Melissa Shirley Wicked: final thought

See what happens when I get busy or distracted. I had been writing this post for the week of May 15-20 and I got distracted or sidetracked and now here it is almost Memorial week-end and I am just coming up for air. So here is the final thoughts on Wicked…

After the stitching is completed then the piece has to be finished. I know I have been showing how to finish needlepoint but last year I was not up to the task of finishing. That’s my story and I’m sticking to it…Seriously, I can do ornaments and some other little stuff but really haven’t had the time to try the biggies. One day I am going to try a pillow and a purse but for now I’m going to send big pieces to the finisher. I can’t even find time to sew a button on, let alone make a blouse or finish big needlepoint or for that matter any needlepoint.

 

I knew where I wanted to hang “Wicked” and how I wanted it finished. I drew a picture for the finisher and once the material was purchased I sent it to her to do her magic.  I was very pleased with the way it was finished and I love to see it hanging at Halloween.

To some people finishing a piece of needlepoint is easy; they take it to a trusted shop and have it finished. Not me, I agonize over finishing. As I am stitching I can see the finished piece, I get these pre-conceived images in my head and then I feel like I need to look for the material to finish the project. Nice for me I know the finisher and I can as her if my idea will work. If she says yes, then I’m off to look for material.

 

Now, let me give you the advice I seldom ever follow but every finisher I know will tell you is the truth.

You should buy the fabric for finishing before you ever start stitching.

I know, seems illogical to me too, but remember we are limited by out thread choices and the fabrics we choose to  finish our pieces are limited by their color choices. Now I will admit if you go to Hamilton Mo or any large quilt shop, you should be able to find a fabric. But what if you want a velvet or moiré for that Christmas stocking you are spending hours stitching? There is a world of difference between DMC 666 red and DMC 321 or 498 red. And fabrics only come in certain colors. And yes, you could use green for the backing and lining, but there are different greens too. So, if you want as perfect a match as you can get; sometimes it is important to buy that fabric first.

And while we are talking “you buy the fabric”; remember that if you want self-cording you need extra fabric. Self-cording is cut on the bias of the fabric and will require more fabric. Just as local needlepoint shop or finisher how much fabric you will need to finish your piece.

 

And some shops stock fabrics for finishing, so ask before you head all over the countryside looking for that perfect fabric. Some finishers have fabrics stockpiled and if you ask the shop you use, they probably can tell you which red would be best on that stocking or they can ask the finisher for you.

 

I’m lucky we have several very nice fabric shops in the area. Sarah’s in Lawrence (http://www.sarahsfabrics.com/), and several quilt shops in the area, plus Hamilton, Mo (https://www.missouriquiltco.com/). I’ve been to Hamilton twice now and while it is both eye candy for the imagination it can be overwhelming also. Hamilton is quilt town in northern Missouri, aka Missouri Quilt Co; Google it or read my post from last year…

 

A word about finishers… Have you ever wondered why so many shops guard their finisher’s name so closely? The real reason is that they are not trying to keep her a national secret, they are trying to protect her from the thousand calls she would get during busy times of the year asking, “Is my ornament finished yet?” And that is why finishing deadlines are so early. I think a finisher told me one time she finish over 1000 ornaments for Christmas and that didn’t count the stockings. Keep in mind blocking boards can only hold so much and sometimes pieces need to be blocked more than once and sometimes needlepoint even needs to be cleaned before blocking may begin. (This is another blog…but stitching in the hand vs stitching on a frame does have its drawbacks as well as its advantages…I will put this on my list of things to write about.)

 

Back to “Wicked”… I found the fabric and Batik at Hamilton and bought it. Brought it home and took it to the shop for my finisher to pick up (No, just because I know her doesn’t mean I don’t have to take it to the shop. My finisher will not accept pieces except through the shops she does finishing.) I took the piece about mid-May and I got it back about mid-August.

 

What took so long? Mine was not the only finishing in line. Mine had to be blocked, just like the rest and maybe twice I didn’t ask; and it’s a pretty big piece so it took up some real-estate on the blocking board. Mine also only had the green material supplied, so my finisher had to get the black for the inset, thread and even the interfacing. I could have purchased the black but I didn’t think about it at the time and she suggested this after she saw the piece…that’s another reason you use a finisher…She’s seen enough pieces to know what looks best even when you limit her by you pre-conceived finishing. And I had no idea what interfacing she would recommend. So see, Finishers do more than finish; they make your needlepoint look just like you want, and they know from experience what works best.

When “Wicked” returned home, it was just what I envisioned and more. I hung it and hated to see Halloween come to an end. I sometimes think I stitch long hours for a piece that only is displayed for a short time but I like it and it brings a smile to my face. And I hope it will be around for many years to come, maybe even one of my Grandchildren will want it when I am gone. Sometimes I get it out in it’s protective bag, and hand it on the door of my office just to look at it…it makes me smile.

Oh and before I forget; what do I do with the stitch guide after I complete stitching the canvas? I destroy it; it is a copyrighted piece of work.  And in my opinion, stitch guides should not be bought or sold without the purchase of the canvas! I have done two or three stitch guides for canvases and I will not sell them to individuals only to shops where I assume the canvas is purchased.

I know a stitcher who saves her stitch guides as a reference and that’s fine but I don’t want all the extra paper. I might make a note in my computer or my stitch notebooks I keep about a technique, stitch pattern or stitch but my stitch guide goes to the trash. I do not share it with my stitch friend who bought the canvas only because she liked mine. I destroy it. Enough said…my soap box stand for the week.

On another note…my family is having a garage sale…no needlepoint but I do have needlepoint books I have accumulated over the years. I will list them here next week with cost and then I will put them on Needlepoint Nation Stash after that.

