see the changes. I have these diamonds but haven’t decided how to use them yet.

 

In the meantime I had finished my herringbone sampler we had learned at Florilegium and Andrea suggested rather than buying more different beads I buy just buy size 11/0 in a matte black and finish this necklace. Well, it took me a couple months but I finally had two bead projects under my belt. Someday, I am going to buy or have enough beads to make a companion piece like the one in Bead Talk.

 

Then we found Kumihimo with beads. We had learned basic Kumihimo from Gretchen at Florilegium,  but this added beads. Several books later and a stash of beads and we were off and Kumihimo beading.  I started off with a red beaded necklace that I was going to use some of the leftover beads from my even-count peyote RWB bracelet but haven’t done anything with the R-W& B beads yet. Maybe I’ll get back to doing something with the R-W&B beads since it’s almost that time of year again; but I finished the red necklace before to Christmas.

 

But before I finished the red necklace I made a Kumihimo with Magatoma beads scissor fob. After I had strung most of the beads I noticed these beads have an up and down to them….but at this point I didn’t care. I thought I had been careful to sting them all going the same way.  Let me preface this, depending on the look you are going for; if you string all the beads in the same direction, one way the beads will lie down like hair or scales of a fish, the other direction they will stand out and if you do a random stinging you will have a completely different look.  Mine all laid toward the bottom of the scissor fob like fish scales…but trust me, it was pure luck.

Last fall the group had planned another beading class; it originally was designed to be a necklace but Andrea thought it was to not pliable enough to be a necklace and so she had made them into two inch beads and put them on a chain. I have finished my twisted peyote beads and have to pick a chain but in the meantime decided to make a bobble for my red necklace to wear at Christmas. I chose green beads and in a couple days had a twisted peyote bobble to wear on my red necklace. It is easy to get on and off so I can make others (remember the R-W&B beads

 

 

 

 

I also have bought Kumihimo books by Karen DeSousa and she has a twisted bobble with a twist. I was making it for St. Patrick’s Day but after I got it finished I noticed it is so similar in color to the one I made at Christmas; and I think it will be difficult to slide this one on and off a necklace; so I see more beading in in my future.

I have accumulated so many to do projects not to mention the beads and books with so many ideas I like that I am now a bead addict too. I have accumulated I had to get another bookcase for my overflowing library.

I believe this sort of fills you in on the last year and half of my creative life; now I just need to find the time to do all these creative projects and the ones running through my head. I do have a few others to share but I think my next post is going to be needlepoint. It is my main love and I do have several needlepoint projects to share with you.

 

Don’t forget March 30 National Stitching-In Day.

 

Thank you for stopping by, I hope you have time to stitch today.

 

ttfn…sue

Class Instructions, Stitch Guides for Canvas & Charted Counted Stitch Guides.

Editor’s Note: If you do not like soap box stands do not read this post.

At some point in your creative endeavors you are going to receive written instructions of some sort; from a teacher, friend or instructor. They can be free as in a hand drawn on a piece of paper or instructions you pay for, a complete set of written instructions for a class or a canvas, etc. Some instructions, like Counted thread can be as simple as a set of diagrams or as complex as complete, step by step instructions.

All the above are not equal, some instructions are better written than others, some will have mistakes but the one thing they all have in common is that they are COPYRIGHT protected.

Simple put, this means you should only use them for yourself! You should not sell them, give them away, share them and any form…this means no copies, nor hand drawn copies of someone else’s work!

When you have finished the project or class, dispose of them properly. Keep them all or in part as a reference for yourself; or throw them away. You purchased these instructions for your use not for other people. You paid for the instructions, is your friend paying you?…still illegal!

When you pay for instructions, you are paying for that person’s creativity. You are paying the shop to keep the lights on and to carry the things you like to stitch. You are paying for a lot of little things that keep designers designing and shops selling.

