Friends, Stitching and the holidays

I read somewhere (not sure where) that today is National Stitching Day…so I hope everyone gets to stitch some today.

Since this week and week-end are big religious weeks for me and many of my friends, I want to take this time to wish everyone a Happy Easter and a blessed Passover.

And on this same train of thought I want to take this time to thank all of you for being my friend. I have been giving this a lot of thought this week and each of you contributes in some way to my stitching success.

17-04-14 lunchOver the past year I have been stitching with friends at their homes, at shops and guild meetings. I have learned that we all do not stitch the same way. Some of us use stretcher bars and others will never use stretcher bars; some of us strip threads (when applicable) and others have never heard of this method, nor do they want to do it after you explain it. BUT…17-04-14 sitching anone of this makes any of us less of a stitcher! We enjoy what we do, we enjoy the process that works for us, we are happy with our stitching level and most of all WE enjoy the time we share and the company.

The women I stitch with influence me the most! They are designers, teachers and enthusiastic 17-04-14 sitching b stitchers whether they know it or not. They have creative minds and I learn from them every time we stitch. We are like a team, they support and encourage me and I hope I support and encourage them too.

The other day, one of them showed me a canvas she had painted from a line drawing…First canvas she ever painted, it was very good. There were a few places she had drawn between the lines but for the most part it was painted on the threads correctly, she will have no trouble stitching this. I was very impressed, I know I can’t do that well.

We all offer ideas for threads and stitches, we share recipes, talk about our families, and generally just have a good time.

OLYMPUS DIGITAL CAMERAI have a new stitching and computer tool. One of my friends is concerned about my health…she bought me a timer so I do not sit for more than an hour at a time. (I am supposed to walk for my knees every hour) It also reminds me to take a drink of water…I never drink enough water either. At first I sat the timer across the room, thinking I would get up and reset it, but that didn’t work…I just ignored it and another hour would go by…So I have it sitting next to me whether I am computing or stitching and I am more aware of it. I hear it ticking for 55 minutes and when it rings I hear my friend say, “Walk!”

My friend has an alternative OLYMPUS DIGITAL CAMERAmotivation; she wants me to name her in my will to inherit my needlework. I always thought she meant my stash, but after she gave me the timer she said she was thinking about my health and wanted me to live “a long and productive life.” It dawned on me, she wants me to do the stitching too. Smart lady, Thank you Margaret, it’s time for me to get up and walk.

Happy Easter and Passover to all my friends…Thank you for stopping by, I hope you have time to stitch today and all week-end!

ttfn…sue

Do I have Stash?

Someone asked me if I had much stash and how I stored it… Well yes, but not as much as some others I know… but I do have my fair share…

OLYMPUS DIGITAL CAMERASince I do several needlecrafts I have a large overlapping stash…(my DH calls it my mini Hobby Store…This is from a man whose workbench and area looks like a hardware store after an earthquake..don’t tell him I posted this picture!)… mine is very well organized even though it does take up a large portion of our home. I dabble in any needle art, but my favorites are needlepoint, temari, needle felting (new), knitting (learning), crochet and sewing.

OLYMPUS DIGITAL CAMERAI have a library…it has all needle related books.  I have a stitching area in here but seldom use it.

 

In our office I have a stitching chair too, but use it mostly for selecting threads. I have closet with threads and beads; these are stored on wire shelves in plastic boxes and drawers. Most are stored by type (i.e DMC #5 Perle, DMC Floss, Kreinik #8 Braid, Rainbow Gallery silk, Silk and Ivory etc….OLYMPUS DIGITAL CAMERAWithin the box or drawer, it may vary as how I store each thread: DMC and Rainbow Gallery Silk are stored by number, some Rainbow Gallery, Silk & Ivory and all Kreinik and beads are stored by color.  All threads and beads are clearly marked by number as well as who produced it and name (if applicable.) It is whatever I find works best for me and the particular thread or bead.

My general supplies are stored in clear plastic containers or bags and marked in my master bedroom closet: I have painted needlepoint canvases, cut plain needlepoint canvas
yarn (for knitting a & crocheting), leftover yarn from crochet projects is wound into bases as I go to desired sizes) I use this bases not only for temari balls but also for needle felting balls. When I’m making a temari, I chose the ball and wind with sewing thread.