Thank you for stopping by, I hope you have time to stitch today and over the holiday week-end. AND please don’t forget to honor those you know who are serving or have served in our military. Without these brave men and women we would not enjoy the freedoms we take for granted.

ttfn…sue

3D Finishing: Melissa Shirley Sewing Bird Part 1

Materials used:

Stitched and blocked needlepoint pieces
2 Copies of each stitched, blocked pieces
Backing fabric: I used two
Ultra-suede for the wings
Cotton for the rest: fat quarter would be ample
Batting: low loft for wings and body
Batting: craft weight for sides and body
Fiber Fill
Sewing thread to match fabric
Illustration board
Paper scissors
Glue
Cording
Usual sewing supplies

20160712 a bird yellowI have contemplated how to finish this piece for weeks/months. I should have listened to that little voice in my head that said, “Send it to the finisher.”  But no I just kept looking at it and I had a friend who had stitched one (she sent hers to the finisher) and I figured I could manage this myself. Afterall it was just a stand up without the stuffing… and ornament in 3-D…I can do this.

I had it on the blocking boards for a long time while I mulled over finishing in my mind. Then I got brave and began the process. I mad two copies of each of the blocked pieces.  And then I plunged in…I felt like a kid jumping off the high dive for the first time. Once you get up your courage to climb that ladder you gotta go off the diving board; if you climb down…well you all know what that means when you’re a kid. So off I plunged…

Once I took the plunge it was a long way down to the finish; this project took me at least two weeks to complete. I would breeze right along and then I would hit a rough patch and it would take me a couple days to get through it. I’ll let you know as we go along where, when and why I became frustrated.

blockingI had blocked the pieces. Even though I had stitched the designs on Evertite stretcher bars I still block. I do know some people who adjust and tightened their Evertites and block using them too but I do not.   I use my Marie’s blocking board (if any one has one they don’t want, I will pay to have it shipped to me.)

I also made two copies of the pieces on the printer/copier for patterns. Remember copies of copies are a bit smaller, I think the standard is about 97-98% smaller; so when you make a copy of your stitching it is already a bit smaller.  And sometimes I use more than one copy and so I have a second in reserve in case I need it. It is hard to make a second copy once you have started or cut the first copy.

I started finishing the wings, they were easy; they were like a soft ornament.(see: https://sudukc.wordpress.com/2016/03/23/finishing-ornaments-3-soft-ornaments/) I cut out one of the copies for a pattern of each wing. I colored the edges with my Copic pens (https://imaginationinternationalinc.com/copic/), I don’t like grin through.

I trimmed the canvas to within a 1/2 inch of stitching and clipped the curves.  I finger pressed to the back and used Clover clips to hold in place.  These clips come in several sizes, I like the green jumbos best (http://www.joann.com/clover-12pcs-jumbo-wonder-clips-neon-green/14789036.html). I buy them at JoAnns with my $$ off coupons.

 

I stitch the canvas to the back with a double waxed sewing thread. Always wax your thread…it makes it stronger and it keeps it from twisting and knotting.

I used a small piece of ultra-suede I had to back the wings; I used each stitched wing to cut a backing fabric. I marked the stitched needlepoint onto the wrong side of the fabric and clipped the curves. I cut two pieces of low-loft quilt batting using the patterns I made for the wings. I used one of the quilt battings to stabilize the backing fabric and to give me something to fold the ultra-suede back onto and it also gave me something to baste the fabric in place.

Then I sandwiched all together: needlepoint second batting and backing and pinned together. I stitched the wings. I also decided that there was not enough dimension to the wings so I stuffed them with fiber-fill. I didn’t think I filled them too much but they proved to be a problem later on.

I also made a small cording, joined and stitched it around the wings…The wings were completed and truthfully I think this took me a couple days, but they were no problem.

Next I finished the side straight pieces; one short and one long…these had the decorative flowers stitched on them. I used pretty much the same method I had used finishing the wings without the fiber-fill.

Using the patterns I cut batting for large and small side pieces. I cut the needlepoint to within 1/2 inch of stitching.

I finger pressed the edges to the back mitering the corners around the craft weight quilt batting, pinning in place.

Using a double waxed length of sewing thread I laced the sides together,  starting in the middle and working toward ends and stitching the mitered corners.

Then I cut backing fabric 1/2 inch larger that the needlepoint. I finger pressed and pined to be just slightly smaller than the finished needlepoint. I pressed this in place with my new gadget I purchased some time ago to help with finishing. It’s a Clover Mini Iron with all sorts or attachments. It has a large and small iron head, a ball head (I think for curves, a long thin head (probably for corners and a cutting knife. And I doubt I will ever use the cutting knife since I do not want to gunk up the iron for finishing.

The reason that I stitched these slightly smaller than the needlepoint is because when I assemble the pieces together I am going to join them together through the needlepoint and therefore the lining needed to be slightly smaller because it will be inside the bird.

I stitched the backing to the needlepoint using a single waxed thread.  These pieces went quickly and I thought I was on a roll; then finish came to an abrupt halt.

The bird body gave me some trouble and so if you don’t mind I am going to continue this saga next week., otherwise this post will be way toooooo long. I can give you a hint…I did finish this bird but it took me the better part of a week, a few well-chosen words and a do over. But for now…

Thank you for stopping by, I hope you have time to stitch today!

ttfn…sue

Lighthouse in a Box

I double gifted to my husband; his birthday was the end of May and of course Father’s Day was a few weeks ago. This also gives him something to tell the world on Facebook he taught me…NOT, man cannot draw a straight line with a ruler and I am not sure he knows what the eye of the needle really is…but we let him have his dreams…

Let’s talk about boxes before we begin. Your box needs to be purchased at the same time as the needlepoint or at the very least the needlepoint needs to be painted to fit the opening of the box of your choice. I would buy the box at the same time or have it ordered before I begin stitching. Some designs may be painted to fit a box , others may be adapted to fit a box you love; a border may be added or sometimes the background may be extended to fit up to 1/2 inch larger. I some cases the opening may not be as large as the painted canvas, be sure that the canvas fits the box and no important elements omitted. In my case I had the box for a long -long time; truthfully it came with another canvas I stitched another way a long time ago and this box was just lying around. I was truly lucky this canvas fit this box. Two box sources I use to order boxes are:

Patches n Planks: https://sites.google.com/site/patchesnplankshome/home

Sudberry House: http://www.sudberry.com/

If anybody knows of others, please add a comment below; I am always looking for good resourses.