At the worst ….Would you like to be robbed; because that is what you are doing? You are taking livelihood away from the designer. I know designers/teachers whose stitch guides and instructions are a main part of their income; it is not a hobby or sideline.

How would you feel if you stitched a canvas, gave it to a friend and less than a month later your gift was for sale online, at a yard or at your local resell shop? That’s a similar feeling designers, teachers and shop owners feel when they see these things for resale.

I mentioned a couple blogs ago that I am working on a sale for my guild…I will not accept (and I will throw away) any instructions from classes that have been taken by guild members that do not have the complete kit or stitch guides for canvases that do not have an accompanying canvas. I personally have a problem with class teaching pieces , just because of all the little things you learn in class that may or may not be covered in the text. The “pearls of wisdom” the teacher shares with the class. I know that my Contemporary Forrest Necklace (last post) ttps://sudukc.wordpress.com/2018/03/01/5462/ would have been a bit easier had I physically been in the class with Catherine Jordan.

I would really like not to accept anything but books, but I know that is pushing the envelope for a non profit.

Just be mindful of Copyright and please do not sell something you have already had the creative use of…And if you would like to read more; Ruth Schmuff’s blog offers a designers point of view: https://bedeckedandbeadazzled.com/2018/02/copyright-2/

Putting my soap box away for now. Thank you for stopping by, I hope you have time to stitch today.

 

ttfn…sue

Creative Dry Spells

I think I can safely say I have suffered from “Creative Dry Spells” in all forms of my artistic endeavors. It is like being in a depressed mood; you know it will pass but it does not make it any the less painful. They are not fun, nor can you talk yourself out of them; the best thing to do is ignore them for a day or two and then try to work thru them or just do something else like cleaning (ugh) or cooking. Cleaning should convince you to be creative real quick and cooking can be creative also yummy if you bake or make desserts.

I read somewhere (probably another blog but I forgot to write down whose blog) some ways to get the creative juices flowing again. I have adapted them to needleart thoughts:

  1. Spend some time with your stash
  2. Finish a UFO or several
  3. Practice a stitch/technique you haven’t mastered or would like to learn
  4. Look ahead to projects you must finish:
  • Designers/teachers have deadline
  • Finishing deadlines
  • Work under pressure
  1. Just keep active.

Sometimes any of these are easier said than done depending on how “dry” you are feeling.

Sometimes spending some “me time” with a cuppa and your favorite needlework books and/or magazines can help. I love my books and looking through them may give you an idea of something to stitch, a technique to try or maybe you will just relax and look at the pictures.

Sometimes no matter what you do nothing speaks to you; then it may be time for some artistic needlework enhancement. In other words, a trip to your local needlework shopS (sometimes it takes more than one). Going to your favorite places is good for two reasons:

  1. It may spark your creative juices with something as simple as a new thread for that project you saw in your stash. You may find a new canvas that speaks to you and if all else fails…
  2. You are at least spending time with other creative people and this is good. They may remind you of a canvas you have at home that you were really dying to stitch just a few weeks ago. They may show you a new technique they are working on, a new stitch, a new thread, or maybe just give you a smile that will brighten your day.

And if you are lucky enough to have more than one shop in your area you have that many more chances to get those creative juices flowing…whatever it takes to spark those fingers. And if you are really lucky, maybe you can sit and visit with others. You don’t have to be stitching something, you can just visit. I visit a group(s) and not everyone is stitching needlepoint, some are knitting, some are stash enhancing, and others have just come by to visit.

And we learn from each other and the more diverse and wide our circle of creative friends is the more we learn…there are no limits to creative thoughts. Attending guild meetings, having stitch-ins, maybe just going for a cuppa and stitching there. Just think for a minute about threading a needle; you know people who:

  1. Thread a needle with the end going immediately through the eye of the needle
  2. Bend the thread over the needle and then thread that bend through the eye of the needle.
  3. Pinch the thread tightly between their thumb and index finger and saw the eye of the needle onto the thread
  4. Wet the end of the thread and place thread through eye of needle … or
  5. Use a needle threader.

