Category Archives: Shading Technique

Torin Ailfred O’Patrick and Faces

I decided that my little leprechaun needed a name, so I looked up male Irish names and Torin Ailfryd O’Patrick was born. His name means: Chief (Torin) elf counsel (Ailfryd) of noble descent (O’Patrick) or Toppy for short.

I try and remember to take a picture of the canvas I am stitching to use for reference only; after I am done stitching Toppy I will take another picture for my stitched piece notebook. I have been trying to keep track of what I stitch and have been cataloging pieces I find that are not in my files. I wrote about this a couple years ago (http://sudukc.wordpress.com/2009/08/29/keeping-track-of-needlepoint/). New needlepoint canvases have a stitch guide to go with them, some have stitches others have just the threads I used listed.

If a needlepoint canvas has a face I usually try to start by stitching it first. Faces give the piece personality and also can give a clue into how the rest of the piece is going to be stitched. I think needlepointing faces can be daunting especially when trying to make the face appear realistic; and I think Basketweave & Continental are best suited to either realistic or interpretational stitching of faces. I have seen a Long & Short stitched face that was lovely; it was executed in 1 strand of silk and I doubt that any stitch was more than 4 threads in length. But for the most part I feel Basketweave and Continental are the best; and very realistic complexions can be stitched using one of several thread blending techniques. Sometimes it is best to stitch the entire face and then stitch the special features over this base; other times stitching the features within the face are more desirable; each canvas should be judged on its own.

The first angel is a Gay Ann Rogers (http://www.gayannrogers.com/site_2/Home_Page.html) tree topper and her face is stitched very simply with just eyes and mouth stitched also; there is no shading, outline or detail.

The next angel’s face is a Brenda Stofft (http://www.brendastofftdesigns.com/) angel class, taught many years ago but such a classic. It is difficult to see in this picture but her shading is delicate and realistic. She was stitches with 4 colors of floss, all in Basketweave and Continental: #1 outlined her face, neck, chin and tip of her nose, #2 filled in on either side of the nose and up into the eye area and also under her chin, #3 was stitched with a needle blending technique using two colors of floss just to give the suggestion of blush cheeks, #4 was the remaining parts of her face.

This Lee  (http://www.newleesneedlearts.com/) Geisha canvas was a real challenge. I wanted her to be as realistic as possible and to have the ivory complexion of the geisha. There are 5 colors of silk floss mostly stitched in Basketweave and Continental with an overlaid and outline stitch: colors 1-2-and 4 were so close in value that I barely could tell them apart when not in their original skein.  #1 is the lightest of the silks used on her face; #4 I knew I was going to outline the face but I also wanted the chin to be defined but not by an outline stitch, so there are continental stitches along the chin area that are thread  needle blended of colors 1 & 4; color #2 is under the chin; #3 is the cheek area and is the same value as color #5 but with a pinkish tint to this color family; # 4 is the outline used around the profile of her face and one stitch into the chin area before the tent stitches were used to suggest the rest of her chin; and #5 is the darkest of the flesh colors stitches over the Basketweave to suggest her lowered eyelid.

Ready –to Go Santa (Beau Jeste canvas/class and another fun face) He just has two colors #1 for basic face and #2 outlines nose and is also used for his cheeks. If this had not been a class, I might have overlaid his nose area with #1 in a horizontal Gobelin.

Back to Toppy’s face. I am stitching his face in Basketweave; stitching over his closed eye, eyebrows and nose areas; his open eye cheeks and mouth are left unstitched. Later this week, Toppy and I will be back with a sparkle in his eye and the details of his face.

Do you name your canvases? So how do you approach stitching canvases with faces? I love hearing what other stitchers do to make stitching their canvases more personal.

Thank you for stopping by and I hope you have time to stitch today!  ttfn…sue

P.S Happy Valentine’s Day too.

Lucy has ears & eyes

Lucy eyes and ears 3 Lucy eyes and ears 1 Lucy got eyes and ears this week and in fact has some of her legs stitched now. But for today’s post I want to talk about her eyes and ears.

Lucy’s eyes are stitched with DMC floss in basketweave whenever possible; otherwise it is a continental stitch when necessary. And yes, I carried the threads from one eye to the other…I measured it’s less than 14 threads and since she is painted on 18 mesh canvas that translates to less than one inch…and I’d have done it anyway.  Although her pupils appear to be black they are stitched with 6 strands DMC floss #3371 and 1 strand of Kreinik Blending Filament: #005HL Black. I try to remember to do this to all my eyes, it adds just a tad of sparkle in certain light. The outer eye color is 6 strands DMC floss #3860 and the small areas of white are 6 strands DMC floss #822. White and black floss seemed to stark and so I frog stitched and re-stitched them again.   Around the outside of her eyes I did a stem/outline stitch using  1 strand Epic #201 Earth. When I finished stitching her eyes I thought she looked a bit bug eyed, but then she is a bit bug eyed  and I think when her fur is stitched , it will tone these eyes down.

Lucy’s ear were stitched in a random basketweave, shading these areas using a needle blending technique. Her ears are stitched using 6 strands DMC floss. I started with her inner ear using the lightest pink color DMC #754. Next I added several stitches using 3 stands of the lightest pink color DMC #754 and 3 strands of the dark pink DMC #3859 blended in the needle. I did not lay these threads because I wanted them to fall as they would. I completed the inner ear pink areas with 6 strands of dk pink DMC floss #3859. I next outlined her ears with 6 strands dark cocoa brown DMC #3860. I filled the remaining parts of the ears with random basketweave stitches using three needles filled with:

1. 6 strands DMC lt cocoa #3861

2. 4 strands DMC lt cocoa #3861 and 2 strands dark pink #3859

2. 2 strands DMC lt cocoa #3861 and 4 strands dark pink #3859.

As I was stitching the ears, I wasn’t sure I was going to like them either…but then I am usually over critical of my own stitching. I do hate to “frog stitch” and so usually have been able to talk myself into a wait and see attitude. When I finished stitching these area I set her away from me and just looked at her. Now I think these areas are going to work…and of course I am stitching another area so I am critical of the new area now…

Until next time…ttfn sue