This light house is Portland Head, MD lighthouse, I’ve had it stitched for two years…don’t want to rush anything.  You can read about the stitching here: https://sudukc.wordpress.com/2014/07/30/hiding-out-is-such-fun/ . The Canvas is from ABS Designs: http://www.absdesignsonline.com/;  Anne paints the nicest light houses.  I have a collection of them to finish and even more to stitch. I love ALL her designs  because they are so easy to take-a-long. And if you do not follow Anne on her blog you should; her blog can be found at: http://thecapestitcher.blogspot.com/. She stitches the greatest skies in the world…needle blending floss is her specialty…she’s super at it.  And you can read her articles in Needlepoint Now magazine monthly too (https://www.needlepointnow.com/).

Okay now to the finishing…

Materials needed:

Blocked ornament (all needlepoint needs to be blocked)

Box to fit the needlework (Mine is no longer made, so be sure your needlepoint fits your box)

Illustration Board: medium weight

Fleece:  I use one about a 1/4 inch thick.

Lining material optional

Clips to hold needlework and backing fabric

#8 0r #12 Perle cotton

Beeswax

Tapestry needle

Flat head screw driver

Usual sewing supplies: scissors, clips etc.

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This box happened to come with its own piece of Illustration Board cut to fit the box. I used it as a template to cut a piece of fleece. Carefully open the picture points using a flat head screwdriver to release the illustration board.

Use the template to cut a piece of fleece the exact size or 1/8 inch smaller than illustration board insert.

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Cut the blocked canvas leaving 1/2 to 3/4 inches all around the stitching.

I fold and finger press the canvas to the back. I test it to be sure it fits the illustration board with fleece on top.

 

 

Diagonally cut the corners to make a less bulky corner and then miter the corners. Hold the corners and sides in place with the quilters clips I have for finishing (Goggle Clover Wonder Clips). You can also use clip clothes pins.

Cut long length of #8 or #12 perle cotton, it will be doubled in Tapestry needle. Wax with bees wax and knot the ends of the double thread.

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Beginning in the center of the long side (if there is a side longer) and going back and forth to either left or right, lace with the double waxed thread.

When the corner is reached stitch the mitered corners and tie off with a secure knot.

Return to the center and repeat lacing on the other half. Remember to stitch the mitered corners. Check on top side of the box to be sure lacing and canvas are correctly positioned; not pulling to tightly but firmly placed.

Lace the short sides together from one corner to the other.

Note on short sided rectangles the lacing only needs to be pulled lightly to hold sides toward center. On squares or larger pieces the sides will need to be laced firmly. This can sometimes be tricky the first time so as not to pull lacing too tightly.

Check box one more time after lacing is completed and re-adjust if necessary. Check to be sure canvas is not warping the illustration board and there are no ripples in the canvas.

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Place the cut lining fabric over the lacing and with the flat head screw driver. Return the picture points to their original positions to hold canvas and lining in place.

Your box is finished. Enjoy.

Next time I will catch you up on the Temari Balls. I am also heading to Hamilton, Mo to look for finishing fabric for Melissa Shirley Wicked canvas and ????. More about Hamilton too…I hear it is a quilter’s mecca.

Thank you for stopping by, I hope you have time to stitch today!

ttfn…sue

Finishing: ornaments 3: Soft ornaments

Shaped ornaments may be finished with illustration board but I find it easier to finish them as a soft ornament. Any shape , even square or round may be finished using this method. These ornaments take a bit more time because they are hand stitched, no glue here.

Stuffing is a personal thing; some prefer tightly stuffed, while others like softer ornaments that are not stuffed as much. Whichever type you prefer, remember to use small amounts of fiber fill. Use a chopstick (reason to eat out) to push small amounts of fiber fill in to the nooks and crannies of shaped ornaments. My personal preference is somewhere between medium firm to firmly stuffed, squishy ornaments are not my thing.

Materials List:

BLOCKED Needlepoint

Copy of blocked needlepoint

Lining (optional)

Fabric Backing

Iron-on Pelon  or fleece: medium weight

Hanger (optional) Can use cording

Sewing thread to match Needlepoint and/or backing

Cording

Chop Stick or pointed tool

Usual sewing supplies

Step 1: Make a copy of your needlepoint on the copy machine and cut out.

 

 

Step 2: Lay copy right side up on the non-iron side of the pelon and draw around cut out copy.  Place on fabric backing for the ornament and iron to backing.

 

 

Step 3: Trim ornament to 1/2 inch and clip. Finger press the canvas to the back side of the needlepoint and hold in place with pins.

 

20160323 OrnSoft 4Step 4: With a long waxed thread tack the excess to the back of the needlework with running stitches. Be careful not to take the stitches to the front of needlepoint canvas.

Step 5: Repeat this process for the fabric backing, checking to be sure that 20160323 OrnSoft 5the fabric backing will match the needlepoint canvas. Be sure the running stitches are only tacked to the pelon or fleece.

Step 6: Optional. I used a hanger I bent to fit as a 20160323 OrnSoft 6hanger  to fit the sweaters.  I attached this to the needlepoint side of the canvas with basting stitches.

 

 

20160323 OrnSoft 7Step 7: Pin the needlepoint to the fabric backing.

Step 8: With the back side facing you (don’t ask me why…it’s just easier) and a waxed thread, ladder stitch the front to the back. The ladder stitch catches canvas 3-4 threads on the needlepoint and then 20160323 OrnSoft 8 ladder stitch graphicabout a 1/4 inch in the fold of the backing fabric. Pull this stitch snuggly, drawing the canvas and backing together. Do not for get to leave an opening for the ends of the cording and a place to stuff. Note the sweater ornaments had two openings; one at the hanger and one I left at the bottom to use for stuffing.