None of these are wrong, None is better than another…it is what works for you. But if some needle artist is having trouble threading a needle just being around other needle artists may give her the idea she needs to thread her needle. I know that is pretty simplistic but you get the idea.

If you don’t want to tempt you credit card, watch a love flick, visit an art gallery, visit a park, just take a walk. Anything will do to keep you from sitting and brooding about the “dry spell”.

I have two artist friends that seem to ward off  dry spells by drawing every day; they have notebooks of their works. I am not that disciplined and that’s probably why they make a living at their art and my art just keeps my sanity.

One of my friends tries to go out and about every day to see inspiration. He will draw and paint in his notebook people and places around him. Recently at an art fair, I ask him if I could see his journal and he shared it with me. He was in a mall at an art fair, yet found the time to capture the other artists around him. Each entry has the day and date of the week (he told me it was like his day planner). Not only was there an image of his fellow artists but a small drawing of the type of art they were showing. WOW! I spent several minutes looking through his diary and it was such a privilege; I felt like he not only trusted me very much. He had let me see into his soul; it really was a special moment. I did not read his thoughts but just looking at the pictures he had drawn. I left his booth maybe not inspired but feeling sooooo uplifted.

My other artist friend is a former art professor and he lives close to his former university. You can visit him anytime he is in town and he will listen to you and then in his own magical way give you some thoughts to ponder. He never gives you “his answer” because then you would not be working through your problem. Once a week, when he is in town, he holds “tea time”; an open date to just visit with others of like mind, have tea and discuss whatever comes up, such an enlightening way to give so much insight into so many things. It is no wonder all he asks is for you to RSVP your attendance; these events are attended by friends, former students and students who have heard about him through their professors. And even though it may be a crowded place on occasion, you always come away feeling inspired and more than that hopeful, optimistic.

So, I think I will be off to look at my stash and maybe it will trigger something.  I hope you are not having a creative dry spell but if you are, join me by going through your stash and let’s see what happens.  I really hope you can just go stitch and have fun.

Thank you for stopping by, I hope you have time to stitch today.

ttfn…sue

Feb 8th: Feast of Hari-Kuyo

Bloggers and diary writers are left brained.

No apologies, no excuses…I am just totally right brained and when my left brain does click in I don’t think about blogging. I do get messages that some of you out there are still reading my blog and I thank you.

Today I got two emails from a friend in NC, Pam B:

Greetings from NC.  I first learned of the Festival from your blog.  This year I shared it with my local ANG chapter and they too were charmed by the idea.   I am wishing you well and remembering happy stitching times…

and a second email:

Yes, please do get back to your blog!   I miss it and I know that others do too.   I actually had it set up to send me an email when you had a new entry and I often refer to it for how to’s and encouragement to learn new skills.   No guilt — but do come back to us!

 Thank you Pam, it jolted me into the present and a whole bunch of guilt. I have really been remiss in sharing with all of you my stitching friends.  I am sorry and will try to do better.

2018 well loved and used needles

I had been stitching last week and broke a needle, so when I put it in my broken needle bottle I remembered Feb 8th is the Feast of Hari-Kuyo.  I even had the thought that this would be a good day to try and start blogging again. So today when there were two consecutive emails, the first from a Temari friend reminding us that today was the Feast of Hari-Kuyo followed by the second email from my friend Pam. I decided to stop whatever I really wasn’t doing important and to blog. (yes, it does take me getting hit by a two by (four) email to get my attention).

I had been reading the first email that had a link to Wikipedia Hari-Kuyo (https://en.wikipedia.org/wiki/Hari-Kuyo) first and was researching this: “Threads of the five Buddhist colors were used with the needles”. I brought up a sight that listed these colors and their meaning:

Five Main Buddest Colors: “Pancha-varna in Sanskrit” means Five Pure Lights

Order of colors (Blue-White-Red-Green-Yellow) should be either top to bottom or left to right. In top to bottom order, it is to spread good fortune, peace, sympathy and wisdom.