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My sewing threads are kept in the sewing area with finishing supplies for finishing needlework.

 

I also keep  a box and/or bag for each type of needle art tools/supplies:
I have a bag and small tin for knitting and crochet OLYMPUS DIGITAL CAMERA
tools…haven’t been in to this long enough to mass great supplies.

 

 

 

I have a lunch OLYMPUS DIGITAL CAMERA
box with Kumihimo disks, and weights.

Bobbins are in a plastic bag.

 

 

OLYMPUS DIGITAL CAMERATemari has it’s own lunch box of tools.

 

 

 

I have plastic boxes with stitching tools for beading. OLYMPUS DIGITAL CAMERA

 

 

 

Since I started needlefelting I purchased a set of rolling drawers. I store some supplies and  needle felting roving in here. I also have a plastic box for tools and a couple containers with tools I use.

OLYMPUS DIGITAL CAMERABut needlepoint takes up the most areas.  I have a couple stitching nests; each has a floor stand, light and comfy chair for stitching. One area has a set of drawers to keep extra supplies and dodads.

 

I have three bags of stitching tools; one large with seldom used tools, one small that I take to classes and seminars and one I use all the time. Not to mention my collection of needlework tools that I have blogged about before.

So yes, I guess I do have stash! I’m lucky I have a pretty good idea what stash I have and where to look. I can go right to it without much trouble.

I would love to take over the living room (we live in our family room) as an art area but DH has drawn a line in the sand, says he can’t turn around now without fearing for his life of being stabbed by a needle or pair of scissors…men!)

Thank you for stopping by, I hope you have time to stitch today!

ttfn…sue


 

No April Fool

This is not an April Fool’s joke…I’m going to try and get back to blogging.

It was last July that I posted my last blog and I have no reason why I stopped blogging. I can tell you that this is not as easy for me as it seems for others, I struggle with every post. I mentioned this at a stitch-in last week and said I was having difficulty getting back to blogging and that it was not easy for me to write. Someone said they enjoyed the blog and I needed to do it again. So here I am. I do have lots to share with you.

After I had my knee done last March 2016, my friend came home from Hong Kong and we ran around all summer learning new things (it was great exercise for my knee) …I’ll share some as we go along. I made a beaded tassel, a beaded necklace, kumihimo brading, a wool needlepunch flower, learned to needlefelt and crochet. Went antiquing, ate well and also tried to stitch with friends at least once a week.  Soooo busy running around, learning new things or having fun that something had to give and it was finishing and blogging.  My friend went back to Hong Kong in the fall and then I had to get ready for the holidays and then I had my second knee replaced…

So since I last blogged I have had both my knees replaced and so I can go-go-go. One knee was a year ago, March 2016 and the other just last January 2017. Good thing they were replaced in the order they were…first knee was much easier than second… But I am on the road to recovery and am getting around.

I took a crochet class last year.  I knew how to crochet but was self-taught and figured I’d taught myself some bad habits.  I found out other than the fact that I hate to ripe out and would rather adapt, I was doing it correctly. I learned when I was young (21 years old) and must have followed the written instructions pretty well. I  should have! I wrote all the instructions for that baby blanket out in long hand before stitching. I remember because my best friend was expecting her daughter and I wanted to make her a special baby blanket.  I knew I wanted it to be granny squares (only because I knew what the finished product should look like) and so I bought all this baby yarn (more than I needed)  and thought I would have my grandmother teach me how to crochet. Grandma lived with us but she didn’t know how to crochet…my aunt did but she had just left for a month in Europe, so I decided to teach myself. I was so intimidated by the instructions, they were written in code…5 sc , join with ss to make ring. Clusters:  3 sc, 4 dc in ring, 2 sc, * 3 dc in ring, repeat 3 times , ss to 3rd ss of 1st cluster. Tie off.. Oh my gosh, I wrote every instruction out in long hand for the whole blanket! Then I would stitch, take it out  and re-stitch until it looked like the granny square afghan in our family room.