20160323 OrnSoft 11Step 9:  Using small amounts of stuffing, stuff the ornaments to the desired fullness. Use a chop stitck, small knitting needle or any pointed instrument to stuff; poking small amounts of stuffing into small places and corners. When stuffed to desired fullness, 20160323 OrnSoft 10close the hole with more ladder stitches.

Step 10: Make a cording to match or blend with the needlepoint. Attach to needlepoint hiding the ends in an opening left for this purpose.

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Step 11: With back side (backing fabric) toward you stitch cording to canvas with 1 strand of waxed thread. This thread should match the cording and if multi colored cord match fabric backing, whatever is most inconspicuous. Stitch through the cording, NOT over the cording. Stitching over the cording creates dimples in the cording that are not pretty.

Enjoy your finished ornament.

 

 

 

 

There is another type of soft ornament finishing and that uses fleece. These ornaments are not stuffed but rather stitched with fleece layers between the front and the back. I find this a great way to make a scissor fob…

It is finished very much the same way the above ornament is done:

Materials:

Blocked needlepoint Canvas

Backing material

Fleece

Thread

Cording

Step 1: Cut needlepoint canvas to 1/2 inch from needlework, angle corners.

Step 2: Finger press to back of needlepoint and pin.

Step 3: Cut fleece just a bit smaller then needlework and attach with running stitches being careful not to go through to the front of the needlepoint.

Step 4: Cut backing fabric 1/2 larger than needlework. Also cut 2 more pieces of fleece 1/8 to 1/4 inch smaller than needlepoint.

Step 5: Finger press and pin into place, mitering corners.

 

Step 6: Stitch needlepoint to fabric backing using ladder stitch method. Remember to leave opening for cording.

Step 7: Making cording and attach to needlework.

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Enjoy your new scissor fob. Hint you can also use to park needles.

This will be all the finishing for a couple weeks. Today as  I am having total knee replacement and will be rehabbing for a few weeks. But I look at it this way, I will have a good knee to keep me on my finishing quest.

AND I am going to have some great stitching time! 😉

Thank you for stopping by, I hope you have time to stitch today!

ttfn…sue

Finishing: ornaments 2: square or rectangle

As you probably guessed by now I am a glue person. I can lace a piece of needlepoint, I have and I will again but sometimes I just have too many ornaments to finish at one time. See the carrots from a few years ago (https://sudukc.wordpress.com/2011/04/26/recipe-for-finishing-carrots/) that was a production. And truthfully I would much rather have my Grandchildren carry around their ornaments in their sticky little hands (although I would prefer they didn’t have sticky fingers…but you know what I mean). The look of delight and love in their eyes when they see their favorite ornament is worth far more than any museum could ever offer me for a piece of my needlepoint

Today is finishing square and rectangle ornaments…there are only two differences between round /oval ornaments and square/rectangle ornaments. You don’t have to clip curves, there are none but you do have to miter the corners. It’s a trade off and personally I think the  round/oval is easier but I also like the look of the square/rectangle. And I really make more square ornaments than round ones…geometrics usually are square.

Again RULE ONE is having all materials at hand. I can’t emphasis this enough and trust me you will get frustrated if you have to stop and go to the craft store to purchase something (been there, bought that T-shirt many times).

Let’s get started.

Finishing:  Square/rectangle ornaments using illustration board (glue method)

You will need:

Blocked ornament (all needlepoint needs to be blocked)

Backing material

Lining material if needed

Fleece:  I use one about a 1/4 inch thick.

Illustration Board: medium weight

Glue:  use archival save glue please

Clips to hold needlework and backing fabric

Sewing thread to match backing and complement needlework.

Beeswax

Sharp needle

Hanger (can use cording) another post…

Usual sewing supplies: pins, scissors, clips etc.

1.I press the backing fabric to get the creases out, if lining ornament (you only need to line an ornament if you did an open background stitch or your design has large open areas (not stitched).

2. Measure ornament and cut out illustration board cutouts; cut two same size: one for needlepoint, second for backing. I usually make these a tad smaller than the measurement; this is not an exact measurement, it is really by trial and error method because it actually depends on how much padding you use. Example:  needlepoint measures 3 inches x 3 inches, I make the illustration board about 2 7/8 inch by 2 7/8 inch.

Make sure these 2 cut outs are the same, trim if necessary. I mark mine with an up arrow so I know how they are to be put together.

3.Cut quilt batting; I usually use two for the back and three on the front. Number 1 is cut about 1/4 inch smaller than illustration board; number 2 is cut 1/4 inch smaller than first; and number 3 is cut a 1/4 inch smaller than number 2. You can do this as many times as you want, but four is about the most I’ve seen.

 

4.Cut backing fabric 1/2 inch to 3/4 inch larger than the illustration board.

 

5.Cut needlepoint 1/2 inch to 3/4 inch larger than the illustration board, trim corners diagonally. If using a lining for needlepoint cut this too. For ornaments on illustration board I use the same size lining fabric as needlepoint and you will aple the lining first and then repeat the same process for the needlework.

 

6.I glue the quilt batting to the illustration board with a dot of glue to hold in place. Start with smallest cut batting and largest batting goes on top.

At this point if your needlework need lining do lining first and then repeat with needlework. You do not need to finger press the lining fabric.

7.With wrong side of needlepoint (lining fabric) up, Finger press the corners and sides. Place illustration board over needlework.

8.Place a bead of glue on back side of illustration board at the corners. Start with the corners, turning them in to start mitered corner. I usually do one side and then the opposite side. It is important to keep design centered on the illustration board. Allow to set.

9.Run a small bead of glue along opposite edges of the illustration board and turn needlework bto the back , finish mitering the corners and secure in place with clips until set.

10.Repeat steps #6-7-8-9 with backing fabric

11.When set remove clips from needlepoint and backing illustration boards.

12.Attach purchased hanger if desired or can make from cording.