Also look at chart on Five Wisdom Buddas (https://en.wikipedia.org/wiki/Five_Tathagatas)

ED NOTE: Can you tell how deep I get into things…no wonder I never have time to blog…

Meanings:

Blue: Purity & Healing

Buddha: Akshobhya  “Immovable One” (https://en.wikipedia.org/wiki/Akshobhya)

Represents consciousness as an aspect of reality.

Body Part: ears

Element: Air (sky & space)

Meditation: helps transform anger into wisdom

White: Learning & Knowledge

Buddha: Vairocana

Body Part: eyes

Element: water (air & clouds)

Meditation: cut delusion of ignorance to wisdom of reality

Red: Life Force & Meditation

Buddha: Amitabha

Body Part: tounge

Element: fire

Meditation: transforms delusion of attachment into wisdom of discernment

Green: Balance & Harmony

Buddha: Amoghasiddhi

Body Part: head

Element: nature (water)

Meditation: transforms jealousy into wisdom of accomplishment

Yellow: Rootedness & Renunciation

Buddha: Rainasambhava

Body Part: nose

Element: earth

Meditation: transforms pride into wisdom of sameness

These are my needles wrapped for Hari-Kuyo

needles

After about an hour into this first email tangent I returned to my emails…and there was Pam’s email. So I figured it was a “sign” and so I stopped reading my emails and finished wrapping my broken needles so I could blog about all this. I wrapped them in the five Buddhist colors. I put them in a pot in the back yard to bury when the ground thaws (winter and cold here.)

I took pictures, took time to semi get my thoughts together and voila, “Here I am” So now that I have started blogging again, I am making no promises. You can see from my desktop I have way too many irons in the fire and I just seem to juggle everything I want to do to keep my nose above water and I can get carried away on a tangent at a moments notice. I am going to spend some time looking at my blog and seeing where I left off and filling in some of the blanks. In a nutshell, this past year I have:

Not enough time…

*Finally learned to knit…I am a novice at this and have not progressed very well.

*Took up needlefelting, although I have not given this as much attention as it needs

Both of these art forms need practice and I just don’t give them the attention they need. But I do have a small stash to help guilt me into keep trying.

*Taken up beading and I do like this hobby in fact have now expanded

OLYMPUS DIGITAL CAMERA

my stash to include beads

*Kumihimo both with and without beads.

*AND of course needlepoint. Needlepoint will always be my first love.

*Temari I still like these and need to make them more often

*And various other projects/ideas that are in my stash on buried on my desk.

& more stuff

*And last but not least the finishing of needlepoint I have neglected too.

As I said, I will go back and spend some time looking at my blog to see what I have been neglecting to share and to share some things I have been doing. I am not making any promises as to how often I will post but I do hope you will check back every now and then to see what I have been up to and what I am doing now.

Thank you Pam B for the kick in the backside…

And Thank you ALL for stopping by, I hope you have time to stitch today.

ttfn…sue

P.S Dee hope you got an update! And thanks again for reminding me I was neglecting a nice part of my life.

 

I’ve Done it Again…

The reason you haven’t heard from me is I’ve done it again…I’m expanding my needlearts learning.  Last week I took a knitting class, kumihimo with beads class, a beading class, made another temari ball, wrapped 3-4 more to stitch in the next couple weeks, and yes I needlepointed too. I know I should concentrate on one project at a time but I love them all and can’t pick just one…so I’m just going to have to figure a way to sleep less, cook less (love these too), general household duties (don’t like these so much)  or maybe I could just clone myself.