OLYMPUS DIGITAL CAMERAI’ve come a long way, now I can read a pattern (not always correctly) and I can sometimes even crochet correctly, but I can make a finished product in a reasonable amount of time. This is the poncho I finished last fall…and yes I creatively adapted the instructions. And BTW, it looks better on me than on this hanger.

This year I am going to try and learn to knit, I’ve tried before but not very successfully, so when my friend moves home this time for good from HongKong we are going to learn to knit among other things yet unknown. Life will be a bit calmer since my friend is not going back to Hong Kong and we can go at a slower pace.

So, as we go along and I gather my thoughts and take a few pictures I will share with you some of the things I did last year as well as some of the things I am stitching now. And I know, one of these days I need to get back to finishing again, I still have bunches of stuff to finish and keep stitching more.

But today I want to also thank you for stopping by to read my blog again. AND… I hope you have time to stitch today! And that’s no April Fool’s joke

ttfn…sue

3D Finishing: Melissa Shirley Sewing Bird Part 2

Materials used:

Stitched and blocked needlepoint pieces
2 Copies of each stitched, blocked pieces
Backing fabric: I used two
Ultra-suede for the wings
Cotton for the rest: fat quarter would be ample
Batting: low loft for wings and body
Batting: craft weight for sides and body
Fiber Fill
Sewing thread to match fabric
Illustration board
Paper scissors
Glue
Cording
Usual sewing supplies

Like I said last week, the body gave me some trouble. I spent at least three days trying different methods, losing my cool, and becoming more frustrated.  I had thought I could finish these two pieces as I had finished the sides but trying to sew the lining to a hard piece of illustration board smoothly did not work.  So since I had cut out a first lining and clipped curves I trashed that lining and cut a second. I also tried to stitch the needlework to illustration board and it proved to be not only not smooth but bulky too. Luckily I had left a lot of canvas and all I had to do was trim a bit more.

I used a lightweight piece of batting (cut two for each side…you will use the other for lining)  to separate the needlepoint canvas from the illustration board and the since I had already somewhat clipped the curves I trimmed and clipped the canvas again and GLUED it to the illustration board.  This was about a three day project since I first tried to lace the needlework to illustration board; then I had to undo, fume, fume some more, cut another piece of illustration board, still fume, and then give in to the little voice that kept saying “glue.” I figure if I keep saying “glue” it will get better.

Truthfully I am not a glue person, but I also know most of my needlework is not going to the Smithsonian; most of my needlepoint will be lucky to survive two to three generations. I have one piece that is registered with the Smithsonian and that is my White House needlepoint stocking but in all fairness all White House collections are registered with them; they are the storehouse and inventory control for all collections.

So when all else fails…glue. Yes, I said glue, but I had already used all the other four letter words I knew and to keep my sanity and finish this project, glue was the answer. I glued the needlework to the illustration board.

The second piece of batting needs to be trimmed to be about an 1/8th inch smaller than the needlework.  Then I clipped the curves, pinned the lining to the batting, and stitched it in place.

 

Next I pined and stitched the linings to the front pieces.

Then I assembled the front piece to the side pieces and pinned together. Here is why the lining pieces are a bit fin30a inside of friendssmaller than the needlepoint. If you’ll notice on my friend’s piece the inside looks like the lining fits snuggly together, but it didn’t look stitched, just snuggly fit. So I made my linings just a tad smaller so they would fit somewhat like these too.  That was the easy part, next came stitching. I stitched the pieces together; sometimes I had to use my trusty third hand (needle-nosed pliers) to push or pull the needle between the threads of canvas. Stitching the angles and curves took some times and since I was going slowly this took another day.

Then I made a bottom for the stitching bird.  Again I had a picture of my friend’s fin33a bottom of friendsand I knew it needed to recede.  I cut a bottom and trimmed until it fit, covered it with lining fabric and stitched in place leaving the four corners unstitched so I could hide the ends of the cording in the bottom.

Made cording for the sewing bird; two long ones to go around large bird pieces and two small pieces to fin35b  together cord allcover the side ends. Pinned the side pieces on first and stitched into place; I hid the ends in the linings as best I could then sewed the large pieces around the bird hiding the ends in the bottom. Here is a blurred picture of the direction of the larger pieces of cording around the face of the birds. Again used my third hand a few times , but finally could see the light at the end of the tunnel. Almost finished ;-)!