13.On wrong/back sides of illustration board place thin layer of  glue over the backs of the illustration board;. Keep glue about 1/4  inch from edge as I don’t want any seeping out. Leave an opening to place the cording ends between the layers. Place two canvases together and secure with clips. Allow to dry completely.

14. Make cording and attach with pins. Hide one end in the opening left in Step 12 and when finished placing cording, hind second end.

15. With back side (backing fabric) toward you stitch cording to canvas with 1 strand of waxed thread. This  thread should match the cording and if multi colored cord match fabric backing, whatever is most inconspicuous. Stitch through the cording, NOT over the cording. Stitching over the cording creates dimples in the cording that are not pretty.

Notice that I do not glue cording! I guess you could if you’re good but I personally like to sew my cording.

16. Enjoy

 

 

 

Lacing Method is the same except that you turn all to back and hold in place with clips or pins. Lacing should begin in the middle of a side and proceed to 1st miters. Stitch the miters as you go around.

Thank you for stopping by, I hope you have time to stitch today!

ttfn…sue

Finishing: ornaments

I’m going to break the ornaments up into types, so we will start with the round ornaments using illustration board.  There are 2 methods to finishing these ornaments: sewing and using glue. I will show you both, it is up to you to make your own decision to which to use. My ornaments are not going to the Smithsonian; my grandchildren hand them on real trees (pine oil) and there is the time it takes to do all by hand (hand sewing takes about twice as long).

RULE ONE: Have all materials at hand, there is nothing more frustrating than having to stop and go looking for something else

Before we begin there are a few hints to make finishing easier…

There are clips on the market for holding canvas and fabrics in place. They come in two and maybe three sizes (I just have two); they are usually found in quilt departments of fabric stores or quilt shops. I prefer the green ones to the mini ones and really I usually grab my old fashion clothes pins 1st.

Hooks: for Christmas ornaments: these are found at craft stores and come in gold and silver. I like the decorative ones for finishing needlepoint because I have never been happy with cording loops. My cording loops either are too long or too short, but with these, you can use a second one of the same hook or the more tradition ornament hook to hang them.  And should you decide to hang them on the wall, this hanger makes a nicer presentation.

Glue: If you decide glue is not a four letter word in finishing here is a helpful hint, especially when glue is less than half full. Lay the glue container on its side with cap on, make sure the tip is over a plastic lid to prevent accidents…Use a large lid and lay the entire bottle in it.

I use old credit cards or a scape of illustration board to spread glue, keeps my fingers clean.

I also keep a damp rag handy when using glue. It helps keep glue off your fingers and it can also help if glue gets on fabric or needlepoint accidentally.

Finishing: Round ornaments using illustration board (sewing method)

You will need:

Blocked ornament (all needlepoint needs to be blocked)

Backing material

Fleece:  I use one about a 1/4 inch thick.

Illustration Board: medium weight

Sewing thread to match backing and complement needlework.

Beeswax

Sharp needle

Hanger (can use cording) another post…

Usual sewing supplies: pins, scissors, clips etc.

I press the backing fabric to get the creases out…

Measure ornament and make illustration board cutouts; cut two same size: one for needlepoint, second for backing. I usually make these a tad smaller than the measurement; this is not an exact measurement, it is really by trial and error method because it actually depends on how much padding you use. Example: needlepoint measures 3 inches I make the illustration board about 2 7/8 inch around.

Make sure these 2 cut outs are the same, trim if necessary. I mark mine with an up arrow so I know how they are to be put together.

 

Cut quilt batting; I usually use two or three. Number 1 is cut about 1/4 inch smaller than illustration board; Number 2 is cut 1/4 inch smaller than first; and Number 3 is cut a 1/4 inch smaller than number 2. You can do this as many times as you want, but four is about the most I’ve seen.

Cut backing fabric 1/2 inch to 3/4 inch larger than the illustration board.

Cut needlepoint 1/2 inch to 3/4 inch larger than the illustration board. If using a lining for needlepoint cut this too.

I glue the quilt batting to the illustration board with a dot of glue to hold in place. Start with smallest cut batting and largest batting goes on top.

 

With wrong side of needlepoint up, place illustration board over needlework. Clip needlepoint.

With a double waxed thread begin to lace the needlepoint onto the illustration board. Start at 12:00 and work clockwise, pulling canvas taut but not tight enough to warp illustration board.

Repeat steps #6-7-8 with backing fabric

Attach purchased hanger if desired

 Place the two canvases together and pin. With back side (backing fabric) toward you ladder stitch together with a waxed heavy duty (quilt thread). A double waxed thread may be used too. Leave an opening to place the cording ends between the layers.

Make cording and attach with pins. Hide one end in the opening left in Step 11 and when finished placing cording hind second end.

With back side (backing fabric) toward you stitch cording to canvas with 1 strand of waxed thread. This thread should match the cording and if multi colored cord match fabric backing, whatever is most inconspicuous. Stitch through the cording, NOT over the cording. Stitching over the cording creates dimples in the cording that are not pretty.

Enjoy

 

 

The second way is to glue the ornament to the illustration board. There is not much difference except you are not lacing the needlepoint and backing nor sewing the ornament together.  It is much quicker, but does take some time to master  not gluing yourself too. Keep a damp rag handy and keep area clean.

Finishing: Round ornaments using illustration board (glue method) 

You will need:

Blocked ornament (all needlepoint needs to be blocked)

Backing material

Fleece:  I use one about a 1/4 inch thick.

Illustration Board: medium weight

Glue:  use archival save glue please

Clips to hold needlework and backing fabric

Sewing thread to match backing and complement needlework.

Beeswax

Sharp needle

Hanger (can use cording) another post…

Usual sewing supplies: pins, scissors, clips etc.

I press the backing fabric to get the creases out…

Measure ornament and make illustration board cutouts; cut two same size: one for needlepoint, second for backing. I usually make these a tad smaller than the measurement; this is not an exact measurement,  it is really by trial and error method because it actually depends on how much padding you use. Example: needlepoint measures 3 inches I make the illustration board about 2 7/8 inch around.