And I am sorry but I think my blog suffers the most. I really am going to have to get in a habit of stopping here. Last week in a magazine I finally had time to read there was an article on how to have a successful blog and I guess I’m never going to have a successful blog by their standards. I am supposed to find a niche and stick to it…and we all know that isn’t going to happen. I have too many things I want to learn and do. Then I looked at the name I gave my blog nine years ago “sudukc’s needleart & other musings… A place to see what I am doing or not doing”; I must have known then that this is an eclectic place. It is mostly about needlepoint because that is my primary love but it is also about any kind of needle art because they are all fascinating to me. So, thank you for finding my musings interesting even if they are all over the place and sporadic at best.

I used to think I knew my limitations, and I do know that I love quilts but I am never going to make my 13 quilts…For those of you who don’t know; history or folk lore says that before a girl got married she had to make 12 quilts, the 13th quilt was made and quilted by friends and family when she was about to get married. And anyway, I’m already married, too late. But I know too that I am not a large quilt maker; I tried it, and even though I love them and they are beautiful but it is not me. I like smaller projects and there are plenty of them for me to try.

Last week I was beading at Florilegium with Gretchen and I said I wish I were as creative as she is. Gretchen tried to convince me I am and just need “to do”… After I got home I really thought about this and I think I am creative…just maybe spread too thin. No matter what project I pick up I can think of 4 or 5 other things I want to do in the technique I am working at the time. I have decided to write them in my Stash Idea book, or if they are in another book or magazine to mark and keep for after I catch up. It’s like stash…only I’m not buy the canvas and thread (well I still am buying needlepoint canvas and threads but that’s a paragraph or two down.) I’m going to think of this as stash ideas and when I want a project I will just look at my Stash Idea book, purchase the supplies and go for it. I probably could check around the stash already purchased for some supplies, but we all know I’m going to be short something.

So here’s what I’ve been up to these last few weeks…

These are the beading projects I have in the works…several fobs, a herringbone learning piece, several other projects to start…I also have marked my books with more stash ideas…I do believe my bead stash is growing.

 

Now I am combining my kumihimo with beading and starting that too.

 

 

And I am bound and determined to learn to knit…no Peruvian sweaters in my future but I do want to learn how to knit. I can crochet and have tried knitting several times before but I never seem to get the hang of it. I am bound and determined to learn this; it will not get the best of me. And I know practice is the best teacher so I try to do 5 minutes every day. I don’t go back to classes for another week, but I hope then we start a project and I have a goal in site.

Like I said last post, I belong to two Temari discussion groups online and they are having stitch-a-longs. And since I have been a lurker for these past few years I have decided to try and participate. I’ve done two so far and have two more in the works. I also try to keep an info sheet on every Temari I make (another to do), never know I might want to make another. I think it is difficult to write exact instructions for Temari because each ball is a unique size. I can only approximate the size of the balls I make and I like them about 30 cm, give or take and larger. I find for me the larger balls are easier to work on.

And I have been needlepointing too. I have a secret project in the works…I’ll show it to you soon. It is a gift and I want it to be a surprise. I am finished stitching and just have to get it finished and given then I’ll share. I am also working on a small take-a-long project but just haven’t taken pictures. This project I only stitch on when I go to a guild stitch-in, stitching with friends or to my weekly stitch-in at local shop.  I also am gathering stuff for another nest project. Nest projects seldom leave home; they are larger projects and require a stand and light.

You know I was just thinking, if I ever win the lottery (guess I should buy a ticket) I’m going to have a studio and call it Stash Studio or Creative Corner. I am going to have all kinds of my favorite stuff. I’d really like to live above the studio and whenever I want (day or night) just go down and play. When the lights were on, my friends or anyone could drop by to stitch too. I would never want for any stash, it would just always be there…okay so this is a dream but wouldn’t that be great.

I hope you all are staying cool this summer. To my Canadian friends, “Happy Canada Day” yesterday and to my USA friends have a safe and happy 4th of July. I’m off to redo my herringbone sampler, then I think I may tackle another beading project or two and then I’ll stitch and watch a movie this evening. And oh yes, NeedlePointers arrived today ; so I need to stop and look at this too.

Thank you for stopping by, I hope you have time to stitch today.

ttfn…sue