 

Oh those #### wings. I thought I had a curved needle to sew these in place but my curved needle I think is an upholstery needle and will leave holes not only in the wing but the bird too. Need to see if what other curved needles are available. Thought about gluing them on but just could not bring myself to do this. So for now I have used  silk pins and pinned them in place for now.

Finally a finished sewing bird! Many hours, many choice words, a bit of glue and I have a stitching bird to add to my sewing tools collection. I also will have a fond memory of a stitching friend who is no longer with us, she loved birds.  And one more thing, this project took me less than a year to complete, I started August 5, 2015  and it is completely finished…trust me I have projects older than this still not yet stitched and more projects stitched but not finished.

Do you have unfinished stitching projects? Why? Did you lose interest in stitching? Or after you stitched it, were not satisfied enough to have it finished? This is probably another thought for a blog post. Send me your thoughts and I’ll mull this one around.

But the one thing I did learn from this project is that when that little voice in your head tells you you are in too deep…listen!  I wish I had listened to that little voice in my head that said, “Send it to the finisher.” I would have saved myself a lot of anger and frustration. And yet now that the project is completed I do feel accomplished…even if I would not do it again!

Thank you for stopping by, I hope you have time to stitch today!

ttfn…sue

3D Finishing: Melissa Shirley Sewing Bird Part 1

Materials used:

Stitched and blocked needlepoint pieces
2 Copies of each stitched, blocked pieces
Backing fabric: I used two
Ultra-suede for the wings
Cotton for the rest: fat quarter would be ample
Batting: low loft for wings and body
Batting: craft weight for sides and body
Fiber Fill
Sewing thread to match fabric
Illustration board
Paper scissors
Glue
Cording
Usual sewing supplies

20160712 a bird yellowI have contemplated how to finish this piece for weeks/months. I should have listened to that little voice in my head that said, “Send it to the finisher.”  But no I just kept looking at it and I had a friend who had stitched one (she sent hers to the finisher) and I figured I could manage this myself. Afterall it was just a stand up without the stuffing… and ornament in 3-D…I can do this.

I had it on the blocking boards for a long time while I mulled over finishing in my mind. Then I got brave and began the process. I mad two copies of each of the blocked pieces.  And then I plunged in…I felt like a kid jumping off the high dive for the first time. Once you get up your courage to climb that ladder you gotta go off the diving board; if you climb down…well you all know what that means when you’re a kid. So off I plunged…

Once I took the plunge it was a long way down to the finish; this project took me at least two weeks to complete. I would breeze right along and then I would hit a rough patch and it would take me a couple days to get through it. I’ll let you know as we go along where, when and why I became frustrated.

blockingI had blocked the pieces. Even though I had stitched the designs on Evertite stretcher bars I still block. I do know some people who adjust and tightened their Evertites and block using them too but I do not.   I use my Marie’s blocking board (if any one has one they don’t want, I will pay to have it shipped to me.)

I also made two copies of the pieces on the printer/copier for patterns. Remember copies of copies are a bit smaller, I think the standard is about 97-98% smaller; so when you make a copy of your stitching it is already a bit smaller.  And sometimes I use more than one copy and so I have a second in reserve in case I need it. It is hard to make a second copy once you have started or cut the first copy.

I started finishing the wings, they were easy; they were like a soft ornament.(see: https://sudukc.wordpress.com/2016/03/23/finishing-ornaments-3-soft-ornaments/) I cut out one of the copies for a pattern of each wing. I colored the edges with my Copic pens (https://imaginationinternationalinc.com/copic/), I don’t like grin through.

I trimmed the canvas to within a 1/2 inch of stitching and clipped the curves.  I finger pressed to the back and used Clover clips to hold in place.  These clips come in several sizes, I like the green jumbos best (http://www.joann.com/clover-12pcs-jumbo-wonder-clips-neon-green/14789036.html). I buy them at JoAnns with my $$ off coupons.

 

I stitch the canvas to the back with a double waxed sewing thread. Always wax your thread…it makes it stronger and it keeps it from twisting and knotting.