Make sure these 2 cut outs are the same, trim if necessary. I mark mine with an up arrow so I know how they are to be put together.

Cut quilt batting; I usually use two or three. Number 1 is cut about 1/4 inch smaller than illustration board; Number 2 is cut 1/4 inch smaller than first; and Number 3 is cut a 1/4 inch smaller than number 2. You can do this as many times as you want, but four is about the most I’ve seen.

Cut backing fabric 1/2 inch to 3/4 inch larger than the illustration board.

Cut needlepoint 1/2 inch to 3/4 inch larger than the illustration board. If using a lining for needlepoint cut this too.

I glue the quilt batting to the illustration board with a dot of glue to hold in place. Start with smallest cut batting and largest batting goes on top.

 

With wrong side of needlepoint up, place illustration board over needlework. Clip needlepoint with scissor.

Place a bead of glue on back side of illustration board around the edge. Start at 12:00 o’clock postion and use one of the clips to secure needlepoint to illustration board. Move to 6 o’clock postion and repeat. Do 3 o’clock and 9 o’clock the same and then fill in the rest until all clipped needlepoint canvas is attached to illustration board. Allow to set.

Repeat steps #6-7-8 with backing fabric

 

When set remove clips from needlepoint and backing illustration boards.

Attach purchased hanger if desired

On wrong/back sides of illustration board place a bead of glue around the edge (I usually keep glue about 1/2 inch from edge as I don’t want any seeping out) and in the center . Leave an opening to place the cording ends between the layers. Place two canvases together and secure with clips. Allow to dry completely.

Make cording and attach with pins. Hide one end in the opening left in Step 12 and when finished placing cording, hind second end.

With back side (backing fabric) toward you stitch cording to canvas with 1 strand of waxed thread. This thread should match the cording and if multi colored cord match fabric backing, whatever is most inconspicuous. Stitch through the cording, NOT over the cording. Stitching over the cording creates dimples in the cording that are not pretty.

Enjoy

Notice that I do not glue cording! I guess you could if you’re good but I personally like to sew my cording.

And that is how I make round ornaments using illustration board. Can you tell which one of the three was stitched? 😉

Thank you for stopping by, I hope you have time to stitch today!

ttfn…sue

Finishing, the beginning…again:

I have started on my project for the year…I will have my needlepoint finished this year! I am going to do it myself or send it out.

I must tell you that I have great anxiety over trying to finish large stand-ups and pillows. I have these visions in my head of boxing some stand-ups and pillows and I have NEVER made a pillow in my life. This may be a real learning experience, but that is down the road and we won’t worry about it now because we are going to start with things we know and work up to the big things.

Okay some thoughts before we begin…

Washing Needlepoint:

Should your needlepoint need washing, I would have the piece professionally done. I am always afraid of wetting a canvas too much and having threads bleed. “Orvus” seems to be the recommended thing to use if you are going to try and wash your needlework.

I personally think an ounce of prevention is worth a pound of cure. I wash my hands before I stitch and liquids around needlework is an accident waiting to happen.  I keep my drinks a few feet away from my needlework and my computer…two reasons: 1. Liquid and computers or needlework do not mix. And 2 I get my exercise getting up to walk to my drink…that’s not to say I have not left many a cup of coffee to get cold, but it’s not going to hurt anything either.

Blocking:

Blocking is essential. Even if you stitched on a frame and your needlepoint looks perfectly straight, it needs to be blocked. Blocking is not easy and if you do not have a blocking board I suggest you get or make one.

I wrote about blocking 2 years ago (https://sudukc.wordpress.com/2014/07/09/blocking-is-not-for-sissies/) and sad to say most of those needlepoint pieces in the top picture are not finished today. All I can say is I got sidetracked or it was just too overwhelming for me then.

14-06-12 blocking boardBut back to blocking boards.  I have one, it is a Maries Products 4 square blocker, and if I can ever find another at a reasonable price I will purchase it too. I love this blocking board. It works well for me. I use roofing nails to secure the needlepoint because roofing nails do not rust. I sure wish someone would 14-06-12 nailsmake this product again.

And not all blocking boards are suitable for needlepoint. Needlepoint blocking requires that you use heavy duty tacks or rust-proof nails to block needlepoint. Foam or vinyl boards are not heavy enough to block needlepoint.  Cardboard mats with ruled lines may work for canvas that is lightly distorted, but I would put a piece of clear vinyl over any thing I use to keep a safety net between the board and your needlepoint.  These cardboard mats may not last long either since you will be using roofing nails to hold stretched canvas in place.

You can make a blocking board using a piece of drywall covered with several layers of fabric. I would start with 2-3 layers of bleached muslin attached to dry wall with a staple gun. Over this I would use a piece of gingham fabric (woven not printed…Woven gingham will have straighter lines) with 1 inch squares in a light or pastel color. Attach gingham with staple gun using a right-angle triangle or T-square to keep lines straight. Over this I would place a clear piece of vinyl just to add that layer of prevention and prevent bleeding of the gingham. Of course you could prewash the gingham to see if it does bleed.  This board will have to be replaced also.  I understand you can use a piece of pinewood too, but this would require you hammer the nails into the board and it would have to be replaced too.

I have also known people who have blocked needlepoint on their ironing board using T-pins. I think these needlepoint pieces must have not been out of shape much.

Whatever method you choose, needlepoint should be blocked!

Before you block:

Whatever you use there are a couple things you need to do before you block any needlepoint.

14-07-09 Blocking remove tape & selvagesYou need to remove the selvage of canvas if it is still on your canvas.

You need to remove the tape from the canvas…you really should do this as soon as you are finished stitching. Tape is not good for long term on canvas.

 

Blocking needlework :

I am going to repeat here what I wrote two years ago (https://sudukc.wordpress.com/2014/07/09/blocking-is-not-for-sissies/)

 

if your canvas still has the selvage on it cut it off…hopefully this will still leave you room to block piece. If not, for now just clip through the selvage like you are clipping a curve, block and then remove. And shame on the designer or teacher who put her design too close to the selvage.