I used a small piece of ultra-suede I had to back the wings; I used each stitched wing to cut a backing fabric. I marked the stitched needlepoint onto the wrong side of the fabric and clipped the curves. I cut two pieces of low-loft quilt batting using the patterns I made for the wings. I used one of the quilt battings to stabilize the backing fabric and to give me something to fold the ultra-suede back onto and it also gave me something to baste the fabric in place.

Then I sandwiched all together: needlepoint second batting and backing and pinned together. I stitched the wings. I also decided that there was not enough dimension to the wings so I stuffed them with fiber-fill. I didn’t think I filled them too much but they proved to be a problem later on.

I also made a small cording, joined and stitched it around the wings…The wings were completed and truthfully I think this took me a couple days, but they were no problem.

Next I finished the side straight pieces; one short and one long…these had the decorative flowers stitched on them. I used pretty much the same method I had used finishing the wings without the fiber-fill.

Using the patterns I cut batting for large and small side pieces. I cut the needlepoint to within 1/2 inch of stitching.

I finger pressed the edges to the back mitering the corners around the craft weight quilt batting, pinning in place.

Using a double waxed length of sewing thread I laced the sides together,  starting in the middle and working toward ends and stitching the mitered corners.

Then I cut backing fabric 1/2 inch larger that the needlepoint. I finger pressed and pined to be just slightly smaller than the finished needlepoint. I pressed this in place with my new gadget I purchased some time ago to help with finishing. It’s a Clover Mini Iron with all sorts or attachments. It has a large and small iron head, a ball head (I think for curves, a long thin head (probably for corners and a cutting knife. And I doubt I will ever use the cutting knife since I do not want to gunk up the iron for finishing.

The reason that I stitched these slightly smaller than the needlepoint is because when I assemble the pieces together I am going to join them together through the needlepoint and therefore the lining needed to be slightly smaller because it will be inside the bird.

I stitched the backing to the needlepoint using a single waxed thread.  These pieces went quickly and I thought I was on a roll; then finish came to an abrupt halt.

The bird body gave me some trouble and so if you don’t mind I am going to continue this saga next week., otherwise this post will be way toooooo long. I can give you a hint…I did finish this bird but it took me the better part of a week, a few well-chosen words and a do over. But for now…

Thank you for stopping by, I hope you have time to stitch today!

ttfn…sue

Temari and Hamilton, Mo

While I was not blogging and trying to get my stitch mojo back I made a couple Temari Balls.

Temari KUThe first one is a pattern I love to make, it is very simple and the beauty comes from the negative space that is created by using one thread the same color as the base of the ball to stitch the design. This one was stitched for my knee surgeon; he graduated from KU so it is the KU ball. And since I am partial to blue the ball is predominately blue.  He loved the ball and I love him (he did a great job on my knee), so we are both happy.
Temari Basket of RosesThe other Temari ball is an original. I have a new Great Grand-daughter (I am a two time great, so far…boy and girl) and her middle name is Rose. Rose was my mother’s middle name (we called her Whammer…for grandma, but that’s another story.) It was also my favorite Great Aunt’s name and I think it is a name from Catherine’s family also.)  So I decided to make Rose’s mother a basket of roses. First I stitched the top rose and then the partial side roses. Then I started on the basket. First I wove the basket from the SP to the Equator in a ribbed spider web stitch. Then around the top edge I made a detached buttonhole border for the lip of the basket. Turned out cute.

“More about Hamilton too…I hear it is a quilter’s mecca.” This is what I said last week about Missouri Star Quilt Co in Hamilton, Mo. Well, after being there, there is no way to really describe it to anyone; it is an experience that will be different to everyone who visits. Words like eye-candy, beautiful, overwhelming come to mind; but it was so much more too that I will have to re-visit several times before I feel like I have an understanding of everything this quilter’s/ fabric mecca has to offer.

It is the town! You have to go read the history of Missouri Star Quilt Co and Hamilton, Mo: https://www.missouriquiltco.com/. And if you are anywhere near Kansas City, Mo (and I mean even if you have to travel 2-3 hours out of your way and it is one of the only things you do in Kansas City) add a day to your trip for a stop here. Even if you are not a quilter (and I am not) it is something any creative person should see. If you own a textile shop, you need to just study their presentations and marketing…excellent! Oh my gosh, I would still be standing in the first shop taking it all in , if my friends had not kept me moving and by the end of the day I was in the Man Cave waiting for them. My mind was in overload, my visual senses had shut down and I am still recovering from a wonderful day in Hamilton, Mo.