Blocking is hard on the fingers and the fingernails. You have to pull the canvas taut. I start to pin my needlepoint in the upper right corner. I pull the canvas taut and pin the top first (it does not matter whether you pin across the top or down the right side first whichever you prefer) The two things that are important are that you pull the canvas taut AND you pin in the same ditch, channel, between two parallel canvas threads (straight line) across the canvas. Next I pin down the right side, pulling taut and following a straight line. Next is the left side and then across the bottom Sometimes my bottom pining will be off a canvas thread or two, but what matters is that the canvas is square with no waves or puckers. Adjust pins by pulling canvas if you have waves or puckers.

 

To dampen or not…NEVER if silk or overdyes are used. I have a steamer and a mister but unless badly distorted (you must not have used your stretcher bars…shame on you) I seldom use water on my needlework. If I do, I put a towel under the blocking board and I mist very very lightly and leave the blocking board lying flat. You are going to love this reasoning…it makes no sense but it makes me feel more secure…I think if the board is flat and the color is going to run it will run down and not sideways. I told you it makes no sense but it makes me feel better. The other thing I have found is if I dampen needlework I have to adjust blocking the second time.
Okay needlepoint is on the blocking board and I leave it for a day or two, or three, or more…I check it after 24 hours and if the needlework is puckering I adjust the tension by unpinning two sides (bottom and left) and re-pin pulling taut. I leave blocked needlework on the blocking board until I get ready to finish and trust me I have had needlework on a blocking board a long time
. (Editorial note: No Kidding)


Another thing I want to mention here is if you have a piece that is badly distorted, I recommend two things:

1. Have it professionally blocked
2. Immediately find someone who will lace it for framing.
And know that over time it is going to distort again…unless of course you are planning on putting it in a museum where they can climate control it and keep it from the real world. And never let someone talk you into glue for the back or using pelon on the back… needlepoint is stronger than both of these and you will just have a mess.

14-06-18 supplies AOkay your piece is blocked and ready for finishing. Like stitching this requires some planning. It is necessary to have the proper tools and all the finishing supplies handy. Read this old my blog for these supplies they have not changed. 14-06-18 supplies B(https://sudukc.wordpress.com/2014/06/18/ufbsunfinished-but-stitched-supplies/)

Next we will finish ornaments…I’m good at small stuff.

Thank you for stopping by, I hope you have time to stitch today! I stitch even if I am finishing too…never want to run out of things to do…lol.

ttfn…sue

Monkey year…complete it year

A few posts back I wrote…http://eac-blog.blogspot.com/2016/02/some-unfinished-business.html

I’ll be back soon. I have been giving a great deal of thinking to my plans for 2016. Now that my threads are organized and I am working on reducing the pile of paperwork I have accumulated, I also have found another pile of things that really need my attention. More about this next time

I have sooooooo many stitched pieces that need to be finished that I should never stitch another piece of needlepoint. Well, we all know that is not going to happen so I am going to just bite the needle and start finishing. Another reason I am telling you this is that it will make me accountable, if I tell someone then I will have to do it or at least try.

So, this year , if it kills me I am going to tackle this project. I am going to get rid of the pies of paper on my desks.  I am going to finish many of my completed needlepoint pieces. And of course I am going to stitch.

I can tell you before I begin that this is probably not going to be my favorite project; if it were I would never have amassed this pile of unfinished needlework.  I just kept putting it off until It was either sell one of my children (and they are all too old to sell and I could never sell one of my grandkids), take a loan on our home (DH would not sign the papers, I tried) or try to do it myself.  And just so everyone knows, I am NOT going into the finishing business!  I can do it for myself because if I mess it up I can either live with it or get rid of it…but I would die a thousand deaths if I messed up someone else’s work.

So this monkey (yes, it is the Chinese year of the monkey) has decided that 2016 is the year of the finishing, finished projects are a priority. Not only is finishing needlepoint a priority, but that stack of accumulated papers on my desk is another priority. There are not just papers on my desk(s), yes I have two because I moved from smaller desk to larger area on table in office. I am getting stacks everywhere…and I didn’t even take you into the sewing area there are more canvases there.

So even though I will be stitching (a girl has to do what a girl has to do to keep her sanity);  I will also be using a pointed needle to finish some stitching.  I’m going to use scissors and glue too. So come along and we will learn together. If I forget to mention something just ask and if I have an answer I’ll tell you and if not we will put it out there and maybe someone else will have an idea or two. Together we can conquer the finishing challenge…and if all else fails I can send it to the pros.

Thank you for stopping by… I hope you find time to stitch today with whatever type needle you need to get the job completed.

ttfn…sue

My Stitching bird.

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I usually set the next un-stitched canvas I want to stitch out on stretcher bars so I can look at it as I finish stitching the last one. This usually gives me incentive to finish a canvas and not dawdle; but sometimes (usually) I get ahead of myself and stick the new canvas audition out to soon and it frustrates me that the canvas I am working on is stitching so slowly.

This is one of those pieces that had many side stories to it, or maybe it is just insight into my crazy thinking. At any rate, I will try and explain as we go…I am going to walk you through MY processing. It takes some turns and twists…so let’s get started. This canvas is painted on three separate pieces of canvas for easy of handling; so I have three canvases framed up and I am going to start the bird’s bodies first.

2015-08-05 MS Bird tear sheetThis Melissa Shirley (http://melissashirleydesigns.com//) canvas is another guild member’s canvas (Remember if you like this canvas ask your shop to see if the canvas is still available.)  She loved birds and stitched many of them…I have a couple turkeys she stitched but this was one that spoke to me, so I brought it home. I knew I wanted all the squares to be the same stitch: middle blue square are Reversing Scotch, lightest blue squares are Milanese; and dark blue squares are Byzantine.  The yellow bars are Slanted Gobelin and the little squares would be Smyrna Crosses. I had even decided to stitch the bird in Brown Paper Packages’ Silk n Ivory (http://www.brownpaperpackages.com/).

(1st twist). Yes, I know some stitchers think Silk & Ivory pills on 18 count canvas and it may; but I have never had this problem. I think if you are stitching something that is going to get a lot of wear (belts, purses, etc.); Yes, then you should think about using another thread. But remember any thread on a wearable garment will wear: perle cotton will lose its luster as will silk pearls, floss will not hold up to constant wear, and wool will pill too. So in my opinion, you should use what you like. Wearable stitching is not for a lifetime in most cases. Using Silk and Ivory on 18 count ornaments, standups and other decorative pieces works for me and I use it. The only problem I have ever encountered over the years is that large area of Silk and Ivory stitched in Basketweave tend to be tight (but I did it on this piece as you will see), but I have very little or no problem with decorative stitches. I do us a size 22 needle when stitching with Silk and Ivory, I think the larger needle opens the wholes of the canvas a tad more and helps the thread move smoothly through the canvas.

So I had pulled my threads (I originally intended to do the entire bird in Silk and Ivory and had pulled all the threads. Good thing I have my stash at hand…because the best plans usually change.)

2015-08-05 MS Blue Bird square counts usedI don’t know why I picked a center square to start must have been Stitching Angel intervention, but somewhere I got it in my head these were not perfect squares. They are 16 threads to each square separated by 3 threads. But I made a mistake and stitched the Reversing Scotch Stitches over three threads instead of four. I could have taken it out but 2015-08-05 MS Blue Bird scotch squarefor whatever reason (I hate Frog stitching) I kept going.  I assumed the squares were off, but if I added a fourth thread to the dividers I could continue…I later went back and charted the Reversing Scotch and I liked my mistake better, so I kept it. After I played around and decided this mistake would work there was another twist: I have decided to change some of 2015-08-05 MS Bird rev scotch used 2the threads.

2nd twist: I have a list from Kreinik (http://www.kreinik.com/) of the threads they are no longer stocking (some you can request others have been discontinued) and I had spent a day separating these out so I would not use them for designing. I had lots of 042 Confetti fuchsia; I had used it to teach a class years ago when I was in certification for teaching. I use discontinued threads only in pieces for my personal use. So I decided to take yet another twist…

2015-08-05 MS Blue Bird copic marker3rd twist: A few years ago I discovered Copic pens (http://www.copiccolor.com and http://www.copiccolor.com/) and now I can’t get enough of them. While playing with the Copic pens and an air gun I realized I could color areas of white canvas to simulate any color canvas I could want to purchase…hummm…but that’s another story. But I have used them to color canvas backgrounds if I need a larger or different shaped background.  I wonder if I can change the color too?  So I stopped stitching and changed all the yellow to sorta pink so I could use the Kreinik Confetti Fuchsia.

So now I am back on track, well at least my track. I am stitching the blue squares and looking at the wings and sides too

2015-08-05 MS Blue Bird chin aAnother turn came (not really a twist but a stitchers/finishers decision) when I went to stitch under the beak. Since I have been doing some of my own finishing I am more aware of these sharp, small turns that do not finish well. So here, under the beak I made another stitchers choice. See that one stitch that is unpainted, it went away; not the finishing there will 2015-08-05 MS Blue Bird chin bbe easier. As you are stitching and you see this little opps, you can cover them with a stitch and finishing will be much easier

So for now I am stitching along on the blue bird bodies…I will be back with the sides and wings soon. .

Thank you for stopping by… I hope you find time to stitch today!  ttfn… sue

Good News: Tomato finishing and Royals win

14-10-01 1 clipsI think the size of the canvas was intimidating to me and I kept putting off the finishing but then I decided what the heck…it’s only needlepoint and it only took me six months of stitching time (the last six weeks were intense…to complete it). With my 2014-10-01 2 linetrusty canvas scissors I began to cut the tomato to within a 1/2 in of the stitching; then I turned and pined, clipping the curves and between the segments as I went. The instructions say wrong sides together but I am going to hand stitch mine using the ladder 2014-10-01 3 pin allstitch. Someone wrote me she stuffed hers as a frame weight and I thought this was a good idea so I’m going to go mine this way too.

Big Mistake: Tried to make one long cording using 3 skeins of floss, my arms are not that long, even with the help of two other people. But I got it done and have one long humongous green cord. Make smaller cords.

2014-10-01 4 weight battingStitched the bottom segments together and made a muslin bag for the aquarium gravel to make weight. Used quilt batting to place around the quilt batting and then used polyester stuffing to stuff firm and then stitched the top segments closed. I attached the cording and sewed it in place then finished leaves 2014-10-01 5 leaf liningand strawberry.  I lined the leaves with a ladybug material from my stash and used cording around them too. I also used a red cording to cover the seam and around the top of the strawberry. I attached the leaves using a doll needle 2014-10-01 6 strawberryand ribbon; I started at the bottom and pulled the ribbon through the tomato; I added one end of the strawberry cord and then stitched through the leaf canvases and used two of the buttons I painted on top of the leaves. Tied a

2014-10-01 6 finished topsquare knot then a bow, placed a dab of Fray Check to secure the knot and cut the ends.  And the frame weight tomato is completely finished and read for use.

 

Can you tell the difference in these two pictures?

2014-10-01 7 finished all2014-10-01 8 finished all

Yes, it is different sides of the tomato, but look at the strawberry. I can wind the strawberry up under the leaves and it will be shorter when I use as frame weight.

See me smiling and doing happy dance.

And BTW, I smiled and did a happy dance well past my bedtime yesterday. The Kansas City Royals won their playoff game last night! It was by far the best baseball game I have ever attended or watched!

Congratulations guys, if I were a wealthy woman I would buy tickets (better yet a suite…need 20 tickets) for my family and we would watch you win it all.

Go Royals!

Nice way to start the month and end the week (especially after previous post)… Good news is always best!

Thank you for stopping by, I hope you find time to stitch today! I’m going to design a baseball to stitch this week-end…ttfn…sue