Here’s a brief tour…

Map of Hamilton, MoHamilton’s Main Street is two blocks long and there are 14, yes 13 shops all related to quilting and 1 shop for husbands to rest ( I spent time here too.) Here’s the map they give you and it is best to start at #1 the Main shop. Here you register and they give you a 20160706 Hamilton shop 1a card with your name and a bar code on it. Every time you buy something it shows up on your account and you also receive incentives to shop. This is soooo helpful if you are buying fabrics to co-ordinate or if you get home and need more of fabric “xyz” to
complete your project; it’s all there on your account. Every store can scan your card and bring up your purchases Hamilton accountand see the fabrics, trims and patterns you have purchased. Here’s a picture of my account. This is so cool and so helpful.

We strolled down the street to the reproduction 20160706 Hamilton shop 2afabrics 20160706 Hamilton shop 2cand then the floral shop ( a garden of fabrics and no weeds). Notice the lights look like flowers and the front of the store window gave you a clue to what was inside.

 

20160706 Hamilton outside a 20160706 Hamilton outside bThree shops and we had to stop for refreshments and nourishment…it is exhausting shopping!  After a brief refueling we were off again…

20160706 Hamilton shop 4a 20160706 Hamilton shop 4bWe went into Primitives and Wool, wool fabrics and yarns and Primitive fabrics…not up my alley but impressive from a marketing point of view. Next was the Batik Boutique and here I lost all sense of reality, found three of the five fabrics I was looking for here…Oh my, what a colorful place!

Next we headed upstairs for four more shops…Seasonal Shop, every occasion you would like to celebrate in one room; Modern fabrics had newest fabrics and designer fabrics; Backings & trims was a room of finishing fabrics (extra wide) for backing your quilt and all the trims you could want; and finally kids and baby area with all the fabrics any mother and grandmother could want to furnish a nursery.

Hamilton shop gadgetI was in fabric overload now and headed down to the20160706 Hamilton shop 5a mancave “Machine Shed” for all the gadgets you can imagine and isn’t their window too cute…and right next to the Machin20160706 Hamilton shop 6b gadgete Shed was theHamilton shop mancave Man’s Land. A room to relax, designed to keep the husbands happy but I checked out the leather chairs and they were comfy.

20160706 Hamilton shop 7b JCPennyI missed the girls, they came20160706 Hamilton shop 7d JCPenny down another way and so I had to visit the last shop on my own. JC Penny quilt shop is the colorful solid store. If you can’t find a solid color here it is not made.

Four hours later, we had briefly touched the surface of Hamilton, Missouri and the Missouri Star Quilt Company.  It was absolutely mind boggling; the fabrics, the colors and all the quilts hanging in every store, not to mention the projects stitched with the fabrics. At times I felt like a kid in a toy store..I want, I want, I want.

And I did buy a few things…material for finishing 3 pieces of needlepoint…sending to the finisher. I purchased two patterns; one to use for a stitching idea and the other a finishing idea. And I bought a 1/2 yard of material for several other stitching ideas.

Will, I go back, in a heartbeat! Just let me know when you are in town and I’ll drive you up there. I can take my needlepoint…the ones that still need finishing and a project I am working on. I promise not to hurry you; I can always go to the man cave and stitch while you soak up all the creativity this place offers.

In fact you better plan on spending a couple of creative days maybe more here in KC , might even want to try our bar-be-que, take in a baseball or football game (depends on when you are here. We have another shop in Weston, Mo that is also creative eye candy for anyone creative or who wants to be creative…more about that later.  And don’t ask me to pick one, because if I were younger I would be moving north to be closer to these places…I’m about 1 1/2 hours from either but it is worth the drive.

Thank you for stopping by, I hope you have time to stitch today!

ttfn…sue

Lighthouse in a Box

I double gifted to my husband; his birthday was the end of May and of course Father’s Day was a few weeks ago. This also gives him something to tell the world on Facebook he taught me…NOT, man cannot draw a straight line with a ruler and I am not sure he knows what the eye of the needle really is…but we let him have his dreams…

Let’s talk about boxes before we begin. Your box needs to be purchased at the same time as the needlepoint or at the very least the needlepoint needs to be painted to fit the opening of the box of your choice. I would buy the box at the same time or have it ordered before I begin stitching. Some designs may be painted to fit a box , others may be adapted to fit a box you love; a border may be added or sometimes the background may be extended to fit up to 1/2 inch larger. I some cases the opening may not be as large as the painted canvas, be sure that the canvas fits the box and no important elements omitted. In my case I had the box for a long -long time; truthfully it came with another canvas I stitched another way a long time ago and this box was just lying around. I was truly lucky this canvas fit this box. Two box sources I use to order boxes are:

Patches n Planks: https://sites.google.com/site/patchesnplankshome/home

Sudberry House: http://www.sudberry.com/

If anybody knows of others, please add a comment below; I am always looking for good resourses.

This light house is Portland Head, MD lighthouse, I’ve had it stitched for two years…don’t want to rush anything.  You can read about the stitching here: https://sudukc.wordpress.com/2014/07/30/hiding-out-is-such-fun/ . The Canvas is from ABS Designs: http://www.absdesignsonline.com/;  Anne paints the nicest light houses.  I have a collection of them to finish and even more to stitch. I love ALL her designs  because they are so easy to take-a-long. And if you do not follow Anne on her blog you should; her blog can be found at: http://thecapestitcher.blogspot.com/. She stitches the greatest skies in the world…needle blending floss is her specialty…she’s super at it.  And you can read her articles in Needlepoint Now magazine monthly too (https://www.needlepointnow.com/).

Okay now to the finishing…

Materials needed:

Blocked ornament (all needlepoint needs to be blocked)

Box to fit the needlework (Mine is no longer made, so be sure your needlepoint fits your box)

Illustration Board: medium weight

Fleece:  I use one about a 1/4 inch thick.

Lining material optional

Clips to hold needlework and backing fabric

#8 0r #12 Perle cotton

Beeswax

Tapestry needle

Flat head screw driver

Usual sewing supplies: scissors, clips etc.

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This box happened to come with its own piece of Illustration Board cut to fit the box. I used it as a template to cut a piece of fleece. Carefully open the picture points using a flat head screwdriver to release the illustration board.

Use the template to cut a piece of fleece the exact size or 1/8 inch smaller than illustration board insert.

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Cut the blocked canvas leaving 1/2 to 3/4 inches all around the stitching.

I fold and finger press the canvas to the back. I test it to be sure it fits the illustration board with fleece on top.

 

 

Diagonally cut the corners to make a less bulky corner and then miter the corners. Hold the corners and sides in place with the quilters clips I have for finishing (Goggle Clover Wonder Clips). You can also use clip clothes pins.

Cut long length of #8 or #12 perle cotton, it will be doubled in Tapestry needle. Wax with bees wax and knot the ends of the double thread.

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Beginning in the center of the long side (if there is a side longer) and going back and forth to either left or right, lace with the double waxed thread.

When the corner is reached stitch the mitered corners and tie off with a secure knot.

Return to the center and repeat lacing on the other half. Remember to stitch the mitered corners. Check on top side of the box to be sure lacing and canvas are correctly positioned; not pulling to tightly but firmly placed.

Lace the short sides together from one corner to the other.

Note on short sided rectangles the lacing only needs to be pulled lightly to hold sides toward center. On squares or larger pieces the sides will need to be laced firmly. This can sometimes be tricky the first time so as not to pull lacing too tightly.

Check box one more time after lacing is completed and re-adjust if necessary. Check to be sure canvas is not warping the illustration board and there are no ripples in the canvas.

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Place the cut lining fabric over the lacing and with the flat head screw driver. Return the picture points to their original positions to hold canvas and lining in place.

Your box is finished. Enjoy.

Next time I will catch you up on the Temari Balls. I am also heading to Hamilton, Mo to look for finishing fabric for Melissa Shirley Wicked canvas and ????. More about Hamilton too…I hear it is a quilter’s mecca.

Thank you for stopping by, I hope you have time to stitch today!

ttfn